Hostname: page-component-6bf8c574d5-8gtf8 Total loading time: 0 Render date: 2025-02-18T21:46:06.820Z Has data issue: false hasContentIssue false
  • English
  • Français

Music, Markets and Consumption. By Daragh O'Reilly , Gretchen Larsen and Krzysztof Kubacki . Oxford: Goodfellow Publishers, 2013. 232 pp. ISBN 978-1-908999-52-8

Review products

Music, Markets and Consumption. By Daragh O'Reilly , Gretchen Larsen and Krzysztof Kubacki . Oxford: Goodfellow Publishers, 2013. 232 pp. ISBN 978-1-908999-52-8

Published online by Cambridge University Press:  08 September 2015

Chris Adams
Chris Adams*
Affiliation:
University of Glasgow, UK
*
[email protected]
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Reviews
Information
Popular Music , Volume 34 , Issue 3 , October 2015 , pp. 516 - 518
Copyright
Copyright © Cambridge University Press 2015 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Albini, S. 1993. The Problem With Music [online]. http://www.negativland.com/albini.html (accessed 2 April 2010)Google Scholar
Caves, E.R. 2000. Creative Industries: Contracts between Art and Commerce (Cambridge, MA, Harvard University Press)Google Scholar
Du Gay, P. (ed.) 1997. Production of Culture/Cultures of Production (Milton Keynes, Sage)Google Scholar
Fonarow, W. 2006. Empire of Dirt. The Aesthetics and Rituals of British Indie Music (Middletown, CT, Wesleyan University Press)Google Scholar
Hesmondhalgh, D. 2005. ‘Subcultures, scenes or tribes? None of the above’. Journal of Youth Studies, 8/1, pp. 15–29 Google Scholar
Osborne, R. 2014. ‘I am a one in ten’, paper presented at Studying Music: An International Conference in Honour of Simon Frith, EdinburghGoogle Scholar