Reviews
Reading the Grateful Dead: A Critical Survey. Edited by Nicholas G. Meriwether. Lanham, MD: Scarecrow Press, 2012. 321 pp. ISBN 978-0-8108-8371-0
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- 13 September 2013, pp. 534-536
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Hot Stuff: Disco and the Remaking of American Culture. By Alice Echols. New York and London: W.W. Norton & Company, 2010. 338 pp. ISBN 978-0-393-06675-3
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- 06 February 2013, pp. 133-135
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Earogenous Zones: Sound, Sexuality and Cinema. Edited by Bruce Johnson. London and Oakville: Equinox, 2010. x + 246 pp. ISBN: 978-1-84553-318-2
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- 06 February 2013, pp. 135-137
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Steel Drums and Steelbands. A History. By Angela Smith. The Scarecrow Press, 2012. xvii + 209 pp. ISBN 978-0-8108-8342-0
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- 16 May 2013, pp. 324-326
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Dangdut Stories: A Social and Musical History of Indonesia's Most Popular Music. By Andrew W. Weintraub. Oxford: Oxford University Press, 2010. 272 pp. ISBN 0-195-39567-0
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- 13 September 2013, pp. 536-539
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The Hollywood Film Music Reader. Edited by Mervyn Cooke. Oxford: Oxford University Press, 2010. 382 pp. ISBN 978-0-19-533119-6
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- 13 September 2013, pp. 539-541
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The Beat Goes On: Liverpool, Popular Music and the Changing City. Edited by Marion Leonard and Robert Strachan. Liverpool, UK: Liverpool University Press, 2010. 193 pp. ISBN 9-781-84631190-1
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- 06 February 2013, pp. 137-139
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Exploring U2: Is This Rock ‘n’ Roll? Essays on the Music, Work, and Influence of U2. Edited by Scott Calhoun. Lanham, MD: Scarecrow Press, 2012. 304 pp. ISBN-10: 0810881578; ISBN-13: 978-0810881570
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- 16 May 2013, pp. 326-328
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Music, Politics, and Violence. Edited by Susan Fast and Kip Pegley. Middletown, CT: Wesleyan University Press, 2012. 320 pp. ISBN 978-0-819-57338-4
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- 13 September 2013, pp. 541-543
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Popular Music and Television in Britain. Edited by Ian Inglis. Farnham, UK: Ashgate, 2010. 252 pp. ISBN 978-0-7546-6864-0
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- 06 February 2013, pp. 139-141
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One Night On TV Is Worth Weeks At The Paramount: Popular Music on Early Television. By Murray Forman. Durham, NC: Duke University Press, 2012. 405 pp. ISBN: 978-0-8223-5011-8 - Teens, TV and Tunes: The Manufacturing of American Adolescent Culture. By Doyle Greene. Jefferson, NC: McFarland, 2012. 221 pp. ISBN 978-0-7864-6642-9 - Tuning In: American Narrative Television Music. By Ron Rodman. Oxford: Oxford University Press, 2010. 356 pp. ISBN 978-0-19-534025-9
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- 16 May 2013, pp. 328-331
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Music and Politics. By John Street. Cambridge and Malden, UK: Polity Press, 2012. 195 pp. ISBN 978-0-7456-3544-6
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- 06 February 2013, pp. 141-143
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Sounding Out Pop: Analytical Essays in Popular Music. Edited by Mark Spicer and John Covach. Ann Arbor, MI: University of Michigan Press, 2010. 265 pp. ISBN 978-0-472-11505-1
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- 16 May 2013, pp. 332-334
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Creación musical, cultura popular y construcción nacional en la España contemporánea. By Celsa Alonso Madrid: Instituto Complutense de Ciencias Musicales, 2010. 347 pp. ISBN 978-8-489-45745-4 - Transnational Encounters. Music and Performance at the U.S.–Mexico Border. Edited by Alejandro L. Madrid. New York: Oxford University Press, 2011. 406 pp. ISBN 978-0-199-73592-1 - Flamenco Music and National Identity in Spain. By William Washabaugh. Farnham: Ashgate, 2012. 177 pp. ISBN 978-1-409-43484-9
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- 13 September 2013, pp. 543-547
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Anyone Can Do It: Empowerment, Tradition and the Punk Underground. By Pete Dale. Farnham: Ashgate, 2012. 244 pp. ISBN: 978-1-4094-4432-9
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- 16 May 2013, pp. 334-335
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Pop Song Piracy: Disobedient Music Distribution Since 1929. By Barry Kernfeld, 2011. Chicago, IL: University of Chicago Press. 312 pp. ISBN 978-0226431833
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- 06 February 2013, pp. 143-145
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Modernism and Popular Music. By Ronald Schleifer. Cambridge: Cambridge University Press, 2011. 233 pp. ISBN 978-1-107-00505-1
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- 13 September 2013, pp. 547-549
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The Beatles in Hamburg. By Ian Inglis. London: Reaktion Books, 2012. 208 pp. ISBN 9-781-86189-915-6 - Beatlemania: Technology, Business and Teen Culture in Cold War America. By Andre Millard. Baltimore, MD: The John Hopkins University Press, 2012. 223 pp. ISBN 978-1-4214-0525-4
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- 16 May 2013, pp. 336-339
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Music and Cultural Rights. Edited by Andrew N. Weintraub and Bell Yung. Chicago and Urbana, IL: University of Illinois Press, 2009. 313 pp. ISBN: 978-0-252-07662-6 - Popular Music and Human Rights Volume I: British and American Music. Edited by Ian Peddie. Farnham, UK: Ashgate, 2011. 206 pp. ISBN: 978-0-7546-6852-7 - Popular Music and Human Rights Volume II: World Music. Edited by Ian Peddie. Farnham, UK: Ashgate, 2011. 200 pp. ISBN: 978-0-7546-6853-7
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- 06 February 2013, pp. 145-148
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China With a Cut: Globalisation, Urban Youth and Popular Music. By Jeroen de Kloet. Amsterdam: Amsterdam University Press, 2010. 255 pp. ISBN 978-9- 089-64162-5
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- 13 September 2013, pp. 550-551
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