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From the middle of the eighteenth century, with the growth of travel at home and abroad and the increase in leisure for the wealthier classes, the arts became the subject of more widespread appreciation and discussion. The rapid expansion of book and periodical publishing in this area both reflected and encouraged interest in art and art history among the wider reading public. This series throws light on the development of visual culture and aesthetics. It covers topics from the Grand Tour to the great exhibitions of the nineteenth century, and includes art criticism and biography.

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131 results in Cambridge Library Collection - Art and Architecture

Page 6 of 7

The Bewick Collector
  • A Descriptive Catalogue of the Works of Thomas and John Bewick
  • Volume 1
  • Thomas Hugo
  • Published online:
    05 June 2014
    Print publication:
    18 April 2013
    First published in:
    1866
  • The names of Thomas Bewick (1753–1828) and his brother John (1760–1795) are synonymous with beautiful, delicate and accurate woodcuts of the natural world. Their instantly recognisable style was to influence book illustration well into the nineteenth century. The antiquary and print collector Thomas Hugo (1820–76), best known as a collector of Bewick woodcuts, first published this two-volume catalogue of his extensive collection in 1866–8. It has since emerged that many of the items sourced from printers' offices and booksellers across the country - including Thomas Bewick's own publisher, Emerson Charnley - cannot be authenticated as the Bewicks' work. The collection was nonetheless a remarkable assemblage of valuable materials, including uncut first editions, woodblocks, handbills and broadsides (all regrettably dispersed after Hugo's death) which might otherwise have been lost. Lavishly illustrated throughout, Volume 1 comprises the catalogue, which includes an appendix of Bewick portraits, letters and memorabilia.

Cambria Depicta
  • A Tour through North Wales, Illustrated with Picturesque Views
  • Edward Pugh
  • Published online:
    05 March 2014
    Print publication:
    18 April 2013
    First published in:
    1816
  • First published in 1816, this lively and informative narrative of a walking tour of North Wales was written by Edward Pugh (1763–1813) and richly illustrated with engravings of his own watercolour drawings of people and landscapes. (In this reissue, the drawings are reproduced in black and white, but the colour originals can be viewed at http://www.cambridge.org/9781108061483.) Pugh, a native Welsh speaker, travelled some 800 miles, criss-crossing Wales in every direction, collecting information about the industrial and agricultural condition of the country. He conversed with almost everyone he met, on the road and in the inns where he stayed. The book began as a guide to artists unwilling to risk departing from the main tourist routes where English was spoken. By the time it was published, however, its main aim was to vindicate the character of the Welsh people from the ill-informed accounts of English tourists.

Memoirs of Antonio Canova
  • With a Critical Analysis of his Works, and an Historical View of Modern Sculpture
  • John Smythe Memes
  • Published online:
    05 March 2014
    Print publication:
    19 September 2013
  • The foremost neoclassical sculptor of his age, Antonio Canova (1757–1822) is best known for his masterpiece The Three Graces, embodying in marble an ideal of feminine beauty. Descended from stonecutters, Canova was apprenticed to the sculptor Giuseppe Bernardi, quickly establishing his reputation for originality through works such as Psyche Revived by Cupid's Kiss. The idealism of his art, moving away from ornate baroque style, did much to increase the popularity of contemporary sculpture, and his skills were greatly acclaimed and in demand during his lifetime. The present work, first published in 1825 by the Scottish minister John Smythe Memes (1795–1858), is one of the many eulogistic works that appeared soon after Canova's death. Opening with a contextualising history of the development of modern sculpture, the book closely studies Canova's body of work and also contains a chronological catalogue of his creations with details of their owners and locations.

Contrasts
  • Or, A Parallel between the Noble Edifices of the Middle Ages and Corresponding Buildings of the Present Day
  • A. W. Pugin
  • Published online:
    05 March 2014
    Print publication:
    27 June 2013
    First published in:
    1841
  • Among the most influential figures of the Gothic Revival in nineteenth-century Britain, Augustus Welby Northmore Pugin (1812–52) distinguished himself as an architect, author and interior designer. He had crafted furniture for George IV at Windsor, but his greatest triumph was the design and fitting out of the new Palace of Westminster with Charles Barry (1795–1860) following the fire of 1834. First published in 1836, Contrasts is Pugin's most famous work, championing the medieval over the modern through satirical comparison of divergent styles. Reissued here in its substantially revised second edition of 1841, the book reflects its author's Catholicism and a developing interpretation of Gothic architecture. Along with The True Principles of Pointed or Christian Architecture (1841), this work remains essential reading for those seeking to understand the growth of the Gothic Revival, illuminating with many illustrations the theories guiding one of Britain's most important architects.

William Morris
  • Artist, Writer, Socialist
  • Volume 1, The Art of William Morris; Morris as a Writer
  • May Morris
  • Published online:
    05 October 2013
    Print publication:
    25 October 2012
    First published in:
    1936
  • A tireless champion of her father William, and a gifted designer and craftswoman in her own right, Mary (May) Morris (1862–1938) had a unique insight into his extraordinary career and creativity. It was she who undertook the exacting task of editing the twenty-four volumes of her father's collected works (also reissued in the Cambridge Library Collection). In 1936, towards the end of her life, she published this supplementary two-volume work, which includes further writings and sympathetic commentary, revealing 'the development of a mind which was singularly of one piece, however many-sided'. Volume 1 addresses William Morris' artistic and literary achievements. It contains May's introductory remarks and chapters of analysis, nearly fifty miscellaneous pieces by Morris on arts and crafts, items of verse juvenilia, several poems of the Earthly Paradise period, two translations from Icelandic, and several letters.

Leaves from a Life
  • Jane Ellen Panton
  • Published online:
    05 October 2013
    Print publication:
    11 October 2012
    First published in:
    1908
  • Jane Ellen Panton (1847–1923) was the second daughter of the artist William Powell Frith, and a journalist and author on domestic issues. She grew up in London, where she developed an aesthetic and practical interest in the various homes she lived in, and went on to publish a series of advice guides on buying property, decorating, and running households. Given her family's background and diverse interests, art, literature and theatre were also prominent in her life, as well as law and religion. First published in 1908, this is Panton's revealing autobiography, in which she recalls the places she lived, as well as the painters, actors, writers, and religious and legal figures who were central to her family's circle, influencing her tastes and interests. Offering a portrait of a creative milieu in the late nineteenth and early twentieth centuries, this book is both historically valuable and highly readable.

William Morris
  • Artist, Writer, Socialist
  • Volume 2, Morris as a Socialist; William Morris as I Knew Him
  • May Morris, George Bernard Shaw
  • Published online:
    05 October 2013
    Print publication:
    25 October 2012
    First published in:
    1936
  • A tireless champion of her father William, and a gifted designer and craftswoman in her own right, Mary (May) Morris (1862–1938) had a unique insight into his extraordinary career and creativity. It was she who undertook the exacting task of editing the twenty-four volumes of her father's collected works (also reissued in the Cambridge Library Collection). In 1936, towards the end of her life, she published this supplementary two-volume work, which includes further writings and sympathetic commentary, revealing 'the development of a mind which was singularly of one piece, however many-sided'. Volume 2 addresses William Morris' political aims and ideals. Opening with the essay 'Morris as I Knew Him' by George Bernard Shaw, it includes May's substantial assessment of her father's socialism, along with many previously unpublished examples of his output of lectures, articles and letters on the subject. Also included is the index to the entire collected works.

Fresh Leaves and Green Pastures
  • Jane Ellen Panton
  • Published online:
    05 September 2013
    Print publication:
    11 October 2012
    First published in:
    1909
  • Jane Ellen Panton (1847–1923) was the second daughter of the artist William Powell Frith, and an expert on domestic issues. Published in 1909, this is a further collection of Panton's memoirs, following her earlier autobiography Leaves from a Life (also reissued in this series). It looks back on life in mid-nineteenth-century England and the changes that had taken place since then, beginning by asking the question of how much the present generation knew about their country's past. Over fifteen chapters, Panton explores developments in the nature and structure of institutions such as the family, the community, the church, the electorate and the military, deeming certain changes as negative, such as the decline of county families and the gentry, while welcoming others, such as increased opportunities for women. Providing revealing insight into English middle-class concerns in the nineteenth and early twentieth centuries, this book remains of interest to social historians.

Sacred and Legendary Art
  • Volume 2
  • Anna Jameson
  • Published online:
    05 September 2013
    Print publication:
    19 July 2012
    First published in:
    1848
  • Published in 1848, this two-volume work was received with great praise. During a celebrated career, Anna Brownell Jameson (1794–1860) produced Shakespeare criticism, travel writing, biography, and art history, and was admired by contemporaries such as Mary Shelley and Thomas Carlyle. Taking an aesthetic rather than religious approach, the work is a study of the legends represented in Western art of the Middle Ages, ordered taxonomically. Though Jameson is considered the first professional female art critic, this is a reductive label; she was, rather, one of the great art critics of her age and her work is still of importance to art historians. Volume 2, which is richly illustrated, examines the Patron Saints of Christendom, the Virgin Patronesses, the early martyrs, the Greek and Latin martyrs, the early bishops, the hermits, and the warrior saints.

More Leaves from a Life
  • Jane Ellen Panton
  • Published online:
    05 September 2013
    Print publication:
    11 October 2012
    First published in:
    1911
  • Jane Ellen Panton (1847–1923) was the second daughter of the artist William Powell Frith, and an expert on domestic issues. First published in 1911, this is a further collection of her memoirs, following her earlier autobiography Leaves from a Life (also reissued in this series). The focus of this book is her close friend Basil Hodges and his great influence on her life. She describes Hodges, an artist she met in her childhood, as an 'underdog' whom she set out to help, and went on to support him through difficulties in his marriage and career, accompanying him on his travels. Her friendship with Hodges led her to travel abroad and meet a range of colourful characters, all recounted here in vivid and often humorous detail. Offering reflections on life in England and France in the later nineteenth and early twentieth centuries, this book has much to offer social historians.

Architectural Notes on German Churches
  • With Remarks on the Origin of Gothic Architecture
  • William Whewell
  • Published online:
    05 August 2013
    Print publication:
    28 March 2013
    First published in:
    1830
  • A tutor of mathematics at Cambridge, William Whewell (1794–1866) mostly published on mechanics. He became professor of mineralogy in 1828, Knightbridge professor of moral philosophy in 1838, and master of Trinity College in 1841. This work is unusual among his writings for its focus on architecture, yet the emphasis placed on terminology is consistent with his other publications, such as An Essay on Mineralogical Classification and Nomenclature (1828). Architectural Notes is significant for offering a detailed theoretical analysis of the origins of Gothic architecture, especially of the mechanical principles underlying it, notably the pointed arch. The discussion of German churches, despite the book's title, is of secondary concern, although guidance is given for recording Gothic buildings. This first edition was published anonymously in 1830. The second (1835) and third (1842) editions bore Whewell's name and were partially revised to reflect recent research on the origin of the pointed arch.

The Present State of Ecclesiastical Architecture in England
  • Augustus Welby Pugin
  • Published online:
    05 June 2013
    Print publication:
    22 March 2012
    First published in:
    1843
  • Augustus Welby Pugin (1812–52), architect, writer, and designer, learned his draughtsmanship and love of medieval architecture from his father. Initially he was better known as a designer rather than an architect. His conversion to Roman Catholicism was a key moment for him, and shaped his subsequent career. His most famous book, Contrasts, was published in 1836, and expressed his belief in the aesthetic and moral superiority of pre-Reformation architecture. This 1843 book comprises two illustrated articles which had been published in the Dublin Review in 1841 and 1842, and examined recent English church buildings. During the 1840s there was a surge in church building, and bodies such as the Cambridge Camden Society hotly debated the connection between architecture and spirituality. In the first paper, Pugin discusses how to meet the needs of a small Catholic parish. In the second, he commends the influence of the Ecclesiologist on church architecture.

Dante Gabriel Rossetti
  • His Family-Letters, with a Memoir by William Michael Rossetti
  • Volume 1
  • Dante Gabriel Rossetti
  • Edited by William Michael Rossetti
  • Published online:
    05 June 2013
    Print publication:
    28 June 2012
    First published in:
    1895
  • The Rossettis were one of the most remarkable and talented families in Victorian Britain. Of the two parents and three siblings, Dante Gabriel (1828–82) and Christina (1830–94) stood out, but throughout their lives they remained a tightly-knit unit. William Michael (1829–1919), who published this two-volume work in 1895, was the family record keeper and in the memoir of his brother we have an unmatched account of the family dynamic. He was not always candid about his brother's affairs but his biography is unparalleled for its fresh directness. Unlike all subsequent biographers, William wrote from the inside, and even if he was unable to tell the whole story, the intimate details of the day-to-day life of the great painter and poet have about them the ring of truth and authenticity. Volume 1 is given over to William's extensive and sympathetic memoir of his brother's life.

A Dictionary of Irish Artists
  • Volume 2, L to Z
  • Walter Strickland
  • Published online:
    05 June 2013
    Print publication:
    28 June 2012
    First published in:
    1913
  • First published in 1913, this highly illustrated two-volume work was intended to give as full an account as possible of the lives and works of painters, sculptors and engravers in Ireland from the earliest times to the nineteenth century. Until then, the history of Irish art had been largely neglected, so this project was an extensive undertaking for Walter George Strickland (1850–1928), who became Director of the National Gallery of Ireland. It took him two decades to compile, and involved accessing private collections, corresponding with experts, meeting with the artists' descendants, and consulting letters, diaries and notes relating to their works. Volume 2 covers artists with surnames beginning L to Z. Each entry contains biographical information on the artist and details of their works, with portraits and examples provided in hundreds of plates. This unique reference work remains of great interest to art historians and historians of Ireland.

Dante Gabriel Rossetti
  • His Family-Letters, with a Memoir by William Michael Rossetti
  • Volume 2
  • Dante Gabriel Rossetti
  • Edited by William Michael Rossetti
  • Published online:
    05 June 2013
    Print publication:
    28 June 2012
    First published in:
    1895
  • The Rossettis were one of the most remarkable and talented families in Victorian Britain. Of the two parents and three siblings, Dante Gabriel (1828–82) and Christina (1830–94) stood out, but throughout their lives they remained a tightly-knit unit. William Michael (1829–1919), who published this two-volume work in 1895, was the family record keeper and in the memoir of his brother we have an unmatched account of the family dynamic. He was not always candid about his brother's affairs but his biography is unparalleled for its fresh directness. Unlike all subsequent biographers, William wrote from the inside, and even if he was unable to tell the whole story, the intimate details of the day-to-day life of the great painter and poet have about them the ring of truth and authenticity. Volume 2 contains hundreds of Dante's letters to his family, with helpful explanatory notes by William.

Sketches of the History of Christian Art
  • Volume 1
  • Alexander William Crawford Lindsay
  • Published online:
    05 May 2013
    Print publication:
    28 June 2012
    First published in:
    1847
  • Alexander Lindsay (1812–80) was the head of an aristocratic family who owned vast coalfields in Lancashire, generating enormous wealth. Educated at Eton and Trinity College, Cambridge, he spent the majority of his time travelling in Italy, collecting, and writing on a variety of subjects, including art, the Indo-Aryan race and the Etruscans. This important work, published in three volumes in 1847, surveys Christian painting and sculpture. Addressing Romance literature of the Middle Ages, iconography and legends of the saints, the book's historical narrative is infused with the author's strong moral approach to the subject. Volume 1 covers philosophical method, Christian symbolism and mythology, Roman art, and Byzantine art, which Lindsay sees as having stimulated the Western revival. Though derided by John Ruskin, the work strongly influenced aristocratic collecting, and remains relevant to readers interested in the Victorian construction of morals and artistic taste.

Sketches of the History of Christian Art
  • Volume 3
  • Alexander William Crawford Lindsay
  • Published online:
    05 May 2013
    Print publication:
    28 June 2012
    First published in:
    1847
  • Alexander Lindsay (1812–80) was the head of an aristocratic family who owned vast coalfields in Lancashire, generating enormous wealth. Educated at Eton and Trinity College, Cambridge, he spent the majority of his time travelling in Italy, collecting, and writing on a variety of subjects, including art, the Indo-Aryan race and the Etruscans. This important work, published in three volumes in 1847, surveys Christian painting and sculpture. Addressing Romance literature of the Middle Ages, iconography and legends of the saints, the book's historical narrative is infused with the author's strong moral approach to the subject. Volume 3 covers the schools of Siena, Florence and Bologna, then moves north to look at Cologne, Dürer, and Cranach, the Van Eycks and the Netherlandish School. Though derided by John Ruskin, the work strongly influenced aristocratic collecting, and remains relevant to readers interested in the Victorian construction of morals and artistic taste.

The Life and Letters of Sir John Everett Millais
  • President of the Royal Academy
  • Volume 2
  • John Guille Millais
  • Published online:
    05 May 2013
    Print publication:
    20 September 2012
    First published in:
    1899
  • A prodigiously talented artist, Sir John Everett Millais (1829–96) co-founded the Pre-Raphaelite Brotherhood with Rossetti and others, helping to revolutionise the Victorian art world. The minute realism of paintings like Christ in the House of His Parents, and his high-profile marriage to Ruskin's ex-wife Effie, were gradually accepted, and the iconic Ophelia was widely admired. Success as an illustrator also put him in the public eye, with the engravings market bringing him new wealth. With popularity came a return to more traditional forms in portraiture and landscape, inspired by Reynolds, Velázquez and the Old Masters, although he also played off Whistler and the aesthetic movement. He became president of the Royal Academy in the last year of his life. His son, John Guille Millais (1865–1931), published this highly illustrated and acclaimed two-volume biography in 1899. Volume 2 applauds the freedom and breadth of treatment in Millais' later work.

My Autobiography and Reminiscences
  • Volume 1
  • William Powell Frith
  • Published online:
    05 May 2013
    Print publication:
    28 June 2012
    First published in:
    1887
  • The celebrated Victorian narrative painter William Powell Frith (1819–1909) was a born raconteur. His two-volume autobiography of 1887 ran to three editions in the same year. The third edition is reissued here, together with its supplementary volume of 1888. Frith was an ideal commentator on his age. He never lost his early interest in literary and historical subjects, and moved in the highest artistic and literary circles. Yet he also saw himself as a man of the people. His most famous works were his 'modern-life' panoramas, Ramsgate Sands (1854), Derby Day (1858) and The Railway Station (1862). Discussing such projects, he reflects on everything from costume to portraiture, art dealers to female artists, and even picture frames. Volume 1 covers his childhood, training, friendships with Dickens and others, and the phenomenal success of his first crowd scenes, up to and including The Marriage of the Prince of Wales (1865).

A Treatise on the Decorative Part of Civil Architecture
  • With Illustrations, Notes, and an Examination of Grecian Architecture
  • Volume 2
  • William Chambers
  • Edited by Joseph Gwilt
  • Published online:
    05 May 2013
    Print publication:
    23 August 2012
    First published in:
    1825
  • Sir William Chambers (1722–96), architect and furniture designer, wished to further his career in the 1750s by publishing on architecture. He also became the Prince of Wales' architectural tutor, architect to the office of works, then head of the royal works (comptroller and surveyor-general from 1782). Notably, he remodelled Buckingham House (1762–73) and designed Somerset House (1775–96), but Chambers' reputation rests also on his Treatise on Civil Architecture (1759), which he revised and expanded in 1791 as A Treatise on the Decorative Part of Civil Architecture. It is regarded as one of the standard English texts on classical architecture, and remains essential reading. This reissue is of the two-volume edition of 1825, annotated by the architect and writer Joseph Gwilt (1784–1863). Volume 2 focuses on the application of the orders as well as smaller architectural features, including doors, windows, balustrades, chimney-pieces and ceilings.

Page 6 of 7