Articles
The regional North Indian popular music industry in 2014: from cassette culture to cyberculture
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- 28 August 2014, pp. 389-412
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Curating popular music: authority and history, aesthetics and technology
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- 28 August 2014, pp. 413-427
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Formal negativities, breakthroughs, ruptures and continuities in the music of Modest Mouse
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- 28 August 2014, pp. 428-454
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Porno Para Ricardo: rock music and the ‘obsession with identity’ in contemporary Cuba
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- 28 August 2014, pp. 455-472
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Rhythm, rhyme and reason: hip hop expressivity as political discourse
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- 28 August 2014, pp. 473-491
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Making claims on echoes: Dranem, Cole Porter and the biguine between the Antilles, France and the US
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- 28 August 2014, pp. 492-508
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Late-Stalinist ideological campaigns and the rupture of jazz: ‘jazz-talk’ in the Soviet Estonian cultural newspaper Sirp ja Vasar1
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- 28 August 2014, pp. 509-529
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Middle Eight
Three is the magic number
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- 28 August 2014, pp. 530-535
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Reviews
The Poetics of American Song Lyrics. Edited by Charlotte Pence. Jackson, MS, University of Mississippi Press, 2012. 288pp. ISBN 978-1-61703-191-5
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- 28 August 2014, pp. 536-538
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Sound and Sentiment: Birds, Weeping, Poetics, and Song in Kaluli Expression. Thirtieth anniversary edition with a new introduction. By Steven Feld. Durham, NC: Duke University Press, 2012. 300 pp. ISBN 978-0-8223-5365-2 - Jazz Cosmopolitanism in Accra: A Memoir of Five Musical Years in Ghana. By Steven Feld. Durham, NC: Duke University Press, 2012. 311 pp. ISBN 978-0-8223-5162-7
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- 28 August 2014, pp. 538-540
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Born Under a Bad Sign: Criminal Self-Representation in African American Popular Culture. By Jonathan Munby. Chicago, IL and London: University of Chicago Press, 2011. 216 pp. ISBN 978-0-226-155036-7
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- 28 August 2014, pp. 540-542
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Heavy Metal: Controversies and Countercultures. Edited by Titus Hjelm, Keith Kahn-Harris and Mark LeVine. Sheffield and Bristol: Equinox Publishing, 2013. 250 pp. ISBN 978-1-84553-941-2
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- 28 August 2014, pp. 542-544
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The International Recording Industries. Edited by Lee Marshall. Abingdon: Routledge, 2013. 215 pp. ISBN 978-0-415-60345-4
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- 28 August 2014, pp. 544-546
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Bad Vibrations: The History of the Idea of Music as a Cause of Disease. By James Kennaway. Farnham: Ashgate, 2012. 213 pp. ISBN 978-1-409-42642-4
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- 28 August 2014, pp. 546-549
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The Sounds of Capitalism: Advertising, Music, and the Conquest of Culture. By Timothy D. Taylor. Chicago, IL and London: University of Chicago Press, 2012. 345 pp. ISBN 978-0-226-79115-9
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- 28 August 2014, pp. 549-550
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The Globalization of Irish Traditional Song Performance. By Susan H. Motherway. Farnham: Ashgate, 2013. 212 pp. ISBN 978-1-4094-3423-8
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- 28 August 2014, pp. 551-552
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Le Jazz: Jazz and French Cultural Identity. By Matthew F. Jordan. Urbana, IL: University of Illinois Press, 2010. 298 pp. ISBN 978-0-252-07706-7
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- 28 August 2014, pp. 553-554
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French Moves: The Cultural Politics of Le Hip Hop. By Felicia McCarren. Oxford: Oxford University Press, 2013. xxxviii + 202 pp. ISBN 978-0-19-993995
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- 28 August 2014, pp. 554-556
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‘Rock On’: Women, Ageing and Popular Music. Edited by Ros Jennings and Abigail Gardner. Farnham and Burlington, VT: Ashgate, 2012. xi + 174 pp. ISBN 978-1-4094-2841-1
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- 28 August 2014, pp. 557-560
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Tony Allen: An Autobiography of the Master Drummer of Afrobeat. By Tony Allen with Michael E. Veal. Durham, NC and London: Duke University Press, 2013. 199 pp. ISBN 978-0-8223-5591-5
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- 28 August 2014, pp. 560-562
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