Hostname: page-component-6bf8c574d5-h6jzd Total loading time: 0.001 Render date: 2025-02-18T21:53:54.720Z Has data issue: false hasContentIssue false
  • English
  • Français

Chasing Sound. Technology, Culture and the Art of Studio Recording from Edison to the LP. By Susan Schmidt Horning . Baltimore, MD: John Hopkins University Press, 2013. 292 pp. ISBN 13 978-1-4214-1022-7

Review products

Chasing Sound. Technology, Culture and the Art of Studio Recording from Edison to the LP. By Susan Schmidt Horning . Baltimore, MD: John Hopkins University Press, 2013. 292 pp. ISBN 13 978-1-4214-1022-7

Published online by Cambridge University Press:  08 September 2015

Héctor Fouce
Héctor Fouce*
Affiliation:
Complutense University of Madrid, Spain
*
[email protected]
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Reviews
Information
Popular Music , Volume 34 , Issue 3 , October 2015 , pp. 504 - 506
Copyright
Copyright © Cambridge University Press 2015 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Zagorski-Thomas, S. 2014. The Musicology of Record Production (Cambridge, Cambridge University Press)Google Scholar
Zak, A. 2001. The Poetics of Rock: Cutting Tracks, Making Records (Berkeley, CA, University of California Press)Google Scholar