Hostname: page-component-745bb68f8f-hvd4g Total loading time: 0 Render date: 2025-01-26T11:21:58.368Z Has data issue: false hasContentIssue false
  • English
  • Français

Three is the magic number

Published online by Cambridge University Press:  28 August 2014

Pete Astor
Pete Astor*
Affiliation:
University of Westminster
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Middle Eight
Information
Popular Music , Volume 33 , Issue 3 , October 2014 , pp. 530 - 535
Copyright
Copyright © Cambridge University Press 2014 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Beebe, R., Fulbrook, D. and Saunders, B. 2002. Rock Over the Edge. Transformations in Popular Music Culture (Durham, NC and London, Duke University Press)Google Scholar
Christgau, R. 2014. ‘Journalism and/or criticism and/or musicology and/or sociology (and/or writing)’, paper presented at Studying Music: An International Conference in Honour of Simon Frith, University of Edinburgh, 10–12 AprilGoogle Scholar
Cutler, C. 2009. Liner notes to Henry Cow 40th Anniversary Box Set, Box 1, ‘The Road’. (London, Recommended)Google Scholar
Frith, S. 1987. ‘Art ideology and pop practice’, in Marxism and the Interpretation of Culture, ed. Nelson, C. and Grossberg, L. (Urbana, IL, University of Illinois Press)Google Scholar
Frith, S. 2004. ‘Essay review: reasons to be cheerful’, Popular Music, 23/3, pp. 363–72Google Scholar
Frith, S. 2007. Taking Popular Music Seriously: Selected Essays (Aldershot, Ashgate)Google Scholar
Grossberg, L. 2002. ‘Reflections of a disappointed popular music scholar’, in Rock Over the Edge. Transformations in Popular Music Culture, ed. Beebe, R., Fulbrook, D. and Saunders, B. (Durham, NC and London, Duke University Press), pp. 25–59Google Scholar
Laing, D. 2014. ‘Considerations on low theory’, paper presented at Studying Music: An International Conference in Honour of Simon Frith, University of Edinburgh, 10–12 AprilGoogle Scholar
Negus, K. 2014. ‘Struggling for fun and being cheerful – reflections on Frithism, embedded theory and popular music studies’, paper presented at Studying Music: An International Conference in Honour of Simon Frith, University of Edinburgh, 10–12 AprilGoogle Scholar
Rubio, S. 2002. From the Archives: Simon Frith. [online], available from: http://rockcritics.com/2013/10/22/from-the-archives-simon-frith-2002/ (accessed 21st April 2014)Google Scholar