Articles
Introduction: Special Issue – East Asian popular music and its (dis)contents
-
- Published online by Cambridge University Press:
- 06 February 2013, pp. 1-5
-
- Article
- Export citation
Narrative, vocal staging and masculinity in the ‘Outlaw’ country music of Waylon Jennings
-
- Published online by Cambridge University Press:
- 13 September 2013, pp. 343-358
-
- Article
- Export citation
Imperfect sound forever: loudness wars, listening formations and the history of sound reproduction
-
- Published online by Cambridge University Press:
- 16 May 2013, pp. 159-176
-
- Article
- Export citation
Unpacking the gift: negotiating property and custody in archival hardcore blogs
-
- Published online by Cambridge University Press:
- 16 May 2013, pp. 177-195
-
- Article
- Export citation
Strumming a place of one's own: gender, independence and the East Asian pop-rock screen
-
- Published online by Cambridge University Press:
- 06 February 2013, pp. 7-22
-
- Article
- Export citation
Beyond blood brothers: queer Bruce Springsteen
-
- Published online by Cambridge University Press:
- 13 September 2013, pp. 359-383
-
- Article
- Export citation
English and identity in East Asian popular music
-
- Published online by Cambridge University Press:
- 06 February 2013, pp. 23-33
-
- Article
- Export citation
History without royalty? Queen and the strata of the popular music canon
-
- Published online by Cambridge University Press:
- 13 September 2013, pp. 385-405
-
- Article
- Export citation
Ending it all: Genesis and Revelation
-
- Published online by Cambridge University Press:
- 16 May 2013, pp. 197-221
-
- Article
- Export citation
Locating the canon in Tamworth: historical narratives, cultural memory and Australia's ‘Country Music Capital’
-
- Published online by Cambridge University Press:
- 16 May 2013, pp. 223-240
-
- Article
-
- You have access
- HTML
- Export citation
Representing Japan: ‘national’ style among Japanese hip-hop DJs
-
- Published online by Cambridge University Press:
- 06 February 2013, pp. 35-50
-
- Article
- Export citation
‘More than just a music’: conservative Christian anti-rock discourse and the U.S. culture wars
-
- Published online by Cambridge University Press:
- 13 September 2013, pp. 407-426
-
- Article
- Export citation
The poetics of resistance and the politics of crossing borders: Korean hip-hop and ‘cultural reterritorialisation’1
-
- Published online by Cambridge University Press:
- 06 February 2013, pp. 51-64
-
- Article
- Export citation
Black beats with a Punjabi twist
-
- Published online by Cambridge University Press:
- 16 May 2013, pp. 241-257
-
- Article
- Export citation
‘Keep the best of you, “do” the rest of you’: passing, ambivalence and keeping queer time in gender performative negotiations of popular music
-
- Published online by Cambridge University Press:
- 13 September 2013, pp. 427-449
-
- Article
- Export citation
Remapping Hong Kong popular music: covers, localisation and the waning hybridity of Cantopop
-
- Published online by Cambridge University Press:
- 06 February 2013, pp. 65-78
-
- Article
- Export citation
The ‘one-man band’ and entrepreneurial selfhood in neoliberal culture
-
- Published online by Cambridge University Press:
- 13 September 2013, pp. 451-470
-
- Article
- Export citation
Afro-Samurai: techno-Orientalism and contemporary hip hop
-
- Published online by Cambridge University Press:
- 16 May 2013, pp. 259-275
-
- Article
- Export citation
The World Has Made Me the Man of My Dreams: Meshell Ndegeocello and the ‘problem’ of Black female masculinity
-
- Published online by Cambridge University Press:
- 13 September 2013, pp. 471-496
-
- Article
- Export citation
Alien invasions: the British Musicians' Union and foreign musicians
-
- Published online by Cambridge University Press:
- 16 May 2013, pp. 277-295
-
- Article
-
- You have access
- HTML
- Export citation