English Choral Practice, 1400–1650

doi:10.1017/CBO9780511552410

- Get access
  
  Buy a print copy
  
  Check if you have access via personal or institutional login
  
  Log in Register
Cited by 1
Cited by
- 1
Crossref Citations

This Book has been cited by the following publications. This list is generated based on data provided by Crossref.

ROBERTSON, ANNE WALTERS 2006. The Savior, the Woman, and the Head of the Dragon in the Caput Masses and Motet. Journal of the American Musicological Society, Vol. 59, Issue. 3, p. 537.

CrossRef

Google Scholar

Edited by John Morehen, University of Nottingham

Publisher:: Cambridge University Press
Online publication date:: March 2010
Print publication year:: 1996
Online ISBN:: 9780511552410
DOI:: https://doi.org/10.1017/CBO9780511552410

Subjects:: Medieval and Renaissance Music, Music, Music Performance
Series:: Cambridge Studies in Performance Practice (5)

65.99 (USD)

Digital access for individuals
(PDF download and/or read online)
Add to cart

Added to cart

Digital access for individuals
(PDF download and/or read online)
View cart
Export citation
Buy a print copy

Information

Contents

Metrics

This is the first book to survey the performing practices in English choral music in the fifteenth, sixteenth and seventeenth centuries, including the period of the English Reformation. The essays, all written by specialists in the field, consider in depth such areas as the growth and development of the 'church' choir, related issues of vocal tessitura, performing pitch, the systems of pronunciation appropriate for Latin- and English-texted music, and the day-to-day training of choristers. There is also an investigation of the local circumstances under which many of the important manuscripts of the period were compiled, which reveals an unsuspectedly close interrelationship between domestic music and music for the church. In addition, a study of surviving sources reveals that they give little more than a general guide as to their composers' and copyists' intentions.

‘... it is useful indeed to have so much information gathered into one volume.’

Source: Musical Times

- Aa Reduce text
- Aa Enlarge text

View selected items
Save to my bookmarks
Export citations
Download PDF (zip)
Save to Kindle
Save to Dropbox
Save to Google Drive
Save content to
To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to .

To save content items to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Please be advised that item(s) you selected are not available.
You are about to save
Your Kindle email address

Please provide your Kindle email.

@free.kindle.com @kindle.com (service fees apply)

By using this service, you agree that you will only keep content for personal use, and will not openly distribute them via Dropbox, Google Drive or other file sharing services

Metrics

Altmetric attention score

Total number of HTML views: 0

Total number of PDF views: 0 *

Loading metrics...

Total views: 0 *

Loading metrics...

* Views captured on Cambridge Core between #date#. This data will be updated every 24 hours.

Usage data cannot currently be displayed.

English Choral Practice, 1400–1650

This Book has been cited by the following publications. This list is generated based on data provided by Crossref.

Book description

Reviews

Refine List

Actions for selected content:

Contents

Frontmatter
pp i-vi

Contents
pp vii-vii

List of plates
pp viii-viii

General preface
pp ix-x

Preface
pp xi-xii

Abbreviations
pp xiii-xiv

1 - To chorus from quartet: the performing resource for English church polyphony, c. 1390–1559
pp 1-47

2 - Editing and performing musica speculativa
pp 48-73

3 - The sound of Latin in England before and after the Reformation
pp 74-89

4 - English pronunciation, c. 1500 – c. 1625
pp 90-108

5 - Byrd, Tallis and Ferrabosco
pp 109-142

6 - John Baldwin and changing concepts of text underlay
pp 143-160

7 - Sacred songs in the chamber
pp 161-179

8 - The education of choristers in England during the sixteenth century
pp 180-199

9 - The ‘burden of proof’: the editor as detective
pp 200-220

Index of names and places
pp 221-228

Index of manuscript and printed music sources
pp 229-232

Index of works cited
pp 233-246

Metrics

Altmetric attention score

Full text views

Book summary page views

English Choral Practice, 1400–1650

Book description

Reviews

Refine List

Actions for selected content:

Save Search

Contents

Metrics

Altmetric attention score

Full text views

Book summary page views