Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
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Masked balls
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- Published online by Cambridge University Press:
- 20 June 2003, pp. 93-108
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Comparing notes: Amelia/Maria and the ‘larve del passato’
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- Published online by Cambridge University Press:
- 20 June 2003, pp. 211-227
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Introduction
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- Published online by Cambridge University Press:
- 11 October 2017, pp. 1-4
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Philippe and Posa Act II: The shock of the new
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- 20 June 2003, pp. 133-147
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Moments musicaux: high culture in the Paris Commune
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- 31 May 2011, pp. 1-31
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Thoroughly Modern Middles
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- 11 November 2019, pp. 118-128
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Autobiographical Voices: Performing Absence in Singers’ Memoirs
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- 13 September 2019, pp. 165-185
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Singing Brecht vs. Brecht singing: Performance in theory and practice
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- 27 August 2008, pp. 55-78
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Offenbach, Pépito and the Théâtre des Variétés: Politics and Genre in the First Year of the Second Empire
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- 11 June 2021, pp. 154-186
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Reconfiguring Voice in The End: Virtuosity, Technological Affordance and the Reversibility of Hatsune Miku in the Intermundane
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- 19 December 2022, pp. 364-379
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Il divino Claudio: Monteverdi and lyric nostalgia in fascist Italy
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- 27 August 2008, pp. 271-284
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‘A wall of darkness dividing the world’: Blackness and whiteness in Louis Gruenberg's The Emperor Jones
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- 27 August 2008, pp. 55-72
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Not the marrying kind: Britten's Albert Herring
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- 27 August 2008, pp. 159-174
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Orpheus's Civilising Song, or, the Politics of Voice in Late Enlightenment Italy
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- 30 April 2020, pp. 129-152
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Christian themes in Russian opera: A millennial essay
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- 27 August 2008, pp. 83-91
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William C. Holmes, Opera Observed: Views of a Florentine Impresario in the Early Eighteenth Century (Chicago: University of Chicago Press, 1993), 256 pp., bibliography, illustrations.
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- 27 August 2008, pp. 175-179
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The trial, the condemnation, the cover-up: behind the scenes of Brecht/Dessau's Lucullus opera(s)
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- 20 June 2003, pp. 313-342
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‘O ravishing delight’: the politics of pleasure in The Judgment of Paris
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- 02 September 2003, pp. 15-31
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Staging at the Opéra-Comique in nineteenth-century Paris: Auber's Fra Diavolo and the livrets de mise-en-scène
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- 24 September 2002, pp. 239-260
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Cambridge Opera Journal at Twenty
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- 30 April 2010, pp. 105-109
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