Book Review
The Cambridge History of American Theatre, volume 1: Beginnings to 1870. Edited by Don B. Wilmeth and Christopher Bigsby. Cambridge: Cambridge University Press, 1998. Pp. xvi + 525 + illus. $69.95 Hb. The Cambridge History of American Theatre, volume 2: 1870 to 1945. Edited by Don B. Wilmeth and Christopher Bigsby. Cambridge: Cambridge University Press, 1999. Pp. xviii + 590 + illus. $95 Hb. The Cambridge History of American Theatre, volume 3: Post World War II to the 1990s. Edited by Don B. Wilmeth and Christopher Bigsby. Cambridge: Cambridge University Press, 2000.
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The Full-Room: An A-Z of Contemporary Playwriting. By Dominic Dromgoole. London: Methuen, 2000. Pp. xii + 299. £18.99 Hb.
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Gender and Literacy on Stage in Early Modern England. By Eve Rachele Sanders. Cambridge: Cambridge University Press, 1999. Pp. xvii + 260. £35; $54.95 Hb.
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Cultures, Communities, Identities: Cultural Strategies for Participation and Empowerment. By Marjorie Mayo. Basingstoke: Palgrave, 2000. Pp. viii + 217. £42.50 Hb.
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Valie Export: Inszenierung von Schmerz. By Andrea Zell. Berlin: Dietrich Reimer, 2000. Pp. 218 + illus. DM98 Pb.
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The Cambridge Companion to Modern British Women Playwrights. Edited by Elaine Aston and Janelle Reinelt. Cambridge: Cambridge University Press, 2000. Pp. xx + 276 + illus. £13.95 Pb.
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Peter Nichols: Diaries, 1969–1977. By Peter Nichols. London: Nick Hern, 2000. Pp. 440 + illus. £25 Hb.
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A Literary Analysis of Charlotte Delbo's Concentration Camp Re-Presentation. By Nicole Thatcher. Lewiston: Edwin Mellen Press, 2000. Pp. xii + 208. £49.95 Hb.
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Books Received
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- 14 February 2002, pp. 120-123
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