Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Introduction
- 159 Shakespeare Festivals and Jubilees
- 160 Shakespeare Behind Bars
- 161 The Folger Shakespeare Library
- 162 Global Diasporas as Reflected in the Work of Keng Sen Ong
- 163 Bollywood
- 164 Shakespeare and First Nations in Canada
- 165 Shakespeare in British Pedagogy
- 166 Coriolanus in South Africa
- 167 The Stratford Shakespeare Trade
- 168 Middle Eastern Shakespeare
- 169 Shakespeare and German Romanticism
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
159 - Shakespeare Festivals and Jubilees
from Part XVII - Shakespeare as Cultural Icon
Published online by Cambridge University Press: 17 August 2019
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Edited by
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Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Introduction
- 159 Shakespeare Festivals and Jubilees
- 160 Shakespeare Behind Bars
- 161 The Folger Shakespeare Library
- 162 Global Diasporas as Reflected in the Work of Keng Sen Ong
- 163 Bollywood
- 164 Shakespeare and First Nations in Canada
- 165 Shakespeare in British Pedagogy
- 166 Coriolanus in South Africa
- 167 The Stratford Shakespeare Trade
- 168 Middle Eastern Shakespeare
- 169 Shakespeare and German Romanticism
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
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- The Cambridge Guide to the Worlds of Shakespeare , pp. 1196 - 1200Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
Boswell, James. “A Letter from James Boswell, Esq; on Shakespeare’s Jubilee at Stratford-upon Avon.” The London Magazine September 1769: 451–54.Google Scholar
Dobson, Michael. The Making of the National Poet: Shakespeare, Adaptation and Authorship, 1660–1769. Oxford: Clarendon, 1992.Google Scholar
Engle, Ron, Londré, Felicia, and Watermeier, Daniel, eds. Shakespeare Companies and Festivals. Westport: Greenwood, 1995.Google Scholar
Garrick, David. The Jubilee. Three Plays by David Garrick. Ed. Stein, Elizabeth P.. New York: William Edwin Rudge, 1926.Google Scholar
Garrick, David. An ode upon dedicating a building, and erecting a statue, to Shakespeare, at Stratford upon Avon. London: 1769.Google Scholar
Gregory the Great. Gregory the Great to Serenus, Bishop of Marseille. Trans. Marmby, J.. A Select Library of Nicene and Post-Nicene Fathers of the Christian Church. 2nd ser. Vol. 13. Ed. Schaff, P. and Wace, H.. New York: Christian Literature Company, 1890–1900.Google Scholar
Hodgdon, Barbara. The Shakespeare Trade: Performances and Appropriations. Philadelphia: Penn, 1998.Google Scholar
Shakespeare’s Garland, being a collection of new songs, ballads, roundelays, catches, glees, comic-serenatas, &c. performed at the jubilee at Stratford upon Avon. London: 1769.Google Scholar
Stochholm, Johanne. Garrick’s Folly: The Shakespeare Jubilee of 1769 at Stratford and Drury Lane. London: Methuen, 1964.Google Scholar
Walpole, Horace. The Letters of Horace Walpole. Vol. 5. Ed. Cunningham, P.. London: 1861.Google Scholar
Further reading
Brown, Ivor, and Fearon, George. Amazing Monument: A Short History of the Shakespeare Industry. London: Heinemann, 1939.Google Scholar
Cunningham, Vanessa. Shakespeare and Garrick. Cambridge: Cambridge University Press, 2008.Google Scholar
Hawkes, Terence. That Shakespeare Rag: Essays on a Critical Process. London: Methuen, 1986.Google Scholar
Holderness, Graham. “Bardolatry: or, The Cultural Materialist’s Guide to Stratford-upon-Avon.” The Shakespeare Myth. Ed. Holderness, Graham. Manchester: Manchester UP, 1988. 2–15.Google Scholar
Taylor, Gary. Reinventing Shakespeare: A Cultural History from the Restoration to the Present. New York: Weidenfield and Nicholson, 1989.Google Scholar