Theatre Research International: Volume 19 -

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Theatre Research International
ISSN: 0307-8833

EISSN: 1474-0672

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Volume 19 - Autumn 1994

Contents

Page 3 of 6

Reviews

Bolshevik Festivals 1917–1920. By James von Geldern. University of California Press, 1993. Pp. 316. $40.
Spencer Golub
Published online by Cambridge University Press:

23 January 2009, pp. 166-167
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Shakespearean Tragedy and Its Double: The Rhythms of Audience Response. By Kent Cartwright. University Park, Pennsylvania: Pennsylvania State University Press, 1991. Pp. 285. $27.50.
Gary Jay Williams
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23 January 2009, p. 74
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Komediantteatern I 1600-Talets Stockholm. By Gunilla Dahlberg. Stockholm: Stockholmsmonografier utgivna av Stockholms stad, 1992. Pp. 583 + ill. Sw.Kr. 300.
Willem Schrickx
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23 January 2009, pp. 271-272
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Kurze Geschichte des Deutschen Theaters. By Erika Fischer-Lichte. Tübingen and Basel: A. Francke Verlag, 1993. Pp. viii + 540. DM 39.80.
Peter Skrine
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23 January 2009, pp. 169-170
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The Social Relations Of Jonsows Theater. By Jonathan Haynes. Cambridge: Cambridge University Press, 1992. Pp. xii + 143. £27.95.
John M. Breen
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23 January 2009, p. 75
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Theatre and Performance in Austria from Mozart to Jelinek: Austrian Studies 4. Edited by Ritchie Robertson and Edward Timms. Edinburgh: Edinburgh University Press, 1993. Pp. xii + 218. £30.
Harriet Murphy
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23 January 2009, p. 170
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Popular Theatres of Nineteenth-Century France. By John McCormick. London and New York: Routledge. 1993. Pp. x + 255, + illus. £37.50.
Claude Schumacher
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23 January 2009, p. 76
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Regicide and Restoration: English Tragicomedy 1660–1671. By Nancy Klein Maguire. Cambridge: Cambridge University Press, 1992. Pp. xvi + 276 + illus. £35.
Michael Mangan
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23 January 2009, pp. 272-273
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Molière In Scotland. By Noël Peacock. Glasgow: University of Glasgow French and German Publications, 1993. Pp. 266 + illus. £12.50.
David Whitton
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23 January 2009, pp. 273-274
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Bertolt Brecht: Journals 1934–1955. Translated by Rorrison Hugh and edited by Willett John. London: Methuen, 1993. Pp. xx + 556 + illus. £35.
Anna-Marie Taylor
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23 January 2009, pp. 170-171
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Chekhov On The British Stage. Edited by Patrick Miles. Cambridge: Cambridge University Press, 1993. Pp. xii + 258. £30.
Gerry McCarthy
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23 January 2009, p. 77
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The Old Vic Theatre. By George Rowell. Cambridge: Cambridge University Press, 1993. Pp. xii + 207 + illus. £35.
John McCormick
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23 January 2009, p. 78
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Looking at Shakespeare: A Visual History of Twentieth-Century Performance. By Dennis Kennedy. Cambridge: Cambridge University Press, 1993. Pp. xxiv + 358 + illus. £45; $69.95.
Kate Shaw
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23 January 2009, pp. 171-172
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The Rise of the English Actress. By Sandra Richards. Basingstoke and London: Macmillan, 1993. Pp. xii + 306 + illus. £40.
Viv Gardner
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23 January 2009, pp. 274-275
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The American Stage: Social and Economic Issues for the Colonial Period to the Present. Edited by Ron Engle and Tice L. Miller. Cambridge: Cambridge University Press, 1993. Pp. xxii + 320. £40; $49.95.
Darryll Grantley
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23 January 2009, p. 79
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Players of Shakespeare 3: Further Essays in Shakespearian Performance by Players with the Royal Shakespeare Company. Edited by Jackson Russell and Smallwood Robert. Cambridge: Cambridge University Press, 1993. Pp. xiv + 222 + illus. £17.95; $34.95.
David Ian Rabey
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23 January 2009, pp. 172-174
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Political Censorship of the Arts and Press in Nineteenth-Century Europe. By Robert Justin Goldstein. New York: St. Martin's Press, 1989. Pp. xx + 232 + illus. $35.
Richard J. Hand
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23 January 2009, p. 275
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Avant-Garde Theatre 1892–1992. By Christopher Innes. London and New York: Routledge, 1993. Pp. x + 262. £35 Hb; 12.99 Pb.
Mick Wallis
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23 January 2009, p. 80
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The Alden Nowlan Papers: An Inventory of the Archive at the University of Calgary Libraries. Compiled by Jean M. Moore. Edited by Steele Apollonia and Jean F. Tenex. Biocritical essay by Gibbs Robert. Calgary: The University of Calgary Press, 1992. Pp. 585. $34.95.
Joyce Doolittle
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23 January 2009, p. 174
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Strindberg's Post-Inferno Plays. Edited by Kela Kvam. Copenhagen: Munksgaard/Rosinante, 1994. Pp. 216.
Michael Robinson
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23 January 2009, pp. 275-276
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Page 3 of 6

Theatre Research International

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Volume 19 - Autumn 1994

Reviews

Bolshevik Festivals 1917–1920. By James von Geldern. University of California Press, 1993. Pp. 316. $40.

Shakespearean Tragedy and Its Double: The Rhythms of Audience Response. By Kent Cartwright. University Park, Pennsylvania: Pennsylvania State University Press, 1991. Pp. 285. $27.50.

Komediantteatern I 1600-Talets Stockholm. By Gunilla Dahlberg. Stockholm: Stockholmsmonografier utgivna av Stockholms stad, 1992. Pp. 583 + ill. Sw.Kr. 300.

Kurze Geschichte des Deutschen Theaters. By Erika Fischer-Lichte. Tübingen and Basel: A. Francke Verlag, 1993. Pp. viii + 540. DM 39.80.

The Social Relations Of Jonsows Theater. By Jonathan Haynes. Cambridge: Cambridge University Press, 1992. Pp. xii + 143. £27.95.

Theatre and Performance in Austria from Mozart to Jelinek: Austrian Studies 4. Edited by Ritchie Robertson and Edward Timms. Edinburgh: Edinburgh University Press, 1993. Pp. xii + 218. £30.

Popular Theatres of Nineteenth-Century France. By John McCormick. London and New York: Routledge. 1993. Pp. x + 255, + illus. £37.50.

Regicide and Restoration: English Tragicomedy 1660–1671. By Nancy Klein Maguire. Cambridge: Cambridge University Press, 1992. Pp. xvi + 276 + illus. £35.

Molière In Scotland. By Noël Peacock. Glasgow: University of Glasgow French and German Publications, 1993. Pp. 266 + illus. £12.50.

Bertolt Brecht: Journals 1934–1955. Translated by Rorrison Hugh and edited by Willett John. London: Methuen, 1993. Pp. xx + 556 + illus. £35.

Chekhov On The British Stage. Edited by Patrick Miles. Cambridge: Cambridge University Press, 1993. Pp. xii + 258. £30.

The Old Vic Theatre. By George Rowell. Cambridge: Cambridge University Press, 1993. Pp. xii + 207 + illus. £35.

Looking at Shakespeare: A Visual History of Twentieth-Century Performance. By Dennis Kennedy. Cambridge: Cambridge University Press, 1993. Pp. xxiv + 358 + illus. £45; $69.95.

The Rise of the English Actress. By Sandra Richards. Basingstoke and London: Macmillan, 1993. Pp. xii + 306 + illus. £40.

The American Stage: Social and Economic Issues for the Colonial Period to the Present. Edited by Ron Engle and Tice L. Miller. Cambridge: Cambridge University Press, 1993. Pp. xxii + 320. £40; $49.95.

Players of Shakespeare 3: Further Essays in Shakespearian Performance by Players with the Royal Shakespeare Company. Edited by Jackson Russell and Smallwood Robert. Cambridge: Cambridge University Press, 1993. Pp. xiv + 222 + illus. £17.95; $34.95.

Political Censorship of the Arts and Press in Nineteenth-Century Europe. By Robert Justin Goldstein. New York: St. Martin's Press, 1989. Pp. xx + 232 + illus. $35.

Avant-Garde Theatre 1892–1992. By Christopher Innes. London and New York: Routledge, 1993. Pp. x + 262. £35 Hb; 12.99 Pb.

The Alden Nowlan Papers: An Inventory of the Archive at the University of Calgary Libraries. Compiled by Jean M. Moore. Edited by Steele Apollonia and Jean F. Tenex. Biocritical essay by Gibbs Robert. Calgary: The University of Calgary Press, 1992. Pp. 585. $34.95.

Strindberg's Post-Inferno Plays. Edited by Kela Kvam. Copenhagen: Munksgaard/Rosinante, 1994. Pp. 216.

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Volume 19 - Autumn 1994

Reviews