Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
- Cited by 242
Spectromorphology: explaining sound-shapes
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- Published online by Cambridge University Press:
- 19 July 2001, pp. 107-126
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- Cited by 210
MARSYAS: a framework for audio analysis
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- Published online by Cambridge University Press:
- 16 November 2000, pp. 169-175
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- Cited by 112
Live coding in laptop performance
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- Published online by Cambridge University Press:
- 21 April 2004, pp. 321-330
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- Cited by 111
Linking soundscape composition and acoustic ecology
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- Published online by Cambridge University Press:
- 24 September 2002, pp. 51-56
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- Cited by 106
Open Sound Control: an enabling technology for musical networking
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- Published online by Cambridge University Press:
- 29 November 2005, pp. 193-200
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- Cited by 90
Gestural-Sonorous Objects: embodied extensions of Schaeffer's conceptual apparatus
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- Published online by Cambridge University Press:
- 14 August 2006, pp. 149-157
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- Cited by 86
Space-form and the acousmatic image
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- Published online by Cambridge University Press:
- 05 April 2007, pp. 35-58
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- Cited by 74
Of Epistemic Tools: musical instruments as cognitive extensions
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- Published online by Cambridge University Press:
- 29 June 2009, pp. 168-176
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- Cited by 72
Mapping performer parameters to synthesis engines
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- Published online by Cambridge University Press:
- 17 January 2003, pp. 97-108
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- Cited by 71
‘Sound is the interface’: from interactive to ecosystemic signal processing
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- Published online by Cambridge University Press:
- 21 April 2004, pp. 269-277
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- Cited by 63
On the process and aesthetics of sampling in electronic music production
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- Published online by Cambridge University Press:
- 21 April 2004, pp. 313-320
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- Cited by 63
Mapping transparency through metaphor: towards more expressive musical instruments
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- Published online by Cambridge University Press:
- 17 January 2003, pp. 109-126
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- Cited by 59
Genres and techniques of soundscape composition as developed at Simon Fraser University
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- 24 September 2002, pp. 5-14
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- Cited by 57
Soundscape composition: the convergence of ethnography and acousmatic music
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- 24 September 2002, pp. 21-27
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- Cited by 50
L’Objet Sonore Maintenant: Pierre Schaeffer, sound objects and the phenomenological reduction*
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- Published online by Cambridge University Press:
- 05 April 2007, pp. 15-24
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- Cited by 45
Sound Art and the Sonic Unconscious
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- Published online by Cambridge University Press:
- 26 March 2009, pp. 19-26
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- Cited by 43
Soundscape Composition as Global Music: Electroacoustic music as soundscape*
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- Published online by Cambridge University Press:
- 25 June 2008, pp. 103-109
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- Cited by 43
Algorithmic composition as a model of creativity
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- Published online by Cambridge University Press:
- 01 December 1996, pp. 157-165
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- Cited by 41
Bodies of evidence, singing cyborgs and other gender issues in electrovocal music
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- 19 January 2004, pp. 5-17
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- Cited by 39
General sound classification and similarity in MPEG-7
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- Published online by Cambridge University Press:
- 15 February 2002, pp. 153-164
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