Hostname: page-component-745bb68f8f-f46jp Total loading time: 0 Render date: 2025-01-10T23:35:58.623Z Has data issue: false hasContentIssue false
  • English
  • Français

Racial essences and historical invisibility: Chinese opera in New York, 1930

Published online by Cambridge University Press:  15 June 2001

NANCY YUNHWA RAO
Get access Rights & Permissions [Opens in a new window]

Abstract

Describing the performances of two Chinese opera groups – the visiting famous opera singer Mai Lan-fang and his troupe on Broadway and the local San Sai Gai troupe in Chinatown – and their reception by non-Chinese Americans, this essay tracks various formations and effects of Chinese images in 1930s New York that were deeply imprinted in popular imagination. The regrettable invisibility of Chinese opera in American music history is a result of such a pre-constructed concept of Chineseness.

Type
Regular Article
Information
Cambridge Opera Journal , Volume 12 , Issue 2 , July 2000 , pp. 135 - 162
Copyright
© 2000 Cambridge University Press

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Footnotes

I am grateful to the late Irene Alm for her enthusiasm and steadfast encouragement on the project.