Theatre Research International: Volume 41 -

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Theatre Research International
ISSN: 0307-8833

EISSN: 1474-0672

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Volume 41 - October 2016

Contents

Page 2 of 3

Book Review

Modernist and Avant-Garde Performance: An Introduction. By Claire Warden . Edinburgh: Edinburgh University Press, 2015. Pp. viii + 169. £19.99 Pb; £70 Hb.
Amy Skinner
Published online by Cambridge University Press:

24 October 2016, pp. 276-277
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Entertaining Children: The Participation of Youth in the Entertainment Industry. Edited by Gillian Arrighi and Victor Emeljanow . Basingstoke and New York: Palgrave Macmillan, 2014. Pp. 251 + 3 illus. €83.19/$95/AU$123.95 Hb.
Bryoni Trezise
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24 October 2016, pp. 277-278
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Theatres of Learning Disability: Good, Bad, or Plain Ugly? By Matt Hargrave. Basingstoke and New York: Palgrave Macmillan, 2015. Pp. xiv + 290. £55 Hb.
Sarah Marinucci
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07 June 2016, pp. 182-183
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Lob des Realismus. By Bernd Stegemann. Berlin: Theater der Zeit, 2015. Pp. 212. €18 Pb.
Jonas Tinius
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11 February 2016, pp. 86-87
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Adorno and Performance. Edited by Will Daddario and Karoline Gritzner. Basingstoke and New York: Palgrave Macmillan, 2014. Pp. xvii + 244. £55/$90 Hb.
Daniela Sacco
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11 February 2016, pp. 87-88
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The Theatrical Public Sphere. By Christopher B. Balme . Cambridge: Cambridge University Press, 2014. Pp. xi + 234. £64.95/ $99.99 Hb.
Joshua Edelman
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24 October 2016, pp. 279-280
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Contemporary Black British Playwrights: Margins to Mainstream. By Lynette Goddard. Basingstoke and New York: Palgrave Macmillan, 2015. Pp. xii + 255. £55/$90 Hb.
Christine Matzke
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07 June 2016, pp. 184-185
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Akram Khan: Dancing New Interculturalism. By Royona Mitra . New York: Palgrave Macmillan, 2015. Pp. xviii + 197.
Katharina Pewny
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24 October 2016, pp. 280-281
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Embodied Consciousness: Performance Technologies. Edited by Jade Rosina McCutcheon and Barbara Sellers-Young. Basingstoke: Palgrave Macmillan, 2013. Pp. xiii + 229; £55/$90 Hb.
William W. Lewis
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11 February 2016, pp. 88-89
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Latin Numbers: Playing Latino in Twentieth-Century U.S. Popular Performance. By Brian Eugenio Herrera. Ann Arbor: University of Michigan Press, 2015. Pp. xiii + 272. £78.95/$85 Hb.
Carla Della Gatta
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07 June 2016, pp. 185-186
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Dancing Jewish: Jewish Identity in American Modern and Postmodern Dance. By Rebecca Rossen. Oxford: Oxford University Press, 2014. Pp. 336 + 50 illus. $99 Hb; $29.95 Pb.
C. Tova Markenson
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11 February 2016, pp. 89-91
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Remapping Performance: Common Ground, Uncommon Partners. By Jan Cohen-Cruz . Basingstoke and New York: Palgrave Macmillan, 2015. Pp. 252 + 10 illus. £60/$90 Hb.
Sruti Bala
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24 October 2016, pp. 281-282
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Queer Theatre and the Legacy of Cal Yeomans. By Robert A. Schanke. New York: Palgrave Macmillan, 2011. Pp. xxi + 239 + 21 illus. $100 Hb; $29 Pb.
Daniel Ciba
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07 June 2016, pp. 186-187
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Evita, Inevitably: Performing Argentina's Female Icons before and after Eva Perón. By Jean Graham-Jones. Ann Arbor: University of Michigan Press, 2014. Pp. vii + 271. $80 Hb; $37.50 Pb.
Victoria Fortuna
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11 February 2016, pp. 91-92
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Dance Dramaturgy: Modes of Agency, Awareness and Engagement. Edited by Pil Hansen and Darcey Callison . Basingstoke and New York: Palgrave Macmillan, 2015. Pp. 224. £55/$90 Hb.
Lise Uytterhoeven
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24 October 2016, pp. 283-284
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Befriending the Commedia dell'Arte of Flaminio Scala: The Comic Scenarios. By Natalie Crohn Schmitt. Toronto: University of Toronto Press, 2014. Pp. 344. £54.99/$80 Hb.
Peter Jordan
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07 June 2016, pp. 187-188
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Circus as Multimodal Discourse: Performance, Meaning, and Ritual. By Paul Bouissac. London: Bloomsbury, 2014. Pp. 216 + 38 illus. £80 Hb; £79.99 Eb; £24.99 Pb. - The Greatest Shows On Earth: A History of the Circus. By Linda Simon. London: Reaktion Books, 2014. Pp. 296 + 136 illus. £29/$40 Hb.
Katharine Kavanagh
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11 February 2016, pp. 92-93
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Performances of Capitalism, Crises and Resistance. Edited by Marilena Zaroulia and Philip Hager . Basingstoke and New York: Palgrave Macmillan, 2015. Pp. 265 + 17 illus. €74.99 Hb.
Goran Pavlić
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24 October 2016, pp. 284-285
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The Comic Offense: Larry David, Tina Fey, Stephen Colbert, and Dave Chappelle. By Rick DesRochers. New York: Bloomsbury Academic, 2014. Pp. viii + 154 + 5 illus. $29.95 Pb; $100 Hb.
Sara Farah
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07 June 2016, pp. 188-189
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Performance and the Global City. Edited by D. J. Hopkins and Kim Solga. New York: Palgrave Macmillan, 2013. Pp. xiv + 277+ 36 illus. £58/$95 Hb; £18.99/$29 Pb.
Laine Zisman Newman
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11 February 2016, pp. 93-95
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Page 2 of 3

Theatre Research International

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Volume 41 - October 2016

Book Review

Modernist and Avant-Garde Performance: An Introduction. By Claire Warden . Edinburgh: Edinburgh University Press, 2015. Pp. viii + 169. £19.99 Pb; £70 Hb.

Entertaining Children: The Participation of Youth in the Entertainment Industry. Edited by Gillian Arrighi and Victor Emeljanow . Basingstoke and New York: Palgrave Macmillan, 2014. Pp. 251 + 3 illus. €83.19/$95/AU$123.95 Hb.

Theatres of Learning Disability: Good, Bad, or Plain Ugly? By Matt Hargrave. Basingstoke and New York: Palgrave Macmillan, 2015. Pp. xiv + 290. £55 Hb.

Lob des Realismus. By Bernd Stegemann. Berlin: Theater der Zeit, 2015. Pp. 212. €18 Pb.

Adorno and Performance. Edited by Will Daddario and Karoline Gritzner. Basingstoke and New York: Palgrave Macmillan, 2014. Pp. xvii + 244. £55/$90 Hb.

The Theatrical Public Sphere. By Christopher B. Balme . Cambridge: Cambridge University Press, 2014. Pp. xi + 234. £64.95/ $99.99 Hb.

Contemporary Black British Playwrights: Margins to Mainstream. By Lynette Goddard. Basingstoke and New York: Palgrave Macmillan, 2015. Pp. xii + 255. £55/$90 Hb.

Akram Khan: Dancing New Interculturalism. By Royona Mitra . New York: Palgrave Macmillan, 2015. Pp. xviii + 197.

Embodied Consciousness: Performance Technologies. Edited by Jade Rosina McCutcheon and Barbara Sellers-Young. Basingstoke: Palgrave Macmillan, 2013. Pp. xiii + 229; £55/$90 Hb.

Latin Numbers: Playing Latino in Twentieth-Century U.S. Popular Performance. By Brian Eugenio Herrera. Ann Arbor: University of Michigan Press, 2015. Pp. xiii + 272. £78.95/$85 Hb.

Dancing Jewish: Jewish Identity in American Modern and Postmodern Dance. By Rebecca Rossen. Oxford: Oxford University Press, 2014. Pp. 336 + 50 illus. $99 Hb; $29.95 Pb.

Remapping Performance: Common Ground, Uncommon Partners. By Jan Cohen-Cruz . Basingstoke and New York: Palgrave Macmillan, 2015. Pp. 252 + 10 illus. £60/$90 Hb.

Queer Theatre and the Legacy of Cal Yeomans. By Robert A. Schanke. New York: Palgrave Macmillan, 2011. Pp. xxi + 239 + 21 illus. $100 Hb; $29 Pb.

Evita, Inevitably: Performing Argentina's Female Icons before and after Eva Perón. By Jean Graham-Jones. Ann Arbor: University of Michigan Press, 2014. Pp. vii + 271. $80 Hb; $37.50 Pb.

Dance Dramaturgy: Modes of Agency, Awareness and Engagement. Edited by Pil Hansen and Darcey Callison . Basingstoke and New York: Palgrave Macmillan, 2015. Pp. 224. £55/$90 Hb.

Befriending the Commedia dell'Arte of Flaminio Scala: The Comic Scenarios. By Natalie Crohn Schmitt. Toronto: University of Toronto Press, 2014. Pp. 344. £54.99/$80 Hb.

Circus as Multimodal Discourse: Performance, Meaning, and Ritual. By Paul Bouissac. London: Bloomsbury, 2014. Pp. 216 + 38 illus. £80 Hb; £79.99 Eb; £24.99 Pb. - The Greatest Shows On Earth: A History of the Circus. By Linda Simon. London: Reaktion Books, 2014. Pp. 296 + 136 illus. £29/$40 Hb.

Performances of Capitalism, Crises and Resistance. Edited by Marilena Zaroulia and Philip Hager . Basingstoke and New York: Palgrave Macmillan, 2015. Pp. 265 + 17 illus. €74.99 Hb.

The Comic Offense: Larry David, Tina Fey, Stephen Colbert, and Dave Chappelle. By Rick DesRochers. New York: Bloomsbury Academic, 2014. Pp. viii + 154 + 5 illus. $29.95 Pb; $100 Hb.

Performance and the Global City. Edited by D. J. Hopkins and Kim Solga. New York: Palgrave Macmillan, 2013. Pp. xiv + 277+ 36 illus. £58/$95 Hb; £18.99/$29 Pb.

Theatre Research International

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Volume 41 - October 2016

Book Review