Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
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Cone's and Kivy's ‘World of Opera’
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- Published online by Cambridge University Press:
- 27 August 2008, pp. 61-74
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Remaking a cultural icon: Phèdre and the operatic stage
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- 27 August 2008, pp. 225-245
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Thoroughly Modern Middles
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- 11 November 2019, pp. 118-128
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Introduction
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- 11 October 2017, pp. 1-4
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‘In Love's harmonious consort’? Penelope and the interpretation of Il ritorno d'Ulisse in patria
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- 27 August 2008, pp. 1-16
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Singer's Blueprints - C. Steven LaRue. Handel and His Singers: The Creation of the Royal Academy Operas, 1720–1728. Oxford, The Clarendon Press, 1995. 213 pp.
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- 27 August 2008, pp. 185-193
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She descended on a cloud ‘from the highest spheres’: Florentine monody ‘alla Romanina’
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- 20 May 2004, pp. 1-22
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Comparing notes: Amelia/Maria and the ‘larve del passato’
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- 20 June 2003, pp. 211-227
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Monteverdi's mimetic art: L'incoronazione di Poppea
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- 27 August 2008, pp. 113-137
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Offenbach, Pépito and the Théâtre des Variétés: Politics and Genre in the First Year of the Second Empire
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- 11 June 2021, pp. 154-186
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From Orpheus to Opera – Singing about Singing in Verdi’s Il trovatore Verdi, ‘Tacea la notte’ (Leonora), Il trovatore, Act I
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- 28 September 2016, pp. 179-182
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Masked balls
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- 20 June 2003, pp. 93-108
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Alexandra Wilson. The Puccini Problem: Opera, Nationalism, and Modernity. Cambridge: Cambridge University Press, 2007. pp. 334.
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- 28 January 2010, pp. 303-306
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Inhabiting Whiteness: The Eoan Group La traviata, 1956
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- 31 October 2019, pp. 63-84
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Cambridge Opera Journal at Twenty
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- 30 April 2010, pp. 105-109
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William C. Holmes, Opera Observed: Views of a Florentine Impresario in the Early Eighteenth Century (Chicago: University of Chicago Press, 1993), 256 pp., bibliography, illustrations.
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- 27 August 2008, pp. 175-179
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Not the marrying kind: Britten's Albert Herring
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- 27 August 2008, pp. 159-174
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Verdi, Victor Maurel and fin-de-siècle operatic performance
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- 01 March 2007, pp. 59-84
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Senesino’s Negotiations with the Royal Academy of Music: Further Insight into the Riva–Bernardi Correspondence and the Role of Singers in the Practice of Eighteenth-Century Opera
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- 12 November 2015, pp. 189-213
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Administration and innovation at Turin's Teatro Regio: producing Sofonisba (1764) and Oreste (1766)
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- 20 June 2003, pp. 243-262
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