Theatre Research International: Volume 38 -

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Theatre Research International
ISSN: 0307-8833

EISSN: 1474-0672

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Volume 38 - October 2013

Contents

Page 3 of 4

Book Review

Philosophers and Thespians: Thinking Performance: Cultural Memory in the Present. By Freddi Rokem. Stanford: Stanford University Press, 2010. Pp. xii + 227. £18.53/$20.76 Pb; £50.83/$59.64 Hb
Arno Böhler
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01 February 2013, pp. 72-73
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Scrapbooks, Snapshots and Memorabilia: Hidden Archives of Performance. Edited by Glen McGillivray. Bern: Peter Lang, 2011. Pp 283. £40.50 Pb.
Paul Davies
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29 August 2013, pp. 265-266
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Shakespeare and the Staging of English History. By Janette Dillon. Oxford: Oxford University Press, 2012. Pp. viii + 148. £40 Hb; £14.99 Pb.
Brian Schneider
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31 May 2013, pp. 166-167
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Directing: A Handbook for Emerging Theatre Directors. By Rob Swain. London: Methuen Drama, 2011. Pp. 328. £14.99 Pb.
George Rodosthenous
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29 August 2013, pp. 266-267
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Staging and Performing Translation: Text and Theatre Practice. Edited by Roger Baines, Cristina Marinetti and Manuela Perteghella. Basingstoke and New York: Palgrave Macmillan, 2011. Pp. xiv + 277 + 1 b/w illus. + 3 figs. £58/$80 Hb
Dirk Gindt
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01 February 2013, pp. 73-74
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Ellen Terry: Spheres of Influence. Edited by Katharine Cockin. London: Pickering & Chatto, 2011. Pp. 206 + 6 illus. £60/$99 Hb.
Peter Thomson
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29 August 2013, pp. 267-268
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Composed Theatre: Aesthetics, Practices, Processes. Edited by Matthias Rebstock and David Roesner. Bristol and Chicago: Intellect, 2012. Pp. 367 + 73 illus. £45/$60 Hb
Jackie Smart
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01 February 2013, pp. 74-75
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Performing Embodiment in Samuel Beckett's Drama. By Anna McMullan. London: Routledge, 2010. Pp. 196. £85/$125 Hb.
S. E. Gontarski
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31 May 2013, pp. 167-168
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Acting Together: Performance and the Creative Transformation of Conflict. Edited by Cynthia E. Cohen, Roberto Gutiérrez Varea and Polly O. Walker. Oakland: New Village Press, 2011. Vol. 1: pp. xxv + 310 + 45 illus. £13.71/$21.95 Pb. Vol. 2: pp. xxiii + 280 + 38 illus. £13.71/$21.95 Pb.
Anthony Ellis
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29 August 2013, pp. 268-269
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L'acteur et l'intermédialité: Les nouveaux enjeux pour l'interprète et la scène à l'ère technologique. By Izabella Pluta. Lausanne: L'Age d'Homme, 2011. Pp. 395 + 58 illus. €35 Pb
Christophe Collard
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01 February 2013, pp. 75-76
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Performance in the Blockades of Neoliberalism: Thinking the Political Anew. By Maurya Wickstrom. Basingstoke and New York: Palgrave Macmillan, 2012. Pp. vii + 210 + 9 photographs. $85 Hb.
Fintan Walsh
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31 May 2013, pp. 168-169
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New Francophone African and Caribbean Theatres. By John Conteh-Morgan, with Dominic Thomas. Bloomington: Indiana University Press, 2010. Pp. xvii + 208. $70 Hb; $24.95 Pb.
Emily Sahakian
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31 May 2013, pp. 169-170
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The Two Frank Thrings. By Peter Fitzpatrick. Melbourne: Monash University Press, 2012. Pp. ix + 564 + illus. AU$49.95 Hb
Veronica Kelly
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01 February 2013, pp. 76-78
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Disability Culture and Community Performance: Find a Strange and Twisted Shape. By Petra Kuppers. Basingstoke: Palgrave Macmillan, 2011. Pp. xii + 282 + 25 illus. £55 Hb.
Debra Levine
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29 August 2013, pp. 269-270
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Wild and Dangerous Performances: Animals, Emotions, Circus. By Peta Tait. Basingstoke: Palgrave Macmillan, 2012. Pp. x + 229 + 21 illus. £53 Hb.
Jonathan Bollen
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29 August 2013, pp. 270-271
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Books Received

Books Received
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01 February 2013, pp. 79-81
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Book Review

Cooperation and Conflict: GDR Theatre Censorship, 1961–1989. By Laura Bradley. Oxford: Oxford University Press, 2010. Pp. 312. £49.50 Hb.
Anselm Heinrich
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31 May 2013, pp. 170-171
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Radical Visions 1968–2008: The Impact of the Sixties on Australian Drama. By Denise Varney. Amsterdam: Rodopi, 2011. Pp. 294 + 21 illus. $86 Pb.
Geoffrey Milne
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31 May 2013, pp. 171-172
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Front Cover (OFC, IFC) and matter

TRI volume 38 issue 1 Cover and Front matter
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01 February 2013, pp. f1-f4
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Books Received

Books Received
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29 August 2013, pp. 272-274
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Page 3 of 4

Theatre Research International

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Volume 38 - October 2013

Book Review

Philosophers and Thespians: Thinking Performance: Cultural Memory in the Present. By Freddi Rokem. Stanford: Stanford University Press, 2010. Pp. xii + 227. £18.53/$20.76 Pb; £50.83/$59.64 Hb

Scrapbooks, Snapshots and Memorabilia: Hidden Archives of Performance. Edited by Glen McGillivray. Bern: Peter Lang, 2011. Pp 283. £40.50 Pb.

Shakespeare and the Staging of English History. By Janette Dillon. Oxford: Oxford University Press, 2012. Pp. viii + 148. £40 Hb; £14.99 Pb.

Directing: A Handbook for Emerging Theatre Directors. By Rob Swain. London: Methuen Drama, 2011. Pp. 328. £14.99 Pb.

Staging and Performing Translation: Text and Theatre Practice. Edited by Roger Baines, Cristina Marinetti and Manuela Perteghella. Basingstoke and New York: Palgrave Macmillan, 2011. Pp. xiv + 277 + 1 b/w illus. + 3 figs. £58/$80 Hb

Ellen Terry: Spheres of Influence. Edited by Katharine Cockin. London: Pickering & Chatto, 2011. Pp. 206 + 6 illus. £60/$99 Hb.

Composed Theatre: Aesthetics, Practices, Processes. Edited by Matthias Rebstock and David Roesner. Bristol and Chicago: Intellect, 2012. Pp. 367 + 73 illus. £45/$60 Hb

Performing Embodiment in Samuel Beckett's Drama. By Anna McMullan. London: Routledge, 2010. Pp. 196. £85/$125 Hb.

Acting Together: Performance and the Creative Transformation of Conflict. Edited by Cynthia E. Cohen, Roberto Gutiérrez Varea and Polly O. Walker. Oakland: New Village Press, 2011. Vol. 1: pp. xxv + 310 + 45 illus. £13.71/$21.95 Pb. Vol. 2: pp. xxiii + 280 + 38 illus. £13.71/$21.95 Pb.

L'acteur et l'intermédialité: Les nouveaux enjeux pour l'interprète et la scène à l'ère technologique. By Izabella Pluta. Lausanne: L'Age d'Homme, 2011. Pp. 395 + 58 illus. €35 Pb

Performance in the Blockades of Neoliberalism: Thinking the Political Anew. By Maurya Wickstrom. Basingstoke and New York: Palgrave Macmillan, 2012. Pp. vii + 210 + 9 photographs. $85 Hb.

New Francophone African and Caribbean Theatres. By John Conteh-Morgan, with Dominic Thomas. Bloomington: Indiana University Press, 2010. Pp. xvii + 208. $70 Hb; $24.95 Pb.

The Two Frank Thrings. By Peter Fitzpatrick. Melbourne: Monash University Press, 2012. Pp. ix + 564 + illus. AU$49.95 Hb

Disability Culture and Community Performance: Find a Strange and Twisted Shape. By Petra Kuppers. Basingstoke: Palgrave Macmillan, 2011. Pp. xii + 282 + 25 illus. £55 Hb.

Wild and Dangerous Performances: Animals, Emotions, Circus. By Peta Tait. Basingstoke: Palgrave Macmillan, 2012. Pp. x + 229 + 21 illus. £53 Hb.

Books Received

Books Received

Book Review

Cooperation and Conflict: GDR Theatre Censorship, 1961–1989. By Laura Bradley. Oxford: Oxford University Press, 2010. Pp. 312. £49.50 Hb.

Radical Visions 1968–2008: The Impact of the Sixties on Australian Drama. By Denise Varney. Amsterdam: Rodopi, 2011. Pp. 294 + 21 illus. $86 Pb.

Front Cover (OFC, IFC) and matter

TRI volume 38 issue 1 Cover and Front matter

Books Received

Books Received

Theatre Research International

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Volume 38 - October 2013

Book Review

Books Received

Book Review

Front Cover (OFC, IFC) and matter

Books Received