Book contents
- Frontmatter
- Contents
- List of plates
- General preface
- Preface
- Abbreviations
- 1 To chorus from quartet: the performing resource for English church polyphony, c. 1390–1559
- 2 Editing and performing musica speculativa
- 3 The sound of Latin in England before and after the Reformation
- 4 English pronunciation, c. 1500 – c. 1625
- 5 Byrd, Tallis and Ferrabosco
- 6 John Baldwin and changing concepts of text underlay
- 7 Sacred songs in the chamber
- 8 The education of choristers in England during the sixteenth century
- 9 The ‘burden of proof’: the editor as detective
- Index of names and places
- Index of manuscript and printed music sources
- Index of works cited
Frontmatter
Published online by Cambridge University Press: 03 March 2010
- Frontmatter
- Contents
- List of plates
- General preface
- Preface
- Abbreviations
- 1 To chorus from quartet: the performing resource for English church polyphony, c. 1390–1559
- 2 Editing and performing musica speculativa
- 3 The sound of Latin in England before and after the Reformation
- 4 English pronunciation, c. 1500 – c. 1625
- 5 Byrd, Tallis and Ferrabosco
- 6 John Baldwin and changing concepts of text underlay
- 7 Sacred songs in the chamber
- 8 The education of choristers in England during the sixteenth century
- 9 The ‘burden of proof’: the editor as detective
- Index of names and places
- Index of manuscript and printed music sources
- Index of works cited
Summary
- Type
- Chapter
- Information
- English Choral Practice, 1400–1650 , pp. i - viPublisher: Cambridge University PressPrint publication year: 1996