Hostname: page-component-586b7cd67f-l7hp2 Total loading time: 0 Render date: 2024-11-23T22:57:05.759Z Has data issue: false hasContentIssue false
  • English
  • Français

Art reception as an interoceptive embodied predictive experience

Published online by Cambridge University Press:  29 November 2017

Ruben T. Azevedo  and
Manos Tsakiris
Ruben T. Azevedo
Affiliation:
The Warburg Institute, School of Advanced Study, University of London, London WC1H 0AB, United Kingdom. https://warburg.sas.ac.uk/about/people/ruben-azevedohttp://warburg.sas.ac.uk/about/people/manos-tsakiris Laboratory of Action and Body, Royal Holloway University of London, Egham TW20 0EX, United Kingdom. [email protected]@rhul.ac.uk
Manos Tsakiris
Affiliation:
The Warburg Institute, School of Advanced Study, University of London, London WC1H 0AB, United Kingdom. https://warburg.sas.ac.uk/about/people/ruben-azevedohttp://warburg.sas.ac.uk/about/people/manos-tsakiris Laboratory of Action and Body, Royal Holloway University of London, Egham TW20 0EX, United Kingdom. [email protected]@rhul.ac.uk
Get access Rights & Permissions [Opens in a new window]

Abstract

In the Distancing-Embracing model, an explanation is proposed for the apparent paradox that is the enjoyment of negative emotional states in art reception. Here, we argue for the advantages of grounding the psychological dynamics described in the model in established and empirically testable frameworks of brain functioning by thinking of art reception as an embodied experience guided by predictive coding.

Type
Open Peer Commentary
Information
Behavioral and Brain Sciences , Volume 40 , 2017 , e350
Copyright
Copyright © Cambridge University Press 2017 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Azevedo, R. T., Garfinkel, S. M., Critchley, H. D. & Tsakiris, M. (2017) Cardiac afferent activity modulates the expression of racial stereotypes. Nature Communications 8:13854.CrossRefGoogle ScholarPubMed
Barrett, L. F., Quigley, K. S., Hamilton, P. (2016) An active inference theory of allostasis and interoception in depression. Philosophical Transactions of the Royal Society of London B: Biological Sciences 371(1708):20160011.Google Scholar
Blood, A. J. & Zatorre, R. J. (2001) Intensely pleasurable responses to music correlate with activity in brain regions implicated in reward and emotion. Proceedings of the National Academy of Sciences of the United States of America 98(20):11818–23. Available at: http://dx.doi.org/10.1073/pnas.191355898.Google Scholar
Calvo-Merino, B., Glaser, D. E., Grezes, J., Passingham, R. E. & Haggard, P. (2005) Action observation and acquired motor skills: An fMRI study with expert dancers. Cerebral Cortex 15(8):1243–49.Google Scholar
Christensen, J. F., Gomila, A., Gaigg, S. B., Sivarajah, N. & Calvo-Merino, B. (2016) Dance expertise modulates behavioural and psychophysiological responses to affective body movement. Journal of Experimental Psychology 42(8):1139–47.Google Scholar
Cikara, M., Bruneau, E. G. & Saxe, R. (2011) Us and them: Intergroup failures of empathy. Current Directions in Psychological Sciences 20(3):149–53.Google Scholar
Clark, A. (2013) Whatever next? Predictive brains, situated agents, and the future of cognitive science. Behavioral and Brain Sciences 36(3):181–204. Available at: https://doi.org/10.1017/S0140525X12000477.Google Scholar
Critchley, H. D. & Harrison, N. A. (2013) Visceral influences on brain and behavior. Neuron 77(4):624–38.Google Scholar
Cross, E. S., Kirsch, L., Ticini, L. F. & Schütz-Bosbach, S. (2011) The impact of aesthetic evaluation and physical ability on dance perception. Frontiers in Human Neuroscience 5:102.Google Scholar
Freedberg, D. & Gallese, V. (2007) Motion, emotion and empathy in esthetic experience. Trends in Cognitive Sciences 11(5):197–203. Available at: https://doi.org/10.1016/j.tics.2007.02.003.Google Scholar
Gallese, V. & Sinigaglia, C. (2011) What is so special about embodied simulation? Trends in Cognitive Sciences 15(11):512–19.Google Scholar
Kirk, U., Skov, M., Christensen, M. S. & Nygaard, N. (2009a) Brain correlates of aesthetic expertise: A parametric fMRI study. Brain and Cognition 69:306–15.Google Scholar
Salimpoor, V. N., van den Bosch, I., Kovacevic, N., McIntosh, A. R., Dagher, A. & Zatorre, R. J. (2013) Interactions between the nucleus accumbens and auditory cortices predict music reward value. Science 340:216–19.Google Scholar
Salimpoor, V. N., Zald, D. H., Zatorre, R., Dagher, A. & McIntosh, A. R. (2015) Predictions and the brain: How musical sounds become rewarding. Trends in Cognitive Sciences 19:86–91.Google Scholar
Van de Cruys, S. & Wagemans, J. (2011) Putting reward in art: A tentative prediction error account of visual art. Iperception 2(9):1035–62. Available at: http://doi.org/10.1068/i0466aap.Google Scholar