The article addresses the important question of the calendar used in dating the Payagyi Pyu urns from Sri Ksetra (mod. Pyay) in Myanmar. It shows that, of the four calendars used in Myanmar at the time, two—the Ajjagona and Buddhist eras—can be ruled out. This leaves the Saka and Myanmar eras as the only possible options. However, although the Saka era was used for dating Indian records up to East Bengal, it was only used twice for dating an inscription in central Myanmar and, in addition, the early dates on the Payagyi urns seem to preclude its use in Myanmar that early on. The article concludes therefore that, for dating the Pyu urns, most likely the Pyu–Myanmar calendar of 638 CE was used.

By the second half of the first millennium CE, a substantial body of texts written in Literary Sinitic developed into a shared repertoire of writings throughout Central and East Asia. In no small part, this was the result of the spread of Buddhism, which, in many regions, was adopted in its Sinitic form and relied on Chinese versions of the scriptures. As part of the means to cope with Sinitic Buddhist texts, most states also adopted a range of auxiliary texts, including primers and dictionaries. While modern scholarship has directed substantial attention at the participation of Japan, Korea, and Vietnam in the world of Sinitic texts, it has placed much less emphasis on the western and north-western regions of what is now China. This article attempts to redress the imbalance and demonstrate not only that, at one point, Inner Asian states actively participated in the Sinographic world, but also that they did this through a similar process of adaptation to that documented elsewhere. Primers played a special role in this, in that they had a more immediate connection with the core competency of reading and writing.

Multiple copies of a particular clay sealing bearing the Buddhist Bodhigarbhālaṅkāralakṣa-dhāraṇī (mantra) inscription were discovered in Gua Berhala—a cave in Perlis, Malaysia. These sealings can be roughly assigned to the tenth century and they appear to have been stamped with an identical seal. However, critical reading of the textual rendition of the dhāraṇī had not yet been done despite several attempts to study it. Therefore, based on several fragments of these sealings, this article provides a detailed reading and translation of the dhāraṇī and considers the cultural significance of their production. The article also examines the textual structure of this Perlis dhāraṇī and compares it with similar dhāraṇīs preserved in a palm-leaf manuscript and other materials found across Asia. This includes a survey on the wider transmission of the dhāraṇī in the continent. In this comparative exercise, the physical characteristics of the Perlis sealing appear to be unique and express a distinct artistic style, while its textual tradition is slightly compressed compared with others, with no identical equivalent found elsewhere. This observation suggests that Perlis, with its proximity to the Bujang Valley, participated in the wider network of dhāraṇī culture rooted in Eastern India and was just not a passive recipient of this practice.

The Oirats were key supporters of the Mongol enterprise and helped to bring Chinggis Khan to power. Chinggis and his family intermarried with the royal lineage of the Oirats who were descended from Qutuqa Beki. As these marriages continued throughout Mongol history, descendants of Qutuqa Beki and Chinggis's daughter Checheyigen became key supporters of various successor khanates. In the Ilkhanate of Iran, one of their relatives, Tanggiz Küregen, and his family were intimately connected with the ruling house. The importance of Oirat military support for the Ilkhanid government was to such an extent that he and his descendants were regularly pardoned for treasonous acts. While other elite lineages such as the Juvainīs, the family of Arghun Aqa, and the Chupanids all had had great power and influence, they met violent ends at the hands of their Ilkhanid rulers. Tanggiz and his descendants however, were not only not overly punished for their acts of lèse-majesté, but in fact outlived the Ilkhanid Dynasty itself. This culminated in the government of ʿAlī Pādshāh, who ruled much of the former Ilkhanid realm through a puppet khan for a short period in 1336. This article investigates how Oirat power was both central to the Ilkhanid regime and helped cause its downfall.

ʿAlī ibn Abī Ṭālib (d. 40/661)—a revered figure in Islamic history as both the first Shiʿi imam and the fourth caliph—serves as a significant image of sacral power in the Persianate world and beyond. ʿAlī's authority underwent a profound reimagining in the early modern era as he emerged as a captivating imperial emblem from the Timurid renaissance to the Safavid revolution, rivalling other prominent figures of political authority such as Chinggis Khan (d. 1227), and becoming a symbol of human perfection for both Sunni and Shiʿi intellectuals alike. ʿAlī transcended his role as a Shiʿi imam to assume the status of a cosmic figure, gradually becoming an ideal symbol for imperial branding. However, there is little scholarly knowledge and appreciation of his changing role in this period. This article examines how al-Ḥāfiẓ Rajab al-Bursī's (d. circa 814/1411) Mashāriq al-anwār, which has remained highly popular throughout the Persianate and Shiʿi world, contributed to the reshaping of ʿAlī's image, portraying him as the quintessential archetype of sacral power and unmatched authoritative feats.

Scholars commenting on the reception of the historian and theorist ‘Abd al-Raḥmān Ibn Khaldūn (1332–1406) in modern South Asia have held that it was orientalists and Westernised intellectuals rather than indigenous intellectuals who popularised him in the region. Contesting these impressions, I argue that local intellectuals displayed their agency in using the historian's work to respond to various crises of colonial modernity. They read, translated, and appropriated Ibn Khaldūn to seek inspiration for modern Muslim nationalism, as validation for sectarian convictions and the rhetoric of Islamic reform, and to resist colonial and Hindu revivalist narratives of despotic Muslim rule in India.

In the late 1850s and early 1860s, the idea of building a passage through the Isthmus of Kra in the Malay Peninsula was hotly debated amongst British officials, merchants, and investors. This study finds that the British East India Company's rule over the Straits of Malacca had been a dilemma for itself and British merchants in China. The Second Opium War and the Indian Revolt of 1857 exacerbated the dilemma and pushed some British policymakers and investors to seek an alternative route between India and China. The proposal of the Kra passage was the response and solution to the Malacca dilemma. In historicising the Kra passage proposal and putting it in the context of the British empire's simultaneous crises in Asia in the mid-nineteenth century, the case of the proposed Kra passage reveals the complex relations between different actors within the British empire and the challenges of integrating multiple imperial interests into a British world system

This article brings together various textual materials relating to the worship of Prajñāpāramitā in mediaeval Monsoon Asia. In particular, it covers sources from South Asia, mainland Southeast Asia (Angkor), maritime Southeast Asia (Java and Bali), and Southern China (Yunnan). The aims of this critical survey are twofold. On the one hand, the article argues for the importance of ritual language within wider discussions on cultural and linguistic cosmopolitanism within and beyond the so-called ‘Sanskrit Cosmopolis’. These discussions have too often focused on royal epigraphic eulogies, neglecting religious literature. On the other hand, it highlights the key role of Prajñāpāramitā as a protective deity, and the transregional heritage of her invocatory texts. These texts strike one for their traditional choice of imagery and associations, thus reminding of the importance of exoteric traditions within the history of Southeast Asian Buddhism.

This article presents the first complete critical edition and annotated English translation of the nineteenth-century Javanese mystical poem Suluk Lonthang. Combining different disciplinary expertise in old and modern Javanese philology, Tantric Studies, and Islamic Studies, it interprets the protagonist of the poem as an expression of the multifaceted and multivocal Javanese religious landscape of the time, whose historical—and translocal—roots can be discerned in Sufi traditions from the Islamicate and Persianate worlds, as well as Tantric traditions from both pre-Islamic Java and the Indian subcontinent.

In parts of southern and western Asia, as elsewhere, the cannon once served as one of the most dramatic tools in the inventories of state executioners. The practice of ‘blowing from a gun’, by which the condemned was bound to the front of a cannon and quite literally blown to pieces, was most infamously employed in British India and the Princely States, and the vast majority of English-language scholarship focuses on these regions. However, blowing from guns was commonplace in several other contemporary states, and the British use of the practice has rarely been situated in this context. The tactic was considered especially useful in Persia and Afghanistan, where weak governance, rebellion, and rampant banditry all threatened the legitimacy of the nascent state in the nineteenth and early twentieth centuries. This article presents a history of the practice of execution by cannon in southern and western Asia, positioning it within the existing literature on public executions in the context of military and civilian justice. In doing so, the article seeks to situate the British use of the tactic within a broader regional practice, arguing that, whilst the British—following the Mughal tradition—used execution by cannon primarily in maintaining military discipline, states such as Persia and Afghanistan instead employed the practice largely in the civilian context. This article also provides a brief technical review of the practice, drawing upon numerous primary sources to examine execution by cannon within the Mughal empire, British India, Persia, and Afghanistan.

This article analyses the prison industries and state industrial exhibitions of three Indian princely states in the late nineteenth and early twentieth centuries, tracing how princely elites sought to develop distinct labouring and industrial cultures. Drawing on examples from three Muslim-led princely states, namely Rampur, Bhopal, and Hyderabad, the article argues that state elites distinguished their forms of cultural and religious authority from that of the British Raj by coercing and displaying new industrial practices. They aimed to cultivate an industrial modernity that could compete with colonial projects while also promoting what they characterised as Indian Muslim characteristics and courtly traditions for artisan labourers and their work. The article asks how princely elites worked to conscript their subjects—including marginalised subjects such as convict labourers—into visions of regional industrial authority. Princely visions of Muslim and courtly industrial futures in Rampur, Bhopal, and Hyderabad were rooted in the attempts of state administrators to fashion distinctive regional identities and assert authority in a context of circumscribed, quasi-colonial rulership. Industrial cultures associated with princely prisons and exhibitions ultimately exceeded the bounds of these projects, placing pressure on other state subjects to adopt new material practices and engage with state-defined regional craft traditions.

During the Mamluk period (1260–1516), Gaza developed from a minor town into an important city in southern Bilād al-Shām, the capital of an administrative province. This prosperity was the product of substantial and continuous Mamluk investment in the town, the security and stability maintained by this regime, and Gaza's strategic location as the bridge connecting Egypt and Bilād al-Shām. This article will trace the concomitant development of Gaza as a provincial intellectual centre within this context. Combining narrative sources with epigraphic and material evidence, it will show how the growth of Gaza as an administrative centre instigated a flourishing—albeit modest—scholarly scene in the town, which, while strongly connected to and integrated with wider social and intellectual networks within the Sultanate, retained its unique character.

The cult of Zhunti 准提/準提 (Sanskrit: Cundī) is a unique religious and cultural phenomenon in China. However, the scholarship devoted to its history has long been dominated by two problematic models—the model of ‘Sinification’, according to which the goddess Zhunti is a Chinese Buddhist deity borrowed from an Indian source, and the ‘evolution’ model that depicts the persistence of the Zhunti cult as a continuous and gradual process. I challenge these views and instead argue that, far from being a foreign transplant, Zhunti is a deity ‘made in China’ and there is no evidence of continuity in the development of the cult from the Liao to Ming–Qing times. To justify these assertions, I re-examine the development of the cult of Zhunti by exploring its vicissitudes throughout history and highlighting the ‘Chinese creations’ that were produced during the process of the making of the goddess Zhunti.