The temporal structures of provincial realist novels set in extraction landscapes convey the new understanding of futurity that attended the nineteenth-century rise of an industrial system powered by a nonrenewable, diminishing stock of underground resources. Focusing on Joseph Conrad's Nostromo (1904), George Eliot's The Mill on the Floss (1860), and Fanny Mayne's Jane Rutherford; Or, the Miners' Strike (1853), this article demonstrates how these works adapt the provincial realist novel's emphasis on social renewal by way of marriage, reproduction, and inheritance to the extraction-based society of industrial Britain, undergirded by a trajectory of depletion and exhaustion rather than renewal. These works' deviation from novelistic chrononormativity expresses a new understanding of an extraction-based present that is claimed at the expense of future generations.