Theatre Research International: Volume 19 -

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Theatre Research International
ISSN: 0307-8833

EISSN: 1474-0672

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Volume 19 - Autumn 1994

Contents

Page 4 of 6

Reviews

Ingmar Bergman: A Life in the Theater. By Frederick J. Marker and Lise-Lone Marker. Cambridge: Cambridge University Press, 1992. Pp. xx + 323 + illus. £40 Hb; 14.95 Pb.
Ann Friden
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23 January 2009, p. 80
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Theatre As Action: Soviet Russian Avant-Garde Aesthetics.. By Lars Kleberg. London: Macmillan, 1993. Pp. xii + 152. £11.99.
Steve Nicholson
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23 January 2009, pp. 276-277
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Giorgio Strehler. by David L. Hirst. (Directors in Perspective Series.) Cambridge: Cambridge University Press, 1993. Pp. xii + 140. £32.50.
Richard Allen Cave
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23 January 2009, pp. 174-175
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Before Stanislavsky: American Professional Acting Schools and Acting Theory 1875–1925. By James H. McTeague. Metuchen, NJ and London: Scarecrow Press, 1994. Pp. xviii + 298. $39.50.
Nigel Warrington
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23 January 2009, pp. 277-278
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Theatre and Everyday Life. An Ethics of Performance. By Alan Read. London and New York: Routledge, 1993. Pp. xii + 260 £37.50.
Mick Wallis
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23 January 2009, p. 81
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Ariane Mnouchkine and the Théâtre du Soleil. By Adrian Kiernander. (Directors in Perspective Series.) Cambridge: Cambridge University Press, 1993. Pp. xiv + 172. £35; $54.95.
Brian Singleton
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23 January 2009, pp. 175-176
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Architecture, Audience; By Iain Mackintosh. London and New York: Routledge, 1993. Pp. viii + 184. £35 Hb; £10.99 Pb.
Christopher Raugh
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23 January 2009, p. 82
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Playing Out The Empire: Ben-Hur and Other Toga Plays and Films. A Critical Anthology. Edited with Introduction and Notes by David Mayer, and an essay on the incidental music of toga dramas by Katherine Preston. Oxford: Clarendon Press, 1994. Pp. xii + 321 + illus. £35.
Adrienne Scullion
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23 January 2009, pp. 278-279
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Make Man Talk True: Nigerian Drama in English Since 1970. By Chris Dunton. (New Perspectives on African Literature Series, 5.) London: Hans Zell Publishers, 1992. Pp. 215. £45.
Obi Maduakor
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23 January 2009, pp. 176-177
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Reductionism In Drama and The Theatre: The Case of Samuel Beckett. By Gerhard Hauck. Potomac, Maryland: Scripta Humanistica, 1992. Pp. 230. $59.50.
Lois Oppenheim
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23 January 2009, pp. 279-280
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Laban for Actors and Dancers. By Jean Newlove. London: Nick Hern Books, 1993. Pp. 158. £9.99.
Diana Theodores
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23 January 2009, p. 177
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La Culture Contre L'art. By Josette Féral. Québec: Presses de l'Universite de Québec, 1990. Pp. 351.
David Bradby
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23 January 2009, p. 83
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One Night Stands. By Michael Billington. London: Nick Hern Books, 1993. Pp. xvi + 382. £17.99.
Michael Mangan
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23 January 2009, pp. 177-178
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A Semiotics of The Dramatic Text. By Susan Melrose. Basingstoke and London: Macmillan, 1994. Pp. x + 388. £12.99.
Michael L. Quinn
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23 January 2009, pp. 280-281
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Galoshins: The Scottish Folk Play. By Brian Hayward. Edinburgh: Edinburgh University Press, 1992. Pp. viii + 303. £40. - The Plays of Codco. Edited by Helen Peters. New York: Peter Lang, 1993. Pp. 446. £9.95.
Alasdair Cameron
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23 January 2009, p. 83
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New Directions In Theatre. Edited by Julian Hilton. Basingstoke and London: Macmillan, 1993. Pp. viii + 184. £10.99.
Michael L. Quinn
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23 January 2009, pp. 281-283
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The Semiotics of Performance. By Marco De Marinis. Translated by Áine O'healy. (Advances in Semiotics). Bloomington, IN: Indiana University Press, 1993. Pp. viii + 266. $39.95; £32.50.
Micael L. Quinn
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23 January 2009, pp. 84-85
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Drama Today: A Critical Guide to British Drama, 1970–1990. By Michelene Wandor. Longman and the British Council: London and New York, 1993. Pp. x + 81 + illus. £5.99.
David Ian Rabey
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23 January 2009, pp. 178-179
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Novel Images: Literature in Performance. Edited by Peter Reynolds. London: Routledge, 1993. Pp. x + 208. £11.99.
Adrienne Scullion
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23 January 2009, p. 86
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Contemporary British Theatre. Edited by Theodore Shank. Basingstoke and London: Macmillan, 1994. Pp. xii + 244. £40.
Robert Wilcher
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23 January 2009, p. 283
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Page 4 of 6

Theatre Research International

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Volume 19 - Autumn 1994

Reviews

Ingmar Bergman: A Life in the Theater. By Frederick J. Marker and Lise-Lone Marker. Cambridge: Cambridge University Press, 1992. Pp. xx + 323 + illus. £40 Hb; 14.95 Pb.

Theatre As Action: Soviet Russian Avant-Garde Aesthetics.. By Lars Kleberg. London: Macmillan, 1993. Pp. xii + 152. £11.99.

Giorgio Strehler. by David L. Hirst. (Directors in Perspective Series.) Cambridge: Cambridge University Press, 1993. Pp. xii + 140. £32.50.

Before Stanislavsky: American Professional Acting Schools and Acting Theory 1875–1925. By James H. McTeague. Metuchen, NJ and London: Scarecrow Press, 1994. Pp. xviii + 298. $39.50.

Theatre and Everyday Life. An Ethics of Performance. By Alan Read. London and New York: Routledge, 1993. Pp. xii + 260 £37.50.

Ariane Mnouchkine and the Théâtre du Soleil. By Adrian Kiernander. (Directors in Perspective Series.) Cambridge: Cambridge University Press, 1993. Pp. xiv + 172. £35; $54.95.

Architecture, Audience; By Iain Mackintosh. London and New York: Routledge, 1993. Pp. viii + 184. £35 Hb; £10.99 Pb.

Playing Out The Empire: Ben-Hur and Other Toga Plays and Films. A Critical Anthology. Edited with Introduction and Notes by David Mayer, and an essay on the incidental music of toga dramas by Katherine Preston. Oxford: Clarendon Press, 1994. Pp. xii + 321 + illus. £35.

Make Man Talk True: Nigerian Drama in English Since 1970. By Chris Dunton. (New Perspectives on African Literature Series, 5.) London: Hans Zell Publishers, 1992. Pp. 215. £45.

Reductionism In Drama and The Theatre: The Case of Samuel Beckett. By Gerhard Hauck. Potomac, Maryland: Scripta Humanistica, 1992. Pp. 230. $59.50.

Laban for Actors and Dancers. By Jean Newlove. London: Nick Hern Books, 1993. Pp. 158. £9.99.

La Culture Contre L'art. By Josette Féral. Québec: Presses de l'Universite de Québec, 1990. Pp. 351.

One Night Stands. By Michael Billington. London: Nick Hern Books, 1993. Pp. xvi + 382. £17.99.

A Semiotics of The Dramatic Text. By Susan Melrose. Basingstoke and London: Macmillan, 1994. Pp. x + 388. £12.99.

Galoshins: The Scottish Folk Play. By Brian Hayward. Edinburgh: Edinburgh University Press, 1992. Pp. viii + 303. £40. - The Plays of Codco. Edited by Helen Peters. New York: Peter Lang, 1993. Pp. 446. £9.95.

New Directions In Theatre. Edited by Julian Hilton. Basingstoke and London: Macmillan, 1993. Pp. viii + 184. £10.99.

The Semiotics of Performance. By Marco De Marinis. Translated by Áine O'healy. (Advances in Semiotics). Bloomington, IN: Indiana University Press, 1993. Pp. viii + 266. $39.95; £32.50.

Drama Today: A Critical Guide to British Drama, 1970–1990. By Michelene Wandor. Longman and the British Council: London and New York, 1993. Pp. x + 81 + illus. £5.99.

Novel Images: Literature in Performance. Edited by Peter Reynolds. London: Routledge, 1993. Pp. x + 208. £11.99.

Contemporary British Theatre. Edited by Theodore Shank. Basingstoke and London: Macmillan, 1994. Pp. xii + 244. £40.

Theatre Research International

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Volume 19 - Autumn 1994

Reviews