One of the most complete and entertaining accounts of the instruments of music of Turkey is that given by the chatty and voluble, though highly imaginative writer, Ewliyā Chelebī 1611– ca. 1669. Although his family held high appointments at the Ottoman court, yet young Ewliyā yearned for a literary career and, like many such Parnassian aspirants, began his public life as a ḥāfiẓ in Aya Sofia on the Lailat al-kaḍr of 1045 (=A.D. 1636), whenhe attracted the notice of Sultan Murād IV, who took him into the royal household. Here he was specially favoured, mainly on account of his musical and literary gifts. He had been taught music and singing by one of the best masters of the day, the Khalwatī dervish 'Umar Gulshanī, who lived to the great age of 140 years, himself having been taught by the eminent shaikh Ibrāhīm Gulshanī (d. 1533–4) of Cairo. After two years' service as a muṣāḥib, Ewliyā began his travels which have made him famous.