Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
- Cited by 3
Transcription, Recording, and Authority in ‘Classic’ Minimalism
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- Published online by Cambridge University Press:
- 08 January 2018, pp. 361-389
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- Cited by 3
Editorial: Twentieth-Century Music – Plural
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- Published online by Cambridge University Press:
- 22 April 2005, pp. 155-159
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- Cited by 2
The Shadow of Opera: Dramatic Narrative and Musical Discourse in Gawain
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- Published online by Cambridge University Press:
- 15 August 2006, pp. 159-195
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- Cited by 2
A Sign of the Times: Semiotics in Anglo-American Musicology
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- Published online by Cambridge University Press:
- 27 March 2013, pp. 161-176
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Who Killed the Concert? Heinrich Besseler and the Inter-War Politics of Gebrauchsmusik
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- 23 February 2012, pp. 29-48
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- Cited by 2
Acoustics of the Everyday: Between Growth and Conflict in 1960s Japan
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- 28 January 2015, pp. 71-96
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Martin Munro, Different Drummers: Rhythm and Race in the Americas (Berkeley: University of California Press, 2010), ISBN 978-0-520-26283-6 (pb)
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- 27 March 2013, pp. 156-163
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- Cited by 2
Music and Transmediality: The Multi-Media Invasion of Jeff Wayne's Musical Version of The War of the Worlds
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- 15 August 2018, pp. 231-258
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‘Say it with Georges Auric’: Film Music and the esprit nouveau
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- 13 April 2011, pp. 133-153
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Beware the Lamb: Staging Bach's Passions
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- 30 July 2014, pp. 245-274
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Sonic Anthropology in 1900: The Challenge of Transcribing Non-Western Music and Language
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- 16 May 2014, pp. 7-36
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A Staged Fright: Musical Hybridity and Religious Intolerance in Turkey, 1923–38
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- 04 August 2011, pp. 3-28
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- Cited by 2
Magical Serialism: Modernist Enchantment in Elisabeth Lutyens's O Saisons, O Châteaux!
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- Published online by Cambridge University Press:
- 25 July 2017, pp. 271-303
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Introduction: Spectral Thinking
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- Published online by Cambridge University Press:
- 26 April 2018, pp. 3-9
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An Apprenticeship and Its Stocktakings: Leibowitz, Boulez, Messiaen, and the Discourse and Practice of New Music
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- 25 September 2020, pp. 71-93
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The Comfort of Denial: Metre, Cyclic Form, and Narrative in Shostakovich's Seventh String Quartet
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- 13 April 2011, pp. 209-235
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‘Our Soviet Americanism’: Jolly Fellows, Music, and Early Soviet Cultural Ideology
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- 22 July 2016, pp. 201-232
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Kofi Agawu, Representing African Music: Postcolonial Notes, Queries, Positions (New York and London: Routledge, 2003), ISBN 0415943892 (hb), 01415943906 (pb)
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- 09 December 2005, pp. 146-150
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The Composer as ‘Good European’: Musical Modernism, Amor fati and the Cosmopolitanism of Frederick Delius
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- 28 January 2015, pp. 97-123
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Editorial: Twentieth-Century Music – Ten Years On
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- 16 May 2014, pp. 3-5
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