Theatre Research International: Volume 38 -

Costuming the Shakespearean Stage: Visual Codes of Representation in Early Modern Theatre and Culture. By Robert I. Lublin. Farnham: Ashgate, 2011. Pp. ix + 199. £55 Hb.
Laurence Publicover
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29 August 2013, pp. 257-258
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The Tunisian Revolution and the Dialectics of Theatre and Reality
RAFIKA ZAHROUNI
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31 May 2013, pp. 148-157
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This article explores two plays, Khamsūn (Fifty/Bodies Hostages) and Yaḥia Yaïsh (Amnesia), by Jalila Baccar and Fadhel Jaïbi, and a street performance (‘Ben Ali Fled!’) by a Tunisian citizen who was filmed celebrating the defeat of Ben Ali. The article examines Khamsūn's expression of fear of Islamic fundamentalism. Yaḥia Yaïsh not only shows the figure of a government leader who abuses his power, but also foretells the imminent fall of this leader, followed by an attempt to run away from being brought to justice, remarkably predicting the real-life events that soon materialized during the Tunisian Revolution, with slight differences between the two falls. Finally, the article considers both plays as theatrical experiences that are not enclosed within a confined space, but were re-enacting events happening in the streets of Tunisia.

Disguise on the Early Modern English Stage. By Peter Hyland. Farnham: Ashgate, 2011. Pp vii + 170. £55/$99.95 Hb.
Brian Schneider
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29 August 2013, pp. 258-259
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Refugees, Theatre and Crisis: Performing Global Identities. By Alison Jeffers. Basingstoke: Palgrave Macmillan, 2011. Pp. vii + 195. £50 Hb
Yana Meerzon
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01 February 2013, pp. 64-65
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The Ballets Russes in Australia and Beyond. Edited by Mark Carroll. Kent Town, South Australia: Wakefield Press, 2011. Pp. 368 + illus. AU$75.00 Hb.
Christopher Balme
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29 August 2013, pp. 259-260
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Murder Most Foul: Hamlet through the Ages. By David Bevington. Oxford and New York: Oxford University Press, 2011. Pp. vii–xiv + 236 + 21 illus. £25 Pb
Kenneth Richards
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01 February 2013, pp. 65-66
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Hamlet's Arab Journey: Shakespeare's Prince and Nasser's Ghost. By Margaret Litvin. Princeton and Oxford: Princeton University Press, 2012. Pp. xviii + 269. Hb.
Lobna Ismail
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31 May 2013, pp. 158-159
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Community Theatre and AIDS. By Ola Johansson. Basingstoke: Palgrave Macmillan, 2011. Pp xiii + 179. £53 Hb.
Jane Plastow
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29 August 2013, pp. 260-261
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Bastard or Playmate? Adapting Theatre, Mutating Media and the Contemporary Performing Arts. Edited by Robrecht Vanderbeeken, Christel Stalpaert, David Depestel and Boris Debackere. Amsterdam: Amsterdam University Press, 2012. Pp. 264 + 59 illus. €27.50 Pb.
Dirk Gindt
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31 May 2013, pp. 159-160
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Social Works: Performing Art, Supporting Publics. By Shannon Jackson. New York and London: Routledge, 2011. Pp. 300. £22.99 Pb; £70 Hb
Stephen Bottoms
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01 February 2013, pp. 66-68
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The Oxford Companion to Theatre and Performance. Edited by Dennis Kennedy. Oxford: Oxford University Press, 2010. Pp. xiv + 689. £10.99/$19.95 Pb; £25/$45 Hb.
Francisco Costa
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31 May 2013, pp. 160-161
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Théorie et pratique du théâtre: Au-delà des limites. By Josette Féral. Montpellier: l'Entretemps, 2011. Pp. 446 (incl. 83 illus.). €28 Pb.
Christophe Collard
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29 August 2013, p. 262
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Being a Director: A Life in Theatre. By Di Trevis. London: Routledge, 2012. Pp. xvi + 181 + 14 illus. £16.99 Pb
Jacqueline Bolton
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01 February 2013, pp. 68-69
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The Oxford Handbook of the American Musical. Edited by Raymond Knapp, Mitchell Morris and Stacy Wolf. New York: Oxford University Press, 2011. Pp. 470. £95/$150 Hb.
George Rodosthenous
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31 May 2013, pp. 161-163
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Golden Age Drama in Contemporary Spain: The Comedia on Page, Stage and Screen. By Duncan Wheeler. Cardiff: University of Wales Press, 2012. Pp. 295. £19.99 Pb
Helena Buffery
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01 February 2013, pp. 69-71
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Darkening Mirrors: Imperial Representation in Depression-Era African American Performance. By Stephanie Leigh Batiste. Durham, NC: Duke University Press, 2012. Pp. xx + 326 + 35 illus. £71/$94.95 Hb; £16.99/$25.95 Pb.
Soyica Diggs Colbert
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29 August 2013, pp. 263-264
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Performing Exile, Performing Self: Drama, Theatre, Film. By Yana Meerzon. Basingstoke: Palgrave Macmillan, 2012. Pp. xi + 350. £57 Hb
Alison Jeffers
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01 February 2013, pp. 71-72
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David Mamet and American Macho. By Arthur Holmberg. Cambridge: Cambridge University Press, 2012. Pp. ix + 307 + 13 illus. £55/$90 Hb.
Henry I. Schvey
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29 August 2013, pp. 264-265
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The Golden Age of American Musical Theatre 1943–1965. By Corinne J. Naden. Plymouth: The Scarecrow Press, 2012. Pp. 268. £24.95/$39.95 Hb.
Arthur Pritchard
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31 May 2013, pp. 163-164
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New Directions in Renaissance Drama and Performance Studies. Edited by Sarah Werner. New York: Palgrave Macmillan, 2010. Pp. x + 226. £50/$80 Hb. - Popular Shakespeare: Simulation and Subversion on the Modern Stage. By Stephen Purcell. New York: Palgrave Macmillan, 2009. Pp. x + 262. £52/$85 Hb. - Shakespeare in Stages: New Theatre Histories. Edited by Christine Dymkowski and Christie Carson. Cambridge: Cambridge University Press, 2010. Pp. xvi + 306. £55/$95 Hb.
Peter W. Marx
Published online by Cambridge University Press:

31 May 2013, pp. 164-166
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Theatre Research International

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Volume 38 - October 2013

Book Review

Costuming the Shakespearean Stage: Visual Codes of Representation in Early Modern Theatre and Culture. By Robert I. Lublin. Farnham: Ashgate, 2011. Pp. ix + 199. £55 Hb.

Articles

The Tunisian Revolution and the Dialectics of Theatre and Reality

Book Review

Disguise on the Early Modern English Stage. By Peter Hyland. Farnham: Ashgate, 2011. Pp vii + 170. £55/$99.95 Hb.

Refugees, Theatre and Crisis: Performing Global Identities. By Alison Jeffers. Basingstoke: Palgrave Macmillan, 2011. Pp. vii + 195. £50 Hb

The Ballets Russes in Australia and Beyond. Edited by Mark Carroll. Kent Town, South Australia: Wakefield Press, 2011. Pp. 368 + illus. AU$75.00 Hb.

Murder Most Foul: Hamlet through the Ages. By David Bevington. Oxford and New York: Oxford University Press, 2011. Pp. vii–xiv + 236 + 21 illus. £25 Pb

Hamlet's Arab Journey: Shakespeare's Prince and Nasser's Ghost. By Margaret Litvin. Princeton and Oxford: Princeton University Press, 2012. Pp. xviii + 269. Hb.

Community Theatre and AIDS. By Ola Johansson. Basingstoke: Palgrave Macmillan, 2011. Pp xiii + 179. £53 Hb.

Bastard or Playmate? Adapting Theatre, Mutating Media and the Contemporary Performing Arts. Edited by Robrecht Vanderbeeken, Christel Stalpaert, David Depestel and Boris Debackere. Amsterdam: Amsterdam University Press, 2012. Pp. 264 + 59 illus. €27.50 Pb.

Social Works: Performing Art, Supporting Publics. By Shannon Jackson. New York and London: Routledge, 2011. Pp. 300. £22.99 Pb; £70 Hb

The Oxford Companion to Theatre and Performance. Edited by Dennis Kennedy. Oxford: Oxford University Press, 2010. Pp. xiv + 689. £10.99/$19.95 Pb; £25/$45 Hb.

Théorie et pratique du théâtre: Au-delà des limites. By Josette Féral. Montpellier: l'Entretemps, 2011. Pp. 446 (incl. 83 illus.). €28 Pb.

Being a Director: A Life in Theatre. By Di Trevis. London: Routledge, 2012. Pp. xvi + 181 + 14 illus. £16.99 Pb

The Oxford Handbook of the American Musical. Edited by Raymond Knapp, Mitchell Morris and Stacy Wolf. New York: Oxford University Press, 2011. Pp. 470. £95/$150 Hb.

Golden Age Drama in Contemporary Spain: The Comedia on Page, Stage and Screen. By Duncan Wheeler. Cardiff: University of Wales Press, 2012. Pp. 295. £19.99 Pb

Darkening Mirrors: Imperial Representation in Depression-Era African American Performance. By Stephanie Leigh Batiste. Durham, NC: Duke University Press, 2012. Pp. xx + 326 + 35 illus. £71/$94.95 Hb; £16.99/$25.95 Pb.

Performing Exile, Performing Self: Drama, Theatre, Film. By Yana Meerzon. Basingstoke: Palgrave Macmillan, 2012. Pp. xi + 350. £57 Hb

David Mamet and American Macho. By Arthur Holmberg. Cambridge: Cambridge University Press, 2012. Pp. ix + 307 + 13 illus. £55/$90 Hb.

The Golden Age of American Musical Theatre 1943–1965. By Corinne J. Naden. Plymouth: The Scarecrow Press, 2012. Pp. 268. £24.95/$39.95 Hb.

Theatre Research International

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Volume 38 - October 2013

Book Review

Articles

Book Review