Popular Music: Volume 38 -

Popular Music

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Popular Music
ISSN: 0261-1430

EISSN: 1474-0095

URL: /core/journals/popular-music
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Volume 38 - October 2019

Reviews

The Devil's Music: How Christians Inspired, Condemned, and Embraced Rock ‘n’ Roll. By Randall J. Stephens. Cambridge, MA: Harvard University Press, 2018. 337 pp. ISBN 978-0-674-98084-6

Listening for Africa: Freedom, Modernity, and the Logic of Black Music's African Origins. By David F. Garcia. Durham, NC: Duke University Press, 2017. 360 pp. ISBN 978-0-8223-6370-5

Time in the Blues. By Julia Simon. New York: Oxford University Press, 2017. 272 pp. ISBN 9780190666552

Chilean New Song. The Political Power of Music, 1960s–1973. By J. Patrice McSherry: Philadelphia, PA: Temple University Press, 2015. 229 pp. ISBN 978-1-4399-1152-5

The Music Profession in Britain, 1780–1920: New Perspectives on Status and Identity. Edited by Rosemary Golding. London: Routledge. 2018. 230 pp. ISBN 978-1-138-29186-7

Over and Over: Exploring Repetition in Popular Music. Edited by Oliver Julien and Christophe Levaux. New York: Bloomsbury Academic, 2018. 208pp. ISBN 9781501324888

The Beatles on Screen: From Pop Stars to Musicians By Stephanie Fremaux. New York: Bloomsbury Academic, 2018. 184 pp. ISBN: 978-1501327131

Soundtracking Germany: Popular Music and National Identity. By Melanie Schiller. Lanham, MD: Rowman & Littlefield International, 2018. 288 pp. ISBN 978-1-78660-622-8

Black and Blur. By Fred Moten. Durham, NC: Duke University Press, 2017. [consent not to be a single being, volume 1]. 339 pp. ISBN 9780822370161

Mad Dogs & Englishness. Popular Music and English Identities. Edited by By Lee Brooks, Mark Donnelly and Richard Mills. New York: Bloomsbury Academic, 2017. 220 pp. ISBN 9781-50131-1253

A Social History of Early Rock ’n’ Roll in Germany: Hamburg from Burlesque to the Beatles, 1955–69. By Julia Sneeringer. London: Bloomsbury, 2018. 290 pp. ISBN 9781350034389

Erratum

Sound, music, and magic in football stadiums - ERRATUM

Reviews

Music and Irish Identity: Celtic Tiger Blues. By Gerry Smyth. New York: Routledge, 2017. 178 pp. ISBN 978-1-4724-4272-7

Sounds of Origin in Heavy Metal Music. Edited by Toni-Matti Karjalainen. Newcastle upon Tyne: Cambridge Scholars, 2018. 198 pp. ISBN: 978-1-5275-1170-5

The Sound of Nonsense. By Richard Elliott. London: Bloomsbury, 2017. 146 pp. ISBN: 9781501324543

Front Cover (OFC, IFC) and matter

PMU volume 38 issue 2 Cover and Front matter

Reviews

No Future: Punk, Politics and British Youth Culture, 1976–1984. By Matthew Worley. Cambridge: Cambridge University Press. 2017. 418 pp. ISBN 978-1-316-62560-6

Back Cover (IBC, OBC) and matter

PMU volume 38 issue 2 Cover and Back matter

Reviews

Stories we Could Tell: Putting Words to American Popular Music. By David Sanjek. Co-edited by Tom Attah, Mark Duffett and Benjamin Halligan. Abingdon: Routledge, 2019 (Ashgate Popular and Folk Music Series). xxvi + 242 pp. ISBN: 978-1-138-57196-9

Music in the West Country: Social and Cultural History across an English Region. By Stephen Banfield. Woodbridge: Boydell Press, 2018. 456 pp, ISBN 978-1-78327-273-0

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Volume 38 - October 2019

Reviews

Erratum

Reviews

Front Cover (OFC, IFC) and matter

Reviews

Back Cover (IBC, OBC) and matter

Reviews