Crossref Citations
This article has been cited by the following publications. This list is generated based on data provided by
Crossref.
Street, John
2004.
Celebrity Politicians: Popular Culture and Political Representation.
The British Journal of Politics and International Relations,
Vol. 6,
Issue. 4,
p.
435.
Nyairo, Joyce
2004.
‘Reading the referents’: the ghost of America in contemporary Kenyan popular music.
Scrutiny2,
Vol. 9,
Issue. 1,
p.
39.
Solomon, Thomas
2005.
Listening to Istanbul: Imagining Place in Turkish Rap Music.
Studia Musicologica Norvegica,
Vol. 31,
Issue. 1,
p.
46.
White, Russell
2005.
Behind the mask: Eminem and postindustrial minstrelsy.
European Journal of American Culture,
Vol. 25,
Issue. 1,
p.
65.
Nyairo, Joyce
2006.
Cities in Contemporary Africa.
p.
71.
ROSENTHAL, DEBRA J.
2006.
'Hoods and the Woods: Rap Music as Environmental Literature.
The Journal of Popular Culture,
Vol. 39,
Issue. 4,
p.
661.
Cohen, Sara
2007.
"Rock Landmark at Risk": Popular Music, Urban Regeneration, and the Built Urban Environment.
Journal of Popular Music Studies,
Vol. 19,
Issue. 1,
p.
3.
Kahf, Usama
2007.
Arabic Hip Hop: Claims of Authenticity and Identity of a New Genre.
Journal of Popular Music Studies,
Vol. 19,
Issue. 4,
p.
359.
Burdick, John
2008.
Class, Place And Blackness In São Paulo's Gospel Music Scene.
Latin American and Caribbean Ethnic Studies,
Vol. 3,
Issue. 2,
p.
149.
Dubrofsky, Rachel E.
and
Hardy, Antoine
2008.
Performing Race in Flavor of Love and The Bachelor.
Critical Studies in Media Communication,
Vol. 25,
Issue. 4,
p.
373.
Solomon, Thomas
2009.
Berlin–Frankfurt–Istanbul.
European Journal of Cultural Studies,
Vol. 12,
Issue. 3,
p.
305.
Baker, Catherine
2009.
War Memory and Musical Tradition: Commemorating Croatia's Homeland War through Popular Music and Rap in Eastern Slavonia.
Journal of Contemporary European Studies,
Vol. 17,
Issue. 1,
p.
35.
Fraley, Todd
2009.
I Got a Natural Skill…: Hip-Hop, Authenticity, and Whiteness.
Howard Journal of Communications,
Vol. 20,
Issue. 1,
p.
37.
Nielson, Erik
2009.
âMy President is Black, My Lambo's Blueâ: The Obamafication of Rap?.
Journal of Popular Music Studies,
Vol. 21,
Issue. 4,
p.
344.
Cheyne, Andrew
and
Binder, Amy
2010.
Cosmopolitan preferences: The constitutive role of place in American elite taste for hip-hop music 1991–2005.
Poetics,
Vol. 38,
Issue. 3,
p.
336.
2010.
Quand le rap sort de sa bulle.
p.
179.
Nielson, Erik
2010.
“Can’t C Me”.
Journal of Black Studies,
Vol. 40,
Issue. 6,
p.
1254.
Pégram, Scooter
2011.
Not condemned to fail: Examples of ‘rapped’ resistance and cultural uplift in French hip-hop.
Journal of Poetry Therapy,
Vol. 24,
Issue. 4,
p.
239.
Lashua, Brett D.
2011.
An atlas of musical memories: popular music, leisure and urban change in Liverpool.
Leisure/Loisir,
Vol. 35,
Issue. 2,
p.
133.
Powell, Vonda
2011.
A social identity framework of American hip-hop cultural performance.
Social Identities,
Vol. 17,
Issue. 4,
p.
459.