Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
Part XVII - Shakespeare as Cultural Icon
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
Keywords
AfricaAfricanappropriationAsian Shakespearesauthor functionBardBardolatry“big-time Shakespeare”digital archivesglobalglobalizationhumanismhumanisticonincarcerationMeasure for Measuremulticulturalismnational iconShakespeare Behind Bars“small-time Shakespeare”spectaclespectatorshiptransculturaltransnationaluniversalityBardolatryBoswell, JamesCovent Gardencultural iconcultural pilgrimageDrury Lane Theatereighteenth centuryGarrick, DavidGarrick’s OdeiconicityJubilee Festival 1769memorabiliaOregon Shakespeare FestivalRoyal Shakespeare CompanyShakespeare MythShakespeare’s mulberry treeStratford-upon-Avonappropriationanti-theatrical prejudiceBates, LauraBergman, John (The Geese Theater)Boal, Augusto (Theater of the Oppressed)Brechtcarceral controlchapel spaceChandler, Larry (Warden)Cobb, HalDavidson and Kerwin (2005)DeClue, Larry (SBB actor)drama therapyecclesiastical spaceFoucault (Discipline and Punish)Fumerton, PatriciaGrotowskiGuenthner, Jerry (SBB actor)Hamleticon(icity), Shakespeare asJulius Caesarjuvenile justiceKing LearMacbethMagill, TomPanoptikonprisonizationrecidivism ratesredemptionRogerson, Hank, and Jilann Spitzmiller (dirs. Shakespeare Behind Bars, Philomath Films)Scott-Douglass, AmyShakespeare Behind BarsShailor, JonathanTocci, Lawrence (The Proscenium Cage)Tofteland, Curt (SBB Founding Artistic Producer and Director)Trounstine, Jean (Shakespeare Behind Bars)Vaughan, Gene (misspelled in the ms.)Wallace, Matt (SBB Director)Waxler, Robert (2008)Wilcox, Agnes (Prison Performing Arts)The Winter’s TaleAdams, Joseph QuincyAmericaAmherst CollegeCarnegie, AndrewCret, Paul PhilippeEmerson, Ralph WaldoFirst FolioFolger, Emily JordanFolger, Henry ClayFurness, Horace HowardGayley, Charles MillsHardison, O. B.Library of CongressPuckPutnam, BrendaPutnam, HerbertQuartoRockefeller, John D.Standard Oil CompanyUS Supreme CourtWashington, D.C.Wright, Louis B.Asian identitiesBrook, PeterClarke, Mary Cowdencontact zoneDenmarkdiasporaThe Girlhood of Shakespeare’s HeroineHamletKing Learmultilingual performanceOng, Keng SenOthelloSingaporeSpivak, Gayatri ChakravortysubjectivityAngoorBollywoodThe Last LearMaqboolOmkaraShakespeare and the “Civilising Mission”Shakespeare and Hindi cinemaShakespeare WallahaboriginalFirst NationsghostsHighway, TomsonMoses, Daniel DavidNolan, Yvetteactive methodscultural materialismeducationGibson, Rexliterary criticismNational CurriculumNewbolt ReportNew HistoricismpedagogyRevised CodeapartheidButler, GuyCronin, JeremyGevisser, MarkGillham, D. G.Lütge, DebbieMbeki, Thabopost-apartheidSouth AfricaVerwoerd, H. F.Advantage West Midlandsarchaeological discoveriesBook of Common Prayerecologyexhibition practicesheritage mythsliving historyShakespeare houses and propertiesshopping for Shakespearesouvenirsstreet performerstourismAboudoma, Mahmoudal-Bassam, SulaymanAleppoArabButler, MichaelThe Comedy of ErrorsCymbelineCyprusDance of the ScorpionsHamletHebrewHebronHenry IV, Part 1IsraelIsraeliJerusalemJewishThe Merchant of VeniceMiddle EastNitzan, OmryOphelia Is Not DeadOrientOslo AgreementsOthelloPalestinian“peace”Richard IIIRomeo and JulietSalkinson, IsaacTchernihovski, ShaulTel AvivThe TempestTroilus and CressidaTwelfth NightTurksanti-Romanticismcharacter criticismgeniusGermanyGoethe, Johann Wolfgang vonGottsched, Johann ChristophHerder Johann Gottfried vonhistorical criticismLessing, Gotthold EphraimnatureneoclassicismorganicismRomanticismSchiller FriedrichSchlegel, A. W.Schlegel, FriedrichStorm and Stresstranslation
- Type
- Chapter
- Information
- The Cambridge Guide to the Worlds of Shakespeare , pp. 1183 - 1260Publisher: Cambridge University PressPrint publication year: 2016
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