This paper argues for a new way of thinking about Early Celtic art in the context of changes taking place throughout Eurasia during the fifth and fourth centuries bce. It applies ideas of anthropologist Alfred Gell, among others, regarding art as a stimulus to action. It asks, in the spirit of papers by Chris Gosden and W.J.T. Mitchell, ‘what did the art do’? The paper argues that this complex new art can be understood in terms of agency contributing to and even stimulating aggressive attitudes and practices on the part of elites during the late fifth and early fourth centuries bce. The new worldviews that are apparent in the new style, and actions driven by them, played major roles in Iron Age Europeans’ participation in the so-called Axial Age of dynamic change throughout Eurasia.

Macrolithic tools are linked to daily activities and, fundamentally, to settlements, hence their importance for the study of Late Prehistoric societies. However, these objects are also associated with funerary contexts, but have not often been analysed holistically. This paper studies an assemblage of macrolithic elements from three collective tombs from the third millennium cal. bc at the site of La Orden-Seminario (Huelva, Spain), from a theoretical and methodological perspective based on the biography of the object. Our analysis focuses on typology, raw materials, technology, function and burial context. The results show that the tools can be linked to domestic activities such as the grinding of cereals and the processing of plant materials, as well as for the production and maintenance of the elements used in these activities. The analysed objects display long biographies of use and, in some cases, we have documented intentional breakage for their deposition in the tombs. The patterns of deposition in the funerary contexts reflect social practices related to the ritual and symbolic behaviours surrounding death and the relationship with everyday objects.

Social exclusion has been faced in modern societies as a phenomenon to be prevented in terms of equality. However, it can also be explored in past societies, where some individuals could confront situations of marginalization and exclusion. Previous scholars have accepted or rejected the existence of social exclusion in Ancient Egypt, although none of them has employed a theoretical framework to study it. This paper shows social exclusion as a phenomenon present in Ancient Egypt, analyses the available Egyptian evidence from a theoretical basis inherent to the social sciences, especially Sociology, and applies it to two case studies.

Studies of balances (scales) in Europe, Asia and northern Africa have found that their use is not exclusively tied to state control or market exchange, but rather grew and evolved through interactions among bureaucrats in centralized states, merchants, artisans and local leaders. Research on balances from Andean South America can contribute to an understanding of the diverse roles and functions of balances, as they developed independently in a region where there were both exchange-based and non-market economies. This article includes data on Andean balances that reveal that they were used as early as the Late Intermediate Period (ad 1100–1400), and that there is variation in the characteristics and dimensions of the balances. Similar to other regions, balances in the Andes were likely used by different groups of specialists including merchants, bureaucrats and artisans. To understand how balances were used, they need to be understood alongside long-distance exchange practices, socio-political strategies, the organization of craft production and the possible use of currency.

Direct or indirect evidence of ropemaking are scarce in European prehistory. Only a few references to Middle or Upper Palaeolithic remains are known to us, with more examples towards the Holocene. The archaeological contexts of ropes offer little information about possible uses, as the activities they are used for are often archaeologically invisible. However, some rock-art traditions shed some light on potential uses, worth exploring. In Spain, Levantine rock art offers the best graphic examples across Europe showing various uses of ropes, including climbing. Starting from the recently discovered climbing scene of Barranco Gómez site (Teruel, Spain), including the best preserved and more complex use of ropes seen so far in Levantine art, this paper analyses representations of ropes in this art, as well as their varieties and diverse uses. Our study suggests that different rope-making techniques were used by Levantine societies, which we believe are indicative of a complex rope-making technology, requiring a considerable investment of time and efforts. It also shows a certain variety of rope climbing techniques and rope climbing gear, illustrating that both were mastered by Levantine societies. Moreover, a preferential use of ropes in honey-hunting scenes is observed.

In this paper the history of one house and a human burial in the prehistoric settlement of Monjukli Depe, Turkmenistan, serves as a case study for the use of Bayesian chronological modelling to approach the reach of past memories. The method combines relative and absolute chronological data and aims not only at a more precise and robust chronology of past events, but also allows estimations of duration of particular processes. However, chronological models must be constructed with care, since the prior archaeological information significantly affects the output. The comparison of three alternative models for the Aeneolithic settlement of Monjukli Depe shows that prior information in modelling has a considerable impact on duration estimates for periods of the settlement history. The modelling chronology for Monjukli Depe allows the tracing of commemorative practices at a generational scale—the memory of Monjukli Depe House 14 was transmitted over several generations of inhabitants long after the house destruction. It is clear that houses possessed a great value in the social life of the settlement since local building histories were remembered over a long time.

Zoroastrians are one of Iran's religious minorities, who managed to survive pressures and adversities during many centuries after the rise of Islam. Despite threats and dangers, this minority always tried to resist the pressures and maintain their identity and social cohesion with some measures. Aqda Cave is one of the examples of material culture left by the Zoroastrians, which can be very helpful for a better understanding of the preservation of their identity and social cohesion over time, a heritage that, based on the assessment of social values, can be effective in the sense of identity, sense of place and sense of belonging of this community. The presentation and preservation of this cultural heritage with the help of Zoroastrians will provide a foundation to acknowledge their rights and construct a respectful character for this minority group. Consequently, the preservation of this heritage could be an attempt to respect cultural diversity, heritage rights and equity as the factors of inclusive social development and world peace.

The historic environment—comprising a palimpsest of landscapes, buildings and objects—carries meaning and plays a crucial role in giving people a sense of place, identity and belonging. It represents a repository of ever-accumulating collective and individually held values—shared perceptions, experiences, life histories, beliefs and traditions. These social or private values are mostly ascribed by people to familiar places within this environment based on the ontological security which this everyday heritage provides. However, these values are notoriously hard to capture and categorize. This makes it difficult to incorporate them into heritage-management strategies, which typically rely on objective, fact-based datasets. In this paper, we present a new methodology to capture those elusive values, by combining Topic Modelling with the principles of Grounded Theory. Results show that our novel approach is viable and replicable and that these important values can be effectively and meaningfully integrated, thus creating more inclusive approaches to heritage management than exist currently.

Textiles have long been recognized as a key feature in the economic and social development of early complex societies. Many comparative dimensions, however, remain unexplored, including within the ancient Near East. Unlike contemporary societies in Syria and Mesopotamia, wool was not used as a staple finance good in the Early Bronze Age southern Levant (c. 3700–2000 bce) since the landscape could not permit adequately scaled production. In larger cultural regions wool was produced at vast scales and helped underpin royal institutions. But without a non-perishable, high-volume and high-value commodity like wool, staple finance in the southern Levant was restricted to seasonally produced grain, wine and oil, primarily used in exchange for local labour. Moreover, without wool there was little need in the southern Levant for the administrative and security technologies used elsewhere, namely seals and sealing, and later, writing. This limited the development of complex institutions and cognitive abilities.

This article delves into the contemporary social perception of the three abandoned Soviet Cold War tactical nuclear bases in Poland, focusing on often overlooked phenomena in archaeological studies such as the contemporary myths (folk tales, contemporary legends, modern folklore, etc.) and nostalgia that have emerged around these sites. While contemporary myths and nostalgia are distinct phenomena with different outcomes, they share a common feature: a mythologized approach to the past. Established historical and archaeological narratives, derived from detailed studies, often coexist with alternative versions of the past inspired by folk imagination. This article aims to highlight their cultural value as an integral part of local identity, actively shaping the perception of material heritage. Contemporary myths offer insight into another layer of collective perception of the past, while nostalgia delves into the emotional aspects of human existence, coping with transience and searching for meaning.