Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
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Unfolding the Fan of Memory in Arthur Lourié’s Recollection of Petersburg
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- Published online by Cambridge University Press:
- 30 April 2019, pp. 289-317
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Hearing the Musical Resonances of Catastrophe
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- Published online by Cambridge University Press:
- 22 June 2022, pp. 185-193
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‘Exchanging Cuba for 1 Million YouTube Views’: Technological Precarity, Offline Virality, and ‘Patria y vida’
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- Published online by Cambridge University Press:
- 28 November 2022, pp. 472-494
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Looking Towards the Future: Popular Music Studies and Music Scholarship
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- 21 December 2020, pp. 3-11
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‘The Age of the Golden Ear’: The Columbia World Library and Sounding out Post-war Field Recording
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- 30 July 2014, pp. 275-300
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Elliott Carter's and Luigi Nono's Analyses of Schoenberg's Variations for Orchestra, Op. 31: Divergent Approaches to Serialism
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- 30 April 2019, pp. 191-229
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Timekeepers – Sound Artists – Drum Machines: Studies of Notation and Performance in Contemporary Music for Solo Percussionist
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- 19 January 2011, pp. 63-81
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The Musical Text: Theorizing Openness after Structuralism
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- 13 December 2023, pp. 1-15
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Global Musical Modernisms as Decolonial Method
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- 23 October 2023, pp. 424-448
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The Political Force of Musical Actants: Grooves, Pleasures, and Politics in Havana D'Primera's ‘Pasaporte’ Live in Havana
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- 15 February 2021, pp. 185-222
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Cruising Utopia with Brittany Howard: Jaime's Queer Afrofuturism
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- 21 December 2020, pp. 13-28
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Autoplaying, Unmuting, Attending: (Re)formatting the Twenty-First-Century Digital Sensorium
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- 28 November 2022, pp. 427-443
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Whose Bird Is It? Messiaen's Transcriptions of Australian Songbirds
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- 16 May 2014, pp. 63-100
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Between Composition and Transcription: Ferruccio Busoni and Music Notation
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- 16 May 2014, pp. 37-61
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‘Rules as Strict as Palestrina's’: The Regulation of Pitch and Rhythm in Ligeti's Requiem and Lux aeterna
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- 12 August 2013, pp. 203-230
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Voicing the Labyrinth: the Collaborations of Edoardo Sanguineti and Luciano Berio
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- 27 March 2013, pp. 63-78
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Experimenting Musically with Democracy in Late Francoist and Post-Francoist Spain
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- 10 February 2023, pp. 23-48
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Anitta's ‘Girl from Rio’, Digital Fatigue, and Stereotype
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- 28 November 2022, pp. 495-516
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Review Article
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- 16 May 2014, pp. 163-176
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Recital I (for Cathy): A Drama ‘Through the Voice’
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- 29 November 2018, pp. 359-397
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