Articles
Decomposed: a political ecology of music
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- 08 September 2015, pp. 367-389
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Rage Against The Machine, Zapatismo, and the aesthetics of anger
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- 08 September 2015, pp. 390-407
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Lost in the city: Yes's ‘Heart of the Sunrise’ and the expansion of musical expression in rock
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- 08 September 2015, pp. 408-431
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‘We demand justice. We just getting started’: the constitutive rhetoric of 1Hood Media's hip-hop activism
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- 08 September 2015, pp. 432-451
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In quest of truth: the meaning of message making in Israeli rap
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- 08 September 2015, pp. 452-470
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‘James Brown’, ‘Jamesbrown’, James Brown: Black (music) from the getup
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- 08 September 2015, pp. 471-484
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Middle Eight
Living Politics, Making Music: The Writings of Jan Fairley. Edited by Simon Frith, Stan Rijven and Ian Christie. Farnham: Ashgate, 2014. 208 pp. ISBN 9781472412669
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- 08 September 2015, pp. 485-492
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Reviews
Ubiquitous Musics: The Everyday Sounds That We Don't Always Notice. Edited by Marta Garćia Quiňones , Anahid Kassabian and Elena Bosch . Farnham: Ashgate, 2013. 212 pp. ISBN 978-1-4094-5133-4
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- 08 September 2015, pp. 493-495
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Women Drummers: A History from Rock and Jazz to Blues and Country. By Angela Smith . Lanham, MD and Plymouth: Rowan and Littlefield, 2014. 250 pp. ISBN 978-0-8108-8834-0
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- 08 September 2015, pp. 495-497
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Music, Sound and Space: Transformations of Public and Private Experience. Edited by Georgina Born . Cambridge: Cambridge University Press, 2013. 376 pp. ISBN 978-0-521-76424-7
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- 08 September 2015, pp. 497-499
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More Than Bollywood: Studies in Indian Popular Music. Edited by Gregory D. Booth and Bradley Shope . New York: Oxford University Press, 2014. 358 pp. ISBN 978-0-19-992885-9
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- 08 September 2015, pp. 499-501
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Burma's Pop Music Industry: Creators, Distributors, Censors. By Heather MacLachlan . Rochester, NY: Rochester University Press, 2011. 221 pp. ISBN 9-781-580-46386-7
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- 08 September 2015, pp. 501-503
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Chasing Sound. Technology, Culture and the Art of Studio Recording from Edison to the LP. By Susan Schmidt Horning . Baltimore, MD: John Hopkins University Press, 2013. 292 pp. ISBN 13 978-1-4214-1022-7
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- 08 September 2015, pp. 504-506
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The Political Force of Musical Beauty. By Barry Shank . Durham, NC and London: Duke University Press, 2014. 330 pp. ISBN 978-0-8223-5658-5
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- 08 September 2015, pp. 506-507
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Studying Popular Music Culture (2nd edn). By Tim Wall . London: Sage, 2013. 320 pp. ISBN 978-1-4462-0771-0
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- 08 September 2015, pp. 507-509
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Brazilian Jive. From Samba to Bossa and Rap. By David Treece . London: Reaktion Books, 2013. 232 pp. ISBN 9-781-78023-085-6
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- 08 September 2015, pp. 509-511
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An Unholy Row: Jazz in Britain and its Audience, 1945–1960. By Dave Gelly . Sheffield and Bristol: Equinox, 2014. ISBN-13: 978-1-845-53712-8
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- 08 September 2015, pp. 512-514
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Unruly Media. YouTube, Music Video, and the New Digital Cinema. By Carol Vernallis . Oxford: Oxford University Press, 2013. 354 pp. ISBN 978-0-19-976699-4
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- 08 September 2015, pp. 514-516
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Music, Markets and Consumption. By Daragh O'Reilly , Gretchen Larsen and Krzysztof Kubacki . Oxford: Goodfellow Publishers, 2013. 232 pp. ISBN 978-1-908999-52-8
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- 08 September 2015, pp. 516-518
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People Get Ready: The Future of Jazz Is Now! Edited by Ajay Heble and Rob Wallace . Durham, NC and London: Duke University Press, 2013. 312 pp. ISBN 978-0-8223-5425-3
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- 08 September 2015, pp. 518-520
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