Open Peer Commentary
Why we experience musical emotions: Intrinsic musicality in an evolutionary perspective
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- Published online by Cambridge University Press:
- 01 October 2008, pp. 585-586
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Emotional responses in mother-infant musical interactions: A developmental perspective
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- Published online by Cambridge University Press:
- 01 October 2008, pp. 586-587
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What about the music? Music-specific functions must be considered in order to explain reactions to music
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- Published online by Cambridge University Press:
- 01 October 2008, p. 587
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Identifying and individuating the psychological mechanisms that underlie musical emotions
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- Published online by Cambridge University Press:
- 01 October 2008, pp. 587-588
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Distinguishing between two types of musical emotions and reconsidering the role of appraisal
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- Published online by Cambridge University Press:
- 01 October 2008, pp. 588-589
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A neurobiological strategy for exploring links between emotion recognition in music and speech
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- Published online by Cambridge University Press:
- 01 October 2008, pp. 589-590
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The need to consider underlying mechanisms: A response from dissonance
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- Published online by Cambridge University Press:
- 01 October 2008, pp. 590-591
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Notation and expression of emotion in operatic laughter
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- Published online by Cambridge University Press:
- 01 October 2008, pp. 591-592
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Do all musical emotions have the music itself as their intentional object?
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- Published online by Cambridge University Press:
- 01 October 2008, pp. 592-593
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Feelings and the enjoyment of music
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- Published online by Cambridge University Press:
- 01 October 2008, pp. 593-594
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The role of exposure in emotional responses to music
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- Published online by Cambridge University Press:
- 01 October 2008, pp. 594-595
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Music evoked emotions are different–more often aesthetic than utilitarian
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- Published online by Cambridge University Press:
- 01 October 2008, pp. 595-596
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Super-expressive voices: Music to my ears?
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- Published online by Cambridge University Press:
- 01 October 2008, pp. 596-597
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The role of signal detection and amplification in the induction of emotion by music
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- Published online by Cambridge University Press:
- 01 October 2008, pp. 597-598
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Music as a dishonest signal
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- Published online by Cambridge University Press:
- 01 October 2008, pp. 598-599
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Anticipation is the key to understanding music and the effects of music on emotion
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- Published online by Cambridge University Press:
- 01 October 2008, pp. 599-600
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Authors' Response
All emotions are not created equal: Reaching beyond the traditional disputes
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- Published online by Cambridge University Press:
- 01 October 2008, pp. 600-621
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