Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
- Cited by 5
Carmen, Communarde Bizet, ‘Habanera’ (Carmen), Carmen, Act I
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- Published online by Cambridge University Press:
- 28 September 2016, pp. 215-219
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- Cited by 5
Cinematic realism, reflexivity and the American ‘Madame Butterfly’ narratives
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- 08 June 2005, pp. 59-93
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- Cited by 5
Aida's flutes
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- 20 June 2003, pp. 177-200
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- Cited by 5
Proust and music: The anxiety of competence
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- 27 August 2008, pp. 163-183
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- Cited by 5
The castrato as history
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- 27 August 2008, pp. 167-184
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- Cited by 5
Attila takes Rome: the reception of Verdi's opera on the eve of revolution
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- 04 October 2010, pp. 249-256
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- Cited by 5
On the record
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- 07 June 2006, pp. 59-82
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- Cited by 5
Musical setting and scenic movement: chorus and chœur dansé in eighteenth-century Parisian Opéra
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- 20 March 2001, pp. 1-28
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- Cited by 5
‘Veluti in speculum’: The twilight of the castrato
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- 26 May 2006, pp. 271-301
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- Cited by 5
Permeable boundaries in Mozart's Don Giovanni
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- 10 July 2002, pp. 115-139
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- Cited by 5
Discourse and the film text: Four readings of Carmen
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- 27 August 2008, pp. 245-282
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- Cited by 4
Variations on the Dance of the Seven Veils
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- 08 June 2005, pp. 37-58
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- Cited by 4
Gilbert-Louis Duprez and Gustave Roger in the composition of Meyerbeer's Le Prophète
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- 27 August 2008, pp. 147-165
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- Cited by 4
Some difficulties in the historiography of Italian opera
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- 27 August 2008, pp. 3-13
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- Cited by 4
Pastoral and neoclassicism: A reinterpretation of Auden's and Stravinsky's Rake's Progress
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- 27 August 2008, pp. 239-263
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- Cited by 4
Reading a staging/Staging a reading
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- 27 August 2008, pp. 47-71
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- Cited by 4
Vincent d'Indy's ‘Drame Anti-Juif’ and its meaning in Paris, 1920
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- 27 August 2008, pp. 295-319
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- Cited by 4
Why the first opera given in Paris wasn't Roman
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- 27 August 2008, pp. 87-105
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- Cited by 4
Shedding light on the audience: Hans Neuenfels and Peter Konwitschny stage Verdi (and Verdians)
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- 20 June 2003, pp. 201-210
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Winged feet and mute eloquence: dance in seventeenth-century Venetian opera
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- 20 May 2004, pp. 216-280
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