Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
- Cited by 1
Per Nørgård's Tragic Vision: A Comparison of Gilgamesh (1972) and Nuit des hommes (1996)
-
- Published online by Cambridge University Press:
- 26 October 2023, pp. 224-258
-
- Article
- Export citation
- Cited by 1
On Dante and Italian music: Three moments
-
- Published online by Cambridge University Press:
- 27 August 2008, pp. 219-249
-
- Article
- Export citation
- Cited by 1
Bellini’s Gothic Voices Bellini, ‘Un grido io sento’ (Alaide), La straniera, Act I
-
- Published online by Cambridge University Press:
- 28 September 2016, pp. 149-154
-
- Article
- Export citation
- Cited by 1
Lars von Trier’s Lost Ring
-
- Published online by Cambridge University Press:
- 14 February 2019, pp. 1-28
-
- Article
- Export citation
- Cited by 1
Duetto a tre: Franco Alfano's completion of Turandot
-
- Published online by Cambridge University Press:
- 12 July 2004, pp. 163-185
-
- Article
- Export citation
- Cited by 1
Verdian opera burlesqued: a glimpse into mid-Victorian theatrical culture
-
- Published online by Cambridge University Press:
- 02 September 2003, pp. 33-66
-
- Article
- Export citation
- Cited by 1
Lully and the ironic convention
-
- Published online by Cambridge University Press:
- 27 August 2008, pp. 139-153
-
- Article
- Export citation
- Cited by 1
Handel the postmodernist
-
- Published online by Cambridge University Press:
- 28 January 2004, pp. 185-198
-
- Article
- Export citation
- Cited by 1
Wayne Koestenbaum, The Queen's Throat: Opera, Homosexuality and the Mystery of Desire. New York, Poseidon Press: 1993. Hardback, 271 pp.
-
- Published online by Cambridge University Press:
- 27 August 2008, pp. 265-275
-
- Article
- Export citation
- Cited by 1
Music drama on the concert stage: voice, character and performance in Judith Weir's The Consolations of Scholarship
-
- Published online by Cambridge University Press:
- 20 March 2001, pp. 55-79
-
- Article
- Export citation
- Cited by 1
Piccinni's Iphigénie en Tauride: ‘Chant périodique’ and dramatic structure
-
- Published online by Cambridge University Press:
- 27 August 2008, pp. 91-118
-
- Article
- Export citation
- Cited by 1
Vocal Vulnerability: Tenors, Voix mixte and Late Nineteenth-Century French Opera
-
- Published online by Cambridge University Press:
- 13 September 2019, pp. 138-164
-
- Article
- Export citation
- Cited by 1
Bare interiors
-
- Published online by Cambridge University Press:
- 18 January 2007, pp. 125-149
-
- Article
- Export citation
- Cited by 1
Linda Ben-Zvi and Tracy C. Davis, eds. Considering Calamity: Methods for Performance Research.The Yolanda and David Katz Faculty of the Arts, Tel Aviv University: Asaph Books, 2007. - Henry Bial, ed. The Performance Studies Reader. 2nd edn.London and New York: Routledge, 2007. - Tracy C. Davis, ed. The Cambridge Companion to Performance Studies. Cambridge: Cambridge University Press, 2008.
-
- Published online by Cambridge University Press:
- 21 January 2010, pp. 89-99
-
- Article
- Export citation
- Cited by 1
Torrefranca vs. Puccini: embodying a decadent Italy
-
- Published online by Cambridge University Press:
- 05 March 2002, pp. 29-53
-
- Article
- Export citation
- Cited by 1
Verdi's Attila: a study in chiaroscuro
-
- Published online by Cambridge University Press:
- 04 October 2010, pp. 279-289
-
- Article
- Export citation
- Cited by 1
Edmund Goehring. Three Modes of Perception in Mozart: The Philosophical, Pastoral, and Comic in ‘Così fan tutte’. Cambridge: Cambridge University Press, 2004. pp. xvi+280
-
- Published online by Cambridge University Press:
- 01 March 2007, pp. 91-96
-
- Article
- Export citation
- Cited by 1
Excavating Attila Verdi, ‘Allor che i forti corrono’ (Odabella), Attila, Act I
-
- Published online by Cambridge University Press:
- 28 September 2016, pp. 167-170
-
- Article
- Export citation
- Cited by 1
Wagner Studies and the ‘parallactic drift’
-
- Published online by Cambridge University Press:
- 24 October 2011, pp. 235-255
-
- Article
- Export citation
- Cited by 1
Out of Circulation Beethoven, ‘Hat man nicht auch Gold beineben’ (Rocco), Fidelio, Act I
-
- Published online by Cambridge University Press:
- 28 September 2016, pp. 145-148
-
- Article
- Export citation