Drawing on insights from contemporary urban theory, this contribution questions where medieval urbanization took place. It is proposed that urbanization is a process which extends beyond towns and cities, which are merely a representation of a more expansive and transformative process. Through discussion of building stone, grain production, salt extraction, woodland management and mineral exploitation, it is argued that medieval urbanization was generative of political ecological relations which challenge prevailing understandings of the rural/urban divide and re-frame urbanization as a metabolic process. The discussion utilizes contemporary concepts of ‘extended urbanization’, ‘urban metabolism’ and ‘political ecology’ to re-frame perceptions of medieval–urban relations and the notion of urban hinterland.

This study considers the role played by Teotihuacan in the emergence of the office of the Classic Maya ajawtaak, or ‘lords’. I argue that the synthesis of this office at the site of Tikal was influenced by the building of Teotihuacan's Pyramid of the Feathered Serpent between about 180 and 230 ce. Prior to and in concert with this building's construction, Teotihuacanos orchestrated the sacrifice of an estimated 200 or more individuals, some number of whom resided beyond the Basin of Mexico before burial. Osteological traits consistent with origins in the Maya region are present among these sacrifices. The Pyramid of the Feathered Serpent features mirror and obsidian icons, which later grew to prominence in the self-presentations of the ajawtaak. I note that around the time of this monument's construction, Tikal's obsidian corpus changed in ways that paralleled similar, earlier changes that had occurred to obsidian procurement strategies at Teotihuacan. I conclude that from about 200 ce, some Classic ajawtaak observed the religion that cohered with the building of Teotihuacan's Temple of the Feathered Serpent. The ajawtaak occupied a unique positionality in Early Classic Mesoamerica that was neither essentially Teotihuacan nor essentially Maya, but a dynamic syncretism of the two ethnicities.

This article uses tensions over the construction of a flow-regulation infrastructure built to control outflow from Lake Titicaca into the Desaguadero River, on the border between Peru and Bolivia, as a case study to explore the ways that relationships to water emerge and are contested. We argue that a nuanced understanding of tensions arising from this infrastructure requires us to recognize the long-term history of how the river accumulated practices, meanings and materials. Adapting the work of Arturo Escobar, we use the concept of ‘water regime’ to think about how engagements with the river are based in different spatiotemporal frameworks that have developed transhistorically and come into tension around the materiality and dynamism of the river itself.

In this paper the history of one house and a human burial in the prehistoric settlement of Monjukli Depe, Turkmenistan, serves as a case study for the use of Bayesian chronological modelling to approach the reach of past memories. The method combines relative and absolute chronological data and aims not only at a more precise and robust chronology of past events, but also allows estimations of duration of particular processes. However, chronological models must be constructed with care, since the prior archaeological information significantly affects the output. The comparison of three alternative models for the Aeneolithic settlement of Monjukli Depe shows that prior information in modelling has a considerable impact on duration estimates for periods of the settlement history. The modelling chronology for Monjukli Depe allows the tracing of commemorative practices at a generational scale—the memory of Monjukli Depe House 14 was transmitted over several generations of inhabitants long after the house destruction. It is clear that houses possessed a great value in the social life of the settlement since local building histories were remembered over a long time.

This article delves into the contemporary social perception of the three abandoned Soviet Cold War tactical nuclear bases in Poland, focusing on often overlooked phenomena in archaeological studies such as the contemporary myths (folk tales, contemporary legends, modern folklore, etc.) and nostalgia that have emerged around these sites. While contemporary myths and nostalgia are distinct phenomena with different outcomes, they share a common feature: a mythologized approach to the past. Established historical and archaeological narratives, derived from detailed studies, often coexist with alternative versions of the past inspired by folk imagination. This article aims to highlight their cultural value as an integral part of local identity, actively shaping the perception of material heritage. Contemporary myths offer insight into another layer of collective perception of the past, while nostalgia delves into the emotional aspects of human existence, coping with transience and searching for meaning.

The present analysis focuses on the material component of time, the devices used for measuring and counting it. The biological basis for subjective, experiential time is first reviewed, as are early strategies found cross-culturally for measuring and counting time objectively. These strategies include timekeeping by natural phenomena, using tallies to keep track of small periods of time, harnessing shadows for daily and annual time, and visualizing time with clocks and calendars. The conclusion then examines how such timekeeping devices might influence the conceptualization of time.

The present study offers an epistemological and ontological historiographical review of the concept of the unit of analysis using island archaeology as a case study. We carry out a critical investigation to lay out the main ideas used to define units of analysis, and we consider the discourse that has emerged between this and other fields when defining such a concept. From an epistemological point of view, we can define three distinct strategies: first, those that define units of analysis by their outer limits, their borders; secondly, those that make the definition based on the internal dynamics taking place within the units of study; and in third place, strategies that focus on defining the analytical unit as a set of interactions between agents. From a more ontological point of view, we can differentiate between strategies that take on a categorical perspective and those that take on a more relational perspective. Ultimately, we reflect on the conceptualization and function of the unit of analysis in the process of interpretation, and in so doing, we provide evidence of the great theoretical richness of the concept and the multiple interrelated factors involved in its development.

Western Anatolian ritual pits provide valuable insights into socio-cultural, economic and symbolic practices during the Early to Middle Bronze Age. Findings in feasting pits, such as carbonized seeds and animal bones, indicate a strong link between ritual and food. Standing stones, altars and carefully arranged artefacts suggest a symbolic and sacred dimension beyond mere ceremonies. The pits from this period contain carbonized seeds and fragments of wood, indicating the presence of small fires during certain rituals. Changing features in ritual pits from the Early to Middle Bronze Age reveal a dynamic relationship between spatial arrangements and religious practices. The study shows that in the first half of the second millennium bce several ritual activities known from different regions reached western Anatolia for the first time. Interregional trade involved not only goods, but also the dissemination of rituals over a wide geographical area. This cultural interaction reveals western Anatolia as a dynamic and influential centre in this historical period. By exploring the ritual practices of second-millennium bce western Anatolia, this paper presents new perspectives on the rituals of the region.

This paper uses material efficacy as an analytical position to consider how silver helped to shape large-scale historical trajectories in Iron Age Scotland. Roman silver entered Scotland as imperial matter beginning in the first century ad and later inspired an assemblage of indigenous wearable silver in the fourth–fifth centuries. I investigate the human–silver collaborations involved in the transition from hoarding Roman silver coins to recycling Roman Hacksilber. By tracing the object trajectory of spiral rings, I show how silver's material properties and entanglements played a role in developing Scotland's earliest silver products. Around the fourth century, a diversity of spiral rings was replaced by a specific style of silver spiral finger ring. Silver brought to Iron Age Scotland by the Romans inspired and afforded individuals in northern Britain a new and empowering regional socio-political identity. Material efficacy, as explored in this case study, has relevance beyond Iron Age/Roman studies to any anthropological investigation of underrepresented human agency.

This article identifies large-scale chiastic and bracketing structures in contemporary, colonial and Classic Maya verbal art and literature. These structures are composed of the repetition of lines, verses and stanzas that frame sections of texts and sometimes images. Initially, the argument focuses on an ethnopoetic analysis that directs attention to such forms in modern and colonial narrative and presents an extended contemporary Yucatecan story to illustrate key forms. Second, it turns to similar structures in Classic Mayan narrative written in Maya hieroglyphs to examine the way rhetorical and linguistic tropes intertwined with corresponding features in visual compositions to craft highly sophisticated artistic programmes. By tracking how specific structures are deployed and in what contexts, this article defines an aesthetic that not only sheds light on verbal narratives, but also elucidates visual programmes and their interrelationship with text to reveal a fundamental principle in Maya world conceptualization. This literary and visual analysis develops a cross-medial Maya aesthetics comparable to other global poetic traditions.

Research on rock art around the world takes for granted the premise that rock art, as a product of the Upper Palaeolithic symbolic revolution, is a natural behavioral expression of Homo sapiens, essentially reflecting new cognitive abilities and intellectual capacity of modern humans. New discoveries of Late Pleistocene rock art in Southeast Asia as well as recent dates of Neandertal rock art are also framed in this light. We contend in this paper that, contrary to this essentialist non-interpretation, rock art is a historical product. Most human groups have not made rock art. Rock art's main characteristic is its inherent territorial/spatial dimension. Moreover, or probably because of it, rock art is fundamentally associated with food-producing economies. The debate between the cognitive versus social and historical character of rock art is rarely explicitly addressed. In this paper we explore this historical dimension through examples from rock-art corpora worldwide: they provide key case studies to highlight the relevance of addressing the different temporalities of rock-art traditions, their interruptions and, therefore, their historical qualities.

Studies of balances (scales) in Europe, Asia and northern Africa have found that their use is not exclusively tied to state control or market exchange, but rather grew and evolved through interactions among bureaucrats in centralized states, merchants, artisans and local leaders. Research on balances from Andean South America can contribute to an understanding of the diverse roles and functions of balances, as they developed independently in a region where there were both exchange-based and non-market economies. This article includes data on Andean balances that reveal that they were used as early as the Late Intermediate Period (ad 1100–1400), and that there is variation in the characteristics and dimensions of the balances. Similar to other regions, balances in the Andes were likely used by different groups of specialists including merchants, bureaucrats and artisans. To understand how balances were used, they need to be understood alongside long-distance exchange practices, socio-political strategies, the organization of craft production and the possible use of currency.

This paper argues for a new way of thinking about Early Celtic art in the context of changes taking place throughout Eurasia during the fifth and fourth centuries bce. It applies ideas of anthropologist Alfred Gell, among others, regarding art as a stimulus to action. It asks, in the spirit of papers by Chris Gosden and W.J.T. Mitchell, ‘what did the art do’? The paper argues that this complex new art can be understood in terms of agency contributing to and even stimulating aggressive attitudes and practices on the part of elites during the late fifth and early fourth centuries bce. The new worldviews that are apparent in the new style, and actions driven by them, played major roles in Iron Age Europeans’ participation in the so-called Axial Age of dynamic change throughout Eurasia.

In this paper, we examine the lunar calendar interpretation to evaluate whether it is a viable explanation for the production of Upper Palaeolithic parietal art. We consider in detail the history of this approach, focusing on recently published variations on this interpretation. We then discuss the scientific method and whether these recent studies are designed to address the research questions necessary to test a lunar calendar hypothesis. More broadly, we explore challenges related to inferring meaning in art of the deep past, the use of secondary sources and selecting appropriate ethnographic analogies. Finally, we assess claims that the lunar calendar interpretation documents the world's oldest (proto)writing system. We conclude that the lunar calendar interpretation as currently construed suffers from multiple theoretical and methodological weaknesses preventing it from being a viable explanation for the production of Upper Palaeolithic art. We further find that claims following from this interpretation to have discovered the oldest known (proto)writing system are unsubstantiated.

Hoards have played a significant role in our narratives of the European Bronze Age, but their purpose and meaning have been the source of much debate. These debates have been positively impacted by studies that investigate the ways in which hoards are connected to specific landscape contexts. In this paper, we discuss the outcome of one such in-depth field study of 62 Bronze Age metalwork deposition locations from the Swedish province of Halland. By systematically analysing digital sources such as museum archives, church records and historical maps, we were able to establish the locations of a number of previously unlocated finds, which were then visited in the field. Through this combined archival work and fieldwork, we distinguished several patterns that allude to a connection between metalwork deposits, object types and specific places in the landscape. These patterns shed light on the landscape context of hoards in this region and illuminate how deposition patterns changed over time; we consider some factors that may help to explain these changes. The results emphasize the importance of landscape studies for understanding the role of selective deposition in European Bronze Age societies, and more broadly, the social implications of hoards in their context.

Various authors have claimed over the years that Homo erectus had language. Since there is no direct evidence about the matter, this claim represents the conclusion of a multi-step composite inference drawn from putative non-linguistic attributes of the species. Three maritime behaviours are central among these attributes: crossing open seas to get to insular islands such as Flores in the Indian ocean and Crete in the Mediterranean; building complex watercraft for the crossings; and undertaking navigation in making the crossings. Dubbing it the ‘Seafaring Inference’, the present article reconstructs and appraises the way in which Barham and Everett use the Seafaring Inference to build a case for the claim that Homo erectus had language. This composite inference starts from certain lithic objects found on Flores and ends, via six simple inferences, with the conclusion that Homo erectus had a form of language. The main finding of the article is that this composite inference is flawed in including a simple inference which is unsound and, accordingly, cannot be used to make a strong case for the claim that Homo erectus had language. There is a less well-developed variant of the Seafaring Inference which proceeds from the recovery of lithic objects on Crete. This variant is found to be multiply flawed, there being several simple unsound simple inferences among its components.

This study investigates the effects that an encounter with a foreign object can have on local traditions. Notions of object agency and object biographies will be utilized to address what happens when people become entangled with new things: the new context can have an impact on the newly introduced object, and those newly introduced objects can similarly impact locals and their traditions. The Late Bronze Age southern Levantine site of Tel Burna will serve as a case study, where a number of imported Cypriot pithoi were found alongside locally produced pithoi. It will be demonstrated that in their new context, the Cypriot pithoi were given new meaning and function. At the same time, the imported pithoi played active roles in the local potters of Tel Burna making pithoi. However, the local pithoi resemble local storage jars, so while the potters mimicked the concept of the Cypriot pithoi, they did so according to local normative forms.

Southern Peru is home to one of the richest sites with rock art in South America—Toro Muerto. A unique aspect of the iconography of the petroglyphs of the site is the figures of dancing humans, the so-called danzantes, which are additionally frequently associated with geometric motifs, mostly variants of zigzag lines. Drawing upon intriguing data recorded during Reichel-Dolmatoff's research in Colombia related to the meaning of analogous motifs in Tukano art, as well as broader exploration of the sonic sphere in South American cultures and the thesis that Amazonian animism was a more archaic ontology over a broader area of South America, this paper suggests that the geometric patterns at Toro Muerto, with which the figures of danzantes are juxtaposed, may have been representations of songs. An extension of this hypothesis is the suggestion that some of the more complex compositions consisting of danzantes and linear geometric motifs were graphic metaphors of transfer to the other world.

The aim of the article is to reframe speculation from being seen as synonymous with unacademic conjecture, or as a means for questioning consensus and established narratives, to becoming a productive practical engagement with the archaeological and responding to its intrinsic uncertainties. In the first part of the article, we offer a review of speculation in the history of archaeological reasoning. In the second part, we proceed to discussing ways of embracing the speculative mandate, referring back to our engagements with the art/archaeology project Ineligible and reflections on how to work with the unknowns and uncertainties of archaeology. In the third and last part, we conclude by making the case for fertilizing the archaeological potential nested in the empirical encounter, creating more inceptions than conclusions, fostering ambiguities, contradictions and new spaces of experiential inquiry. This leads us to suggest that—when working with the archaeological—speculation should be seen not only as a privilege, but also as an obligation, due to the inherent and inescapable uncertainties of the discipline. In other words, archaeology has been given a mandate for speculation through its material engagements.

This article engages with certain peculiar finds and features that we have documented at former German WWII military camps in Finnish Lapland, with a particular emphasis on an excavated assemblage that has affinities to traditional ritual (sacrificial) practices. The relevant finds and features date from the post-war period, but they are meaningfully associated with WWII sites. We consider the possible connections of these finds and features to folk magic and the supernatural, especially with regard to boundaries and boundary-making. The material is interpreted in relation to the painful histories and memories of WWII in the high North, and in the broader context of northern ways of life and being and perceptions of temporally layered landscapes. More specifically, we focus on how locals have coped with the difficult and haunting presences of WWII in northern landscapes and mindscapes after the war in a particular natural, cultural and cosmological lived environment which people have long co-inhabited with various non-human and spiritual entities. We aim to contribute to the broader discussion of the folklore of WWII as a dimension in conflict heritage and memory.