Renaissance Quarterly: Volume 70 - Issue 1

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Renaissance Quarterly
ISSN: 0034-4338

EISSN: 1935-0236

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Volume 70 - Issue 1 - Spring 2017

Contents

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Il laboratorio del Rinascimento: Studi di storia e cultura per Riccardo Fubini. Lorenzo Tanzini, ed. Bibliotheca 58. Florence: Le Lettere, 2015. 294 pp. €28.
Robert Black
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20 November 2018, pp. 254-255
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GLN 15–16: Les éditions imprimées à Genève, Lausanne et Neuchâtel aux XVe et XVIe siècles. Jean-François Gilmont, ed. With Alexandre Vanautgaerden. Travaux d’Humanisme et Renaissance 552. Geneva: Droz, 2015. x + 544 pp. $123.
Renaud Adam
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20 November 2018, pp. 256-257
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Receptions of Antiquity, Constructions of Gender in European Art, 1300–1600. Marice E. Rose and Alison C. Poe, eds. Metaforms 3. Leiden: Brill, 2015. xv + 468 pp. $181.
Allison Fisher
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20 November 2018, pp. 257-258
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In the Courts of Religious Ladies: Art, Vision, and Pleasure in Italian Renaissance Convents. Giancarla Periti. New Haven: Yale University Press, 2016. x + 294 pp. $75.
Marilyn Dunn
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20 November 2018, pp. 258-260
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The Bernard and Mary Berenson Collection of European Paintings at I Tatti. Carl Brandon Strehlke and Machtelt Israëls. Florence: Villa I Tatti, The Harvard University Center for Italian Renaissance Studies, 2015. 824 pp. $145.
Hellmut Wohl
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20 November 2018, pp. 260-261
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Rethinking Renaissance Drawings: Essays in Honour of David McTavish. Una Roman D’Elia, ed. Montreal and Kingston: McGill-Queen’s University Press, 2015. vi + 410 pp. $125.
Francis Ames-Lewis
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20 November 2018, pp. 262-263
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La peinture facétieuse: Du rire sacré de Corrège aux fables burlesques de Tintoret. Francesca Alberti. Les Apparences. Arles: Actes Sud Editions, 2015. 480 pp. + 16 color pls. €34.
Christophe Brouard
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20 November 2018, pp. 263-265
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Becoming an Architect in Renaissance Italy: Art, Science and the Career of Baldassarre Peruzzi. Ann C. Huppert. New Haven: Yale University Press, 2015. ix + 222 pp. $85.
Joseph Connors
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20 November 2018, pp. 265-266
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Rome 1600: The City and the Visual Arts under Clement VIII. Clare Robertson. New Haven: Yale University Press, 2015. x + 450 pp. $75.
Frances Gage
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20 November 2018, pp. 266-268
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Baroque Visual Rhetoric. Vernon Hyde Minor. Toronto: University of Toronto Press, 2016. xii + 272 pp. $85.
Jan L. de Jong
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20 November 2018, pp. 268-269
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Giacinto Brandi (1621–1691): Catalogo ragionato delle opere. Guendalina Serafinelli. 2 vols. Archivi di arte antica. Torino: Umberto Allemandi, 2015. 536 pp. €200.
Richard E. Spear
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20 November 2018, pp. 269-272
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Art, Controversy, and the Jesuits: The “Imago Primi Saeculi” (1640). John W. O’Malley, SJ, ed. Early Modern Catholicism and the Visual Arts Series 12. Philadelphia: Saint Joseph’s University Press, 2015. x + 772 pp. $120.
Walter S. Melion
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20 November 2018, pp. 272-273
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Le dessin en Espagne à la Renaissance: Pour une interprétation de la trace. Lizzie Boubli. Études Renaissantes 15. Turnhout: Brepols, 2015. 654 pp. €100.
María López-Fanjul, Díez del Corral
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20 November 2018, pp. 274-275
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Early Netherlandish Paintings: Old Masters’ Gallery Catalogues, Szépművészeti Múzeum Budapest Volume 1. Susan Urbach. With Ágota Varga and András Fáy. Distinguished Contributions to the Study of the Arts in the Burgundian Netherlands 1.1. London: Harvey Miller, 2015. 272 pp. €150.
Jeffrey Chipps Smith
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20 November 2018, pp. 275-276
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The Monster in the Garden: Reframing Renaissance Landscape Design. Luke Morgan. Penn Studies in Landscape Architecture. Philadelphia: University of Pennsylvania Press, 2016. 246 pp. $65.
George L. Gorse
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20 November 2018, pp. 276-278
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The Celebrated Museum of the Roman College of the Society of Jesus. Athanasius Kircher. Ed. Peter Davidson. Trans. Anastasi Callinicos and Daniel Höhr. With Jane Stevenson. Early Modern Catholicism and the Visual Arts Series 13. Philadelphia: Saint Joseph’s University Press, 2015. 172 pp. $120.
Arthur J. DiFuria
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20 November 2018, pp. 278-279
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Echt tierisch!: Die Menagerie des Fürsten. Sabine Haag, ed. Exh. Cat. Innsbruck: Schloss Ambras. Vienna: Kunsthistorisches Museum Vienna, 2015. 296 pp. €24.95.
Andrea Bubenik
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20 November 2018, pp. 280-281
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Zoology in Early Modern Culture: Intersections of Science, Theology, Philology, and Political and Religious Education. Karl A. E. Enenkel and Paul J. Smith, eds. Intersections: Interdisciplinary Studies in Early Modern Culture 32. Leiden: Brill, 2014. xxiv + 522 pp. $179.
Cynthia M. Pyle
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20 November 2018, pp. 281-283
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The Invention of Science: A New History of the Scientific Revolution. David Wootton. New York: Harper, 2015. xiv + 770 pp. + 16 color pls. $35.
Stephen Pumfrey
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20 November 2018, pp. 283-284
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Astrology and Reformation. Robin B. Barnes. Oxford: Oxford University Press, 2016. xii + 390 pp. $74.
Sheila J. Rabin
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20 November 2018, pp. 285-286
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Page 2 of 7

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Renaissance Quarterly

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Volume 70 - Issue 1 - Spring 2017

Reviews

Il laboratorio del Rinascimento: Studi di storia e cultura per Riccardo Fubini. Lorenzo Tanzini, ed. Bibliotheca 58. Florence: Le Lettere, 2015. 294 pp. €28.

GLN 15–16: Les éditions imprimées à Genève, Lausanne et Neuchâtel aux XVe et XVIe siècles. Jean-François Gilmont, ed. With Alexandre Vanautgaerden. Travaux d’Humanisme et Renaissance 552. Geneva: Droz, 2015. x + 544 pp. $123.

Receptions of Antiquity, Constructions of Gender in European Art, 1300–1600. Marice E. Rose and Alison C. Poe, eds. Metaforms 3. Leiden: Brill, 2015. xv + 468 pp. $181.

In the Courts of Religious Ladies: Art, Vision, and Pleasure in Italian Renaissance Convents. Giancarla Periti. New Haven: Yale University Press, 2016. x + 294 pp. $75.

The Bernard and Mary Berenson Collection of European Paintings at I Tatti. Carl Brandon Strehlke and Machtelt Israëls. Florence: Villa I Tatti, The Harvard University Center for Italian Renaissance Studies, 2015. 824 pp. $145.

Rethinking Renaissance Drawings: Essays in Honour of David McTavish. Una Roman D’Elia, ed. Montreal and Kingston: McGill-Queen’s University Press, 2015. vi + 410 pp. $125.

La peinture facétieuse: Du rire sacré de Corrège aux fables burlesques de Tintoret. Francesca Alberti. Les Apparences. Arles: Actes Sud Editions, 2015. 480 pp. + 16 color pls. €34.

Becoming an Architect in Renaissance Italy: Art, Science and the Career of Baldassarre Peruzzi. Ann C. Huppert. New Haven: Yale University Press, 2015. ix + 222 pp. $85.

Rome 1600: The City and the Visual Arts under Clement VIII. Clare Robertson. New Haven: Yale University Press, 2015. x + 450 pp. $75.

Baroque Visual Rhetoric. Vernon Hyde Minor. Toronto: University of Toronto Press, 2016. xii + 272 pp. $85.

Giacinto Brandi (1621–1691): Catalogo ragionato delle opere. Guendalina Serafinelli. 2 vols. Archivi di arte antica. Torino: Umberto Allemandi, 2015. 536 pp. €200.

Art, Controversy, and the Jesuits: The “Imago Primi Saeculi” (1640). John W. O’Malley, SJ, ed. Early Modern Catholicism and the Visual Arts Series 12. Philadelphia: Saint Joseph’s University Press, 2015. x + 772 pp. $120.

Le dessin en Espagne à la Renaissance: Pour une interprétation de la trace. Lizzie Boubli. Études Renaissantes 15. Turnhout: Brepols, 2015. 654 pp. €100.

Early Netherlandish Paintings: Old Masters’ Gallery Catalogues, Szépművészeti Múzeum Budapest Volume 1. Susan Urbach. With Ágota Varga and András Fáy. Distinguished Contributions to the Study of the Arts in the Burgundian Netherlands 1.1. London: Harvey Miller, 2015. 272 pp. €150.

The Monster in the Garden: Reframing Renaissance Landscape Design. Luke Morgan. Penn Studies in Landscape Architecture. Philadelphia: University of Pennsylvania Press, 2016. 246 pp. $65.

The Celebrated Museum of the Roman College of the Society of Jesus. Athanasius Kircher. Ed. Peter Davidson. Trans. Anastasi Callinicos and Daniel Höhr. With Jane Stevenson. Early Modern Catholicism and the Visual Arts Series 13. Philadelphia: Saint Joseph’s University Press, 2015. 172 pp. $120.

Echt tierisch!: Die Menagerie des Fürsten. Sabine Haag, ed. Exh. Cat. Innsbruck: Schloss Ambras. Vienna: Kunsthistorisches Museum Vienna, 2015. 296 pp. €24.95.

Zoology in Early Modern Culture: Intersections of Science, Theology, Philology, and Political and Religious Education. Karl A. E. Enenkel and Paul J. Smith, eds. Intersections: Interdisciplinary Studies in Early Modern Culture 32. Leiden: Brill, 2014. xxiv + 522 pp. $179.

The Invention of Science: A New History of the Scientific Revolution. David Wootton. New York: Harper, 2015. xiv + 770 pp. + 16 color pls. $35.

Astrology and Reformation. Robin B. Barnes. Oxford: Oxford University Press, 2016. xii + 390 pp. $74.

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Volume 70 - Issue 1 - Spring 2017

Reviews