Hostname: page-component-586b7cd67f-t7czq Total loading time: 0 Render date: 2024-11-27T18:36:53.476Z Has data issue: false hasContentIssue false
  • English
  • Français

A neurobiological strategy for exploring links between emotion recognition in music and speech

Published online by Cambridge University Press:  01 October 2008

Aniruddh D. Patel
Aniruddh D. Patel
Affiliation:
The Neurosciences Institute, San Diego, CA 92121. [email protected]://www.nsi.edu/users/patel
Get access Rights & Permissions [Opens in a new window]

Abstract

Are the neural systems involved in recognizing affective prosody in language also used for emotion recognition in instrumental music? One way to test this idea is to study musical affect perception in patients with receptive affective aprosodia (RAA). Music perception in RAA is totally unexplored and could provide a powerful way to test the idea that we perceive music as a kind of emotional voice.

Type
Open Peer Commentary
Information
Behavioral and Brain Sciences , Volume 31 , Issue 5 , October 2008 , pp. 589 - 590
Copyright
Copyright © Cambridge University Press 2008

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Adolphs, R., Damasio, H. & Tranel, D. (2002) Neural systems for recognition of emotional prosody: A 3-D lesion study. Emotion 2:23–51.CrossRefGoogle ScholarPubMed
Charbonneau, S., Scherzer, B. P., Aspirot, D. & Cohen, H. (2002) Perception and production of facial and prosodic emotions by chronic CVA patients. Neuropsychologia 41:605–13.CrossRefGoogle Scholar
de Waal, F. B. M. (2007) The “Russian doll” model of empathy and imitation. In: On being moved: From mirror neurons to empathy, ed. Bråten, S., pp. 49–69. John Benjamins.CrossRefGoogle Scholar
Evans, P. & Schubert, E. (2008) Relationships between express and felt emotions in music. Musicae Scientiae 12:75–99.CrossRefGoogle Scholar
Gabrielsson, A. (2002) Emotion perceived and emotion felt: Same or different? Musicae Scientiae (Special Issue 2001–2002):123–47.Google Scholar
Heilman, K. M., Bowers, D., Speedie, L. & Branch Coslett, H. (1984) Comprehension of affective and nonaffective prosody. Neurology 34:917–21.CrossRefGoogle ScholarPubMed
Heilman, K. M., Scholes, R. & Watson, R. T. (1975) Auditory affective agnosia: Disturbed comprehension of affective speech. Journal of Neurology, Neurosurgery, and Psychiatry 38:69–72.CrossRefGoogle ScholarPubMed
Ilie, G. & Thompson, W. F. (2006) A comparison of acoustic cues in music and speech for three dimensions of affect. Music Perception 23:319–30.CrossRefGoogle Scholar
Jabbi, M., Swart, M. & Keysers, C. (2007) Empathy for positive and negative emotions in the gustatory cortex. NeuroImage 34:1744–53.CrossRefGoogle ScholarPubMed
Johnstone, T. & Scherer, K. R. (1999) The effects of emotion on voice quality. In: Proceedings of the 14th International Congress of Phonetic Sciences, San Francisco, ed. Ohala, J. J., Hasegawa, Y., Ohala, M., Granville, D. & Bailey, A., pp. 2029–32. University of California Press.Google Scholar
Johnstone, T. & Scherer, K. R. (2000) Vocal communication of emotion. In: Handbook of emotions, 2nd edition, ed. Lewis, M. & Haviland-Jones, J. M., pp. 220–35. Guilford Press.Google Scholar
Juslin, P. N. & Laukka, P. (2003) Communication of emotions in vocal expression and music performance: Different channels, same code? Psychological Bulletin 129:770–814.CrossRefGoogle ScholarPubMed
Keysers, C. & Gazzola, V. (2006) Towards a unifying neural theory of social cognition. Progress in Brain Research 156:379–401.CrossRefGoogle ScholarPubMed
Krumhansl, C. L. (1997) An exploratory study of musical emotions and psychophysiology. Canadian Journal of Experimental Psychology 51:336–52.CrossRefGoogle ScholarPubMed
Ladd, D. R., Silverman, K. E. A., Tolkmitt, F., Bergmann, G. & Scherer, K. R. (1985) Evidence for the independent function of intonation contour type, voice quality, and F0 range in signaling speaker affect. Journal of the Acoustical Society of America 78:435–44.CrossRefGoogle Scholar
Patel, A. D. (2008) Music, language, and the brain. Oxford University Press.Google Scholar
Preston, S. D. & de Waal, F. B. M. (2002) Empathy: Its ultimate and proximate bases. Behavioral and Brain Sciences 25(1):1–72.CrossRefGoogle ScholarPubMed
Ross, E. (2000) Affective prosody and the aprosodias. In: Principles of behavioral and cognitive neurology, ed. Mesulaum, M.-M., pp. 316–31. Oxford University Press.CrossRefGoogle Scholar
Schirmer, A. & Kotz, S. (2006) Beyond the right hemisphere: Brain mechanisms mediating vocal emotional processing. Trends in Cognitive Sciences 10:24–32.CrossRefGoogle ScholarPubMed
Tucker, D. M., Watson, R. T. & Heilman, K. M. (1977) Discrimination and evocation of affectively intoned speech in patients with right parietal disease. Neurology 27:947–50.CrossRefGoogle ScholarPubMed
van der Gaag, C., Minderaa, R. & Keysers, C. (2007) Facial expressions: What the mirror neuron system can and cannot tell us. Social Neuroscience 2:179–222.CrossRefGoogle ScholarPubMed
Zattore, R. J., Evans, A. C. & Meyer, E. (1994) Neural mechanisms underlying melodic perception and memory for pitch. Journal of Neuroscience 14:1908–19.CrossRefGoogle Scholar