Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
- Cited by 231
‘Turn it down!’ she shrieked: gender, domestic space, and high fidelity, 1948–591
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- 11 November 2008, pp. 149-177
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- Cited by 175
Authenticity as authentication
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- Published online by Cambridge University Press:
- 05 June 2002, pp. 209-223
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- Cited by 163
Why 1955? Explaining the advent of rock music
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- 11 November 2008, pp. 97-116
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- Cited by 158
The walkman effect*
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- 11 November 2008, pp. 165-180
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- Cited by 145
Analysing popular music: theory, method and practice
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- 11 November 2008, pp. 37-67
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- Cited by 118
‘The magic that can set you free’: the ideology of folk and the myth of the rock community
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- 10 November 2008, pp. 159-168
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- Cited by 107
A corpus analysis of rock harmony
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- 25 January 2011, pp. 47-70
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- Cited by 105
Rethinking the music industry
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- 01 May 2007, pp. 305-322
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- Cited by 95
Another boring day in paradise: rock and roll and the empowerment of everyday life*
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- 11 November 2008, pp. 225-258
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- Cited by 92
‘Roots’?: the relationship between the global and the local within the Extreme Metal scene
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- 11 December 2000, pp. 13-30
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- Cited by 91
‘Represent’: race, space and place in rap music
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- 11 December 2000, pp. 65-90
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- Cited by 83
Post-Punk's attempt to democratise the music industry: the success and failure of Rough Trade
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- 11 November 2008, pp. 255-274
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- Cited by 82
Ethnography and popular music studies
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- 11 November 2008, pp. 123-138
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- Cited by 75
Subcultural identity in alternative music culture
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- 11 November 2008, pp. 33-41
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- Cited by 71
The jukebox of history: narratives of loss and desire in the discourse of country music
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- 11 November 2008, pp. 53-72
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- Cited by 71
Sampling sexuality: gender, technology and the body in dance music
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- 11 November 2008, pp. 155-176
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- Cited by 69
A typology of ‘hooks’ in popular records*
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- 11 November 2008, pp. 1-20
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- Cited by 64
The record industry: the growth of a mass medium
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- 11 November 2008, pp. 53-75
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- Cited by 58
‘Sadeness’, Scorpions and single markets: national and transnational trends in European popular music
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- 11 November 2008, pp. 127-140
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- Cited by 57
Open letter: ‘Black music’, ‘Afro-American music’ and ‘European music’1
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- 11 November 2008, pp. 285-298
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