Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
- Cited by 8
‘The phantom of the Opera’: the lost voice of opera in silent film
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- Published online by Cambridge University Press:
- 27 August 2008, pp. 179-192
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- Cited by 8
Gilda seduced: A tale untold
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- Published online by Cambridge University Press:
- 27 August 2008, pp. 229-251
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- Cited by 8
Culture and musical hermeneutics: The Salome complex
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- 27 August 2008, pp. 269-294
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- Cited by 8
The origins of Lucia di Lammermoor's cadenza
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- 20 May 2004, pp. 23-42
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- Cited by 8
How to Make Wagner Normal: Lohengrin's ‘tour de France’ of 1891–92
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- 04 June 2013, pp. 121-137
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- Cited by 8
From Nina to Nina: Psychodrama, absorption and sentiment in the 1780s
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- 27 August 2008, pp. 91-112
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- Cited by 7
Classic staging: Pauline Viardot and the 1859 Orphée revival
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- 25 January 2012, pp. 301-326
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- Cited by 7
The pathological voice of Gilbert-Louis Duprez
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- 01 March 2007, pp. 11-31
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- Cited by 7
The witches and the witch: Verdi's Macbeth
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- 26 May 2006, pp. 225-252
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- Cited by 7
A madwoman's choice: aria substitution in Lucia di Lammermoor
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- 05 March 2002, pp. 1-28
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- Cited by 7
Sacred entertainments
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- 28 January 2004, pp. 109-126
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- Cited by 7
The lost voice of Rosine Stoltz
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- 27 August 2008, pp. 31-50
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- Cited by 7
Rossini's noisy bodies
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- 12 November 2009, pp. 27-64
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- Cited by 6
Return of the native: Japan in Madama Butterfly/Madama Butterfly in Japan
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- 27 August 2008, pp. 167-194
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- Cited by 6
Staging Stalinism: The search for Soviet opera in the 1930s
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- 07 June 2006, pp. 83-108
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- Cited by 6
The Soviet opera project: Ivan Dzerzhinsky vs. Ivan Susanin
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- 18 January 2007, pp. 181-216
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- Cited by 6
‘An infinity of factions’: Opera in eighteenth-century Britain and the undoing of society
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- 27 August 2008, pp. 1-19
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- Cited by 6
Literary motifs, musical form and the quest for the ‘Sublime’: Cherubini's Eliza ou le Voyage aux glaciers du Mont St Bernard
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- 27 August 2008, pp. 17-38
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- Cited by 6
‘Dormez donc, mes chers amours’: Hérold's La Somnambule (1827) and dream phenomena on the Parisian lyric stage
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- 12 July 2004, pp. 107-132
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- Cited by 6
Voices from beyond: Verdi's Don Carlos and the modern stage
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- 18 January 2007, pp. 151-179
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