Hostname: page-component-586b7cd67f-r5fsc Total loading time: 0 Render date: 2024-11-24T12:44:14.806Z Has data issue: false hasContentIssue false
  • English
  • Français

Bridging two worlds that care about art: Psychological and historical approaches to art appreciation

Published online by Cambridge University Press:  18 March 2013

William Forde Thompson  and
Mark Antliff
William Forde Thompson
Affiliation:
Department of Psychology, Macquarie University, NSW 2109, Australia. [email protected]://www.psy.mq.edu.au/me2/
Mark Antliff
Affiliation:
Department of Art History, Duke University, Durham, NC 27708. [email protected]://fds.duke.edu/db/aas/AAH/faculty/antliff
Get access Rights & Permissions [Opens in a new window]

Abstract

Art appreciation often involves contemplation beyond immediate perceptual experience. However, there are challenges to incorporating such processes into a comprehensive theory of art appreciation. Can appreciation be captured in the responses to individual artworks? Can all forms of contemplation be defined? What properties of artworks trigger contemplation? We argue that such questions are fundamental to a psycho-historical framework for the science of art appreciation, and we suggest research that may assist in refining this framework.

Type
Open Peer Commentary
Information
Behavioral and Brain Sciences , Volume 36 , Issue 2 , April 2013 , pp. 159 - 160
Copyright
Copyright © Cambridge University Press 2013 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Bloom, P. (2010) How pleasure works: The new science of why we like what we like. Norton.Google Scholar
Meyer, L. B. (1956) Emotion and meaning in music. Chicago University Press.Google Scholar