Editorial
Editorial: Behind the Scenes
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- 07 June 2016, pp. 101-105
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Editorial: Begin, Again
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- 11 February 2016, pp. 1-4
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Editorial: Joining the Conversation
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- 24 October 2016, pp. 197-201
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Articles
The Rise and Fall of Modelbooks, Notate and the Brechtian Method: Documentation and the Berliner Ensemble's Changing Roles as a Theatre Company
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- 07 June 2016, pp. 106-121
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Agitating for Change: Theatre and a Feminist ‘Network of Resistance’
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- 11 February 2016, pp. 5-20
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Theatre and the Publics of Democracy: Between Melodrama and Rational Realism1
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- 24 October 2016, pp. 202-217
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Becoming Hamlet for Only Nine Days: Korean Workers and Documentary Theatre
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- 07 June 2016, pp. 122-134
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From Panic to Reconciliation: Protest Theatre and the State in Zimbabwe, 1999–2012
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- 24 October 2016, pp. 218-230
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Remember September: Re-performing the Burmese ‘Saffron Revolution’ at the Singapore Biennale1
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- 11 February 2016, pp. 21-39
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Politicizing the Pastoral: Taiwan's Homeland Performances
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- 07 June 2016, pp. 135-150
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Sbeik Thom at the Season of Cambodia Festival: Performing Memory after the Killing Fields in a Post-9/11 New York City1
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- 11 February 2016, pp. 40-52
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An Eternal Parting: Staging Internal Diaspora, Performing South Korean Nationalism
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- 24 October 2016, pp. 231-244
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Heirlooms of the Everyday: The Material Performances of Slamet Gundono1
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- 11 February 2016, pp. 53-69
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‘The Money Was Real Money’: Talking with Audiences about Corruption, Domestic Violence and Aesthetic Values during the Roverman Festival of Plays at the Ghana National Theatre1
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- 07 June 2016, pp. 151-167
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Dramaturgies of the Left-Behind: Mobility and Stickiness in The Disappearances Project
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- 24 October 2016, pp. 245-257
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Beginners On Stage: Arendt, Natality and the Appearance of Children in Contemporary Performance
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- 11 February 2016, pp. 70-84
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Astroaesthetics: Performance and the Rise of Interplanetary Culture
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- 24 October 2016, pp. 258-275
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‘Sometimes Uncomfortable, Sometimes Arousing’: The Slow Dramaturgy of Casey Jenkins's Craftivist Performances
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- 07 June 2016, pp. 168-180
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Book Review
Theatre and Aural Attention: Stretching Ourselves. By George Home-Cook. Basingstoke and New York: Palgrave, 2015. Pp. ix + 229. £55 Hb/£52.35 Kindle.
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- 07 June 2016, pp. 181-182
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A History of the Berliner Ensemble. By David Barnett. Cambridge: Cambridge University Press, 2015. Pp. 528 + 21 illus. £84.99 Hb.
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- 11 February 2016, pp. 85-86
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