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In this book, Maggie Popkin offers an in-depth investigation of souvenirs, a type of ancient Roman object that has been understudied and that is unfamiliar to many people. Souvenirs commemorated places, people, and spectacles in the Roman Empire. Straddling the spheres of religion, spectacle, leisure, and politics, they serve as a unique resource for exploring the experiences, interests, imaginations, and aspirations of a broad range of people - beyond elite, metropolitan men - who lived in the Roman world. Popkin shows how souvenirs generated and shaped memory and knowledge, as well as constructed imagined cultural affinities across the empire's heterogeneous population. At the same time, souvenirs strengthened local identities, but excluded certain groups from the social participation that souvenirs made available to so many others. Featuring a full illustration program of 137 color and black and white images, Popkin's book demonstrates the critical role that souvenirs played in shaping how Romans perceived and conceptualized their world, and their relationships to the empire that shaped it.
Xenophon's Socrates, like Plato's, holds that wisdom comes with practical abilities. But influential interpretations of Xenophon's Socrates attribute to him a splintered view of wisdom, on which there is no wisdom simpliciter which is specially connected to all good actions. This article argues that a crucial text (Memorabilia 3.9.5) is significantly more problematic for the splintered view than hitherto appreciated, while the texts which are supposed to support the splintered view do not. Instead, this article argues that for Xenophon's Socrates the unwise lack self-knowledge, and so also lack a special prohairetic ability needed for doing fine and good actions.
Foster argues for an expansion of the designation autobiography so that it signifies a consciously composed narrative of one’s own life experiences or a portion of one’s experiences. Foster observes when institutions collect the personal papers of ordinary people, the bus drivers and butlers, clerks, factory workers, farmers, nurses and nannies, even their own staff, in addition to those accumulated by the celebrated and the notorious, they find themselves in possession of scrapbooks, diaries, and other printed stories previously unknown. Still, such autobiographical works are more readily found in attics than in archives. They often are consciously compiled, handmade, homemade, spiral bound, tied, glued or artfully bound in specially purchased “albums,” “memory books,” “conference proceedings,” souvenir programs, organization minutes, and so forth. An expanded definition of African American autobiography that includes these texts provides a richer, more complex and textured view of what African American lived experience has been across time.
Xenophon’s interest in the political role of the elite is especially conspicuous in the Memorabilia, where he portrays Socrates interacting critically with members of the Athenian elite and seeking to motivate and guide them to become worthy of the leadership roles that fall to them under the democracy. Although Xenophon frames the Memorabilia as a defense of Socrates from the charges that led to his execution in 399 BC, within this framework he considers in detail how elite Athenians can thoroughly prepare for and effectively carry out essential civic roles, especially that of orator and of military commander. Xenophon’s Socrates, in his conversations with elite Athenians, exposes how absurd it is for them to believe that they deserve to lead the city merely on the basis of their wealth or lineage and urges them to seek out through education the values, knowledge, and skills that they need to lead well. In so doing, he challenges his elite interlocutors to alter their understanding of what it means to be a gentleman (kalos kagathos) and to reconcile this with being good citizens who contribute to the success of the democratic city, especially by providing good leadership.