The aim of this chapter is to provide the state-of-the-art of the research on the development of suprasegmental phonology in bilingual children from infancy through childhood. First, we discuss word-level prosodic phenomena, with a special focus on the bilingual acquisition of word stress and syllable structure, which has been a lively area of research. We also present recent data on the acquisition of tone, which remains a less investigated topic. Second, we consider the acquisition of phrase-level prosody, namely, rhythm and intonation. For each domain of prosodic development, we briefly review monolingual patterns and discuss how learning two (or more) phonological systems can affect developmental trajectories, showing that there can be different cross-linguistic interactions such as transfer, delay, acceleration, or fusion. We also consider potential influencing factors that can trigger different tracks in the development of prosody, for example age of onset, amount of exposure, language dominance, and simultaneous or sequential language acquisition. The chapter concludes with a discussion of avenues for future research.

This chapter reviews the last twenty-five years of L2 prosody research in three sections, word stress, sentence intonation, and rhythm, and presents findings in relation to two underlying themes, form-meaning mapping and additive versus subtractive bilingual contexts. Concerning L2 stress, pioneering research framed perception difficulties either as an L1-to-L2 cue-transfer problem or as a processing deficit linked to learners’ inability to represent contrastive stress in their lexicons. Recent research established the extent and limits of those initial frames. L2 sentence intonation has multiple factors modeling its variation. One of them, social meaning, and in particular accommodation literature revealed the effect of affective factors which in multilingual communities became stronger than that of linguistic and social factors. As regards L2 rhythm, most research uses duration-based measures. Indeed, recent L1 studies started examining pitch-based rhythm measures which are still to be explored in L2. Ending with suggestions for future research that address those biases, this chapter aims at promoting a more inclusive and comprehensive understanding of L2 prosody.

This chapter reviews available information on the phonetics and phonology of indigenous language bilinguals published in the last few decades, focusing on both of the bilinguals’ languages, the interplay between their phonological systems, and the phonetic realizations of the sounds present in their languages. We understand indigenous languages as predominantly minority languages spoken by linguistically distinct and often socially marginalized and vulnerable ethnic groups, autochthonous to a specific region of the world, and found in diglossias with majority international languages resulting from colonization. Indigenous language bilingualism is usually small-scale and involves speaking at least one minority indigenous language and at least one majority international language, thus being a step toward a seemingly inevitable language shift and in some cases an eventual indigenous language disappearance. The dynamic and asymmetrical character of indigenous bilingualism, along with the vast number of language combinations and the speaker community size differences between the members of these language pairs, sets it apart from other types of bilingualism considered in this book.

Satire and Sentiment’ proposes that the commingling of sentimental and satiric modes in Goldsmith’s oeuvre enables him to negotiate the tension between moral ideals and intractable historical structures, using the movement between sentimental and satiric registers to interrogate the difficulty of living in the face of the political, social, and economic changes in Great Britain during the second half of the eighteenth century. Focusing on novels like The Vicar of Wakefield, ‘spy narratives’ like The Citizen of the World, poems like The Traveller and The Deserted Village, and plays like She Stoops to Conquer, the chapter investigates what might be termed the performative dimension of sentimentality and satire in narrative, poetic, and dramatic forms.

This chapter outlines key developments in effect pedal history since the format’s inception in the 1960s. Centered around fuzz, overdrive, delay, and modulation effects, this chapter considers the technology’s role in how electric guitarists understand tone. Additionally, this chapter details the emergence of more recent playing styles explicitly centered around liberal effect pedal use, especially involving granular or micro loopers. By exploring these various technologies and performance techniques, this chapter suggests that guitar pedals produce not only musical sounds but also knowledge about musical sounds.

We have analyzed many variables in Cantonese but not in other languages: classifier specialization, tone mergers, vowel splits and mergers, motion event expression, and (L > R), as well as (VOT) and (PRODROP). As little sociolinguistic work on any variety of this globally large language exists, these studies serve as useful models to expand variationist studies to languages that vary in many ways from the North American, Indo-European languages of focus to date. We show that classifiers are developing a specific semantic contrast (for number-marking) in Heritage Cantonese, amplifying a homeland trend; that three tone mergers that were reported to be completed are only partial, in both homeland and heritage varieties; that some vowel mergers and splits may be attributed to influence from English, but that changes in the constraints governing motion event expression cannot be attributed to simplification or English-contact effects. We report on covariation among the variables, showing that it is not the case that the same speakers lead change in each. Thus, it is not easy to claim that language proficiency or patterns of use are responsible for the variation. Rather, internal change and identity-marking motivations for change must be considered.

Media coverage can help get your message across to millions, but journalists require careful handling. Here we discover how to write a news release which attracts the attention of a reporter, and ways to make sure a media interview works to your advantage. The chapter also examines how to deal with difficult questions, what to wear for an appearance in the news, and reveals the dirty tricks which some journalists use.

This chapter addresses word stress patterns in Slavic languages. The discussion focuses on the placement of stress and the nature of the accent. Fixed stress systems are discussed (initial, antepenultimate, penultimate) as well as systems with free stress. The chapter also discusses the movement of the stress within inflectional patterns. The discussion furthermore includes the nature of the stress in various Slavic languages. There is also an outline of the laws regulating the patterns of stress in Slavic languages.

The relationship between context and prosody is undoubtedly one of the most intuitive ones in language. At the same time, it is one of the most difficult to describe because it is based on acoustic cues that only need milliseconds to create an image in our brain. However, speakers of a language can generally understand their interlocutors’ emotional and cognitive status through their prosodic realization. Prosodic pragmatics is the branch of pragmatics that attempts to identify the intentionality of the speaker’s meaning in a real context based on the analysis of the suprasegmental aspects of speech production. If prosody studies how an utterance is pronounced in unison with the perceptual features of pitch, length, and loudness, then prosodic pragmatics studies the acoustic and cognitive contextual parameters in conversation. The chapter will show the relationship between prosody, information, and context in communication. Starting from the essential acoustic parameters of speech, it will revise the most influential theories of intonation through the prosodic pragmatics lens to understand the cognitive adaptation of a message in a specific context.

Building on the discussion of suprasegmentals in Chapters 6and 7, this chapter introduces the concept of intonation. The chapter begins by defining intonation both articulatorily and acoustically, with a focus on the relationship among pitch, tone, and intonation. The chapter then provides an overview of methods of analysing intonation, including acoustic analysis and theTone and Break Indices (ToBI) System. The chapter next examines intonational systems in different varieties of English by first describing GAmE and SSBE sentence intonation and pitch accent patterns, to provide a framework through which to examine other varieties. The intonation and pitch accent patterns from different varieties is then discussed, as is the pitch range of different varieties. The chapter then examines two global phenomena in detail – High Rising Terminal on declarative statements, or uptalk; and creaky voice, also commonly called vocal fry. The chapter ends with exercises to check your understanding of the content of the chapter, as well as to expand your knowledge through an analysis of the intonation and pitch accent patterns in your own variety of English.

This chapter will introduce you to the concepts of stress and rhythm in relation to languages and to varieties of English. The chapter begins by defining stress both acoustically and articulatorily, and then examining stress across varieties. This is examined first at the level of the syllable through a focus on strong vs weak syllables in English, and the relationship between strong/weak syllables and stress. The discussion then focuses on the concept of word stress in varieties of English, after which rhythm and pitch accent are introduced, through an examination of stress- and syllable-timing, in different languages as well as varieties of English. This discussion will also present information about the function of stress and pitch accent in various substrate languages for different varieties - such as Cantonese, Malay, Filipino, Spanish, among others - to help you understand the different stress and rhythm patterns that exist across varieties. In the final section of the chapter, you will be guided through exercises designed to check your understanding of the content of the chapter.