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A working-class hero is something to be: the American Musicians’ Union's attempt to ban the Beatles, 1964
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- 03 February 2010, pp. 1-16
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Resisting exile and asserting musical voice: the Dixie Chicks are ‘Not Ready to Make Nice’1
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- 12 October 2010, pp. 325-350
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Configuring the sound-box 1965–1972
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- 16 June 2010, pp. 181-197
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Shaping sounds, shaping spaces
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- 16 June 2010, pp. 199-211
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Marking time and sounding difference: Brubeck, temporality and modernity
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- 12 October 2010, pp. 351-371
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Civil taxis and wild trucks: the dialectics of social space and subjectivity in Dimanche à Bamako
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- 03 February 2010, pp. 17-39
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‘A small Utopia’: Unterstützer not Anhänger. Einstürzende Neubauten's Supporter Initiative
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- 12 October 2010, pp. 373-396
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Good Samaritans and oblivious cheerleaders: ideologies of Portuguese music journalists towards Portuguese music
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- 03 February 2010, pp. 41-59
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Bob Dylan's phonographic imagination
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- 16 June 2010, pp. 213-227
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Tear down the walls: Jefferson Airplane, race, and revolutionary rhetoric in 1960s rock
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- 03 February 2010, pp. 61-79
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‘How do you know he's not playing Pac-Man while he's supposed to be DJing?’: technology, formats and the digital future of DJ culture
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- 12 October 2010, pp. 397-416
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‘If you're gonna have a hit’: intratextual mixes and edits of pop recordings
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- 16 June 2010, pp. 229-250
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The stadium in your bedroom: functional staging, authenticity and the audience-led aesthetic in record production
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- 16 June 2010, pp. 251-266
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Land, song, constitution: exploring expressions of ancestral agency, intercultural diplomacy and family legacy in the music of Yothu Yindi with Mandawuy Yunupiŋu1
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- 03 February 2010, pp. 81-102
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A many-headed beast: progressive rock as European meta-genre
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- 12 October 2010, pp. 417-435
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Hits and misses: crafting a pop single for the top-40 market in the 1960s
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- 16 June 2010, pp. 267-281
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Crossover: Sam Katzman's Switchblade Calypso Bop Reefer Madness Swamp Girl or ‘Bad Jazz,’ calypso, beatniks and rock 'n' roll in 1950s teenpix
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- 12 October 2010, pp. 437-455
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A taxonomy of musical gesture in African American gospel music
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- 03 February 2010, pp. 103-129
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The reformer's charter: setting Bloom's Anxiety of Influence in the context of melodic rock
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- 03 February 2010, pp. 131-142
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‘… This little ukulele tells the truth’: indie pop and kitsch authenticity
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- 12 October 2010, pp. 457-469
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