Reviews
Decomposed: The Political Ecology of Music. By Kyle Devine. Cambridge, MA: MIT Press, 2019. 316 pp. ISBN 978-0-262-53778-0
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- 27 August 2020, pp. 370-372
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Great Songwriting Techniques. By Jack Perricone. New York: Oxford University Press, 2018. 379 pp. ISBN: 9780199967674
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- 19 March 2021, pp. 705-707
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Creativity in the Recording Studio: Alternative Takes. By Paul Thompson. New York: Palgrave Macmillan, 2019. 285 pp. ISBN 9783030016494
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- 27 August 2020, pp. 372-373
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Kick it: A Social History of the Drum Kit. By Matt Brennan. Oxford: Oxford University Press. 2020. 320 pp. ISBN 978-0-19-068387-0
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- 19 March 2021, pp. 707-709
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Not As We Choose: Music, Memory and Technology. By Chris Cutler. Thornton Heath: ReR Megacorp/November Books, 2020. 212 pp. ISBN 9780956018458
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- 19 March 2021, pp. 709-711
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Women in the Studio: Creativity, Control, and Gender in Popular Music Sound Production. By Paula Wolfe. Abingdon: Routledge, 2020. 224 pp. ISBN 9781472474872
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- 27 August 2020, pp. 373-375
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Lipsynching. By Merrie Snell. New York: Bloomsbury Academic, 2020. 185 pp. ISBN 978-1-5013-5234-8
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- 19 March 2021, pp. 712-714
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Streaming Music: Practices, Media, Cultures. By Sofia Johansson, Ann Werner, Patrik Åker and Gregory Goldenzwaig. New York: Routledge, 2018. 180 pp. ISBN 9781138633131
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- 27 August 2020, pp. 375-378
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It's a London Thing: How Rare Groove, Acid House and Jungle Remapped the City. By Caspar Melville. Manchester: Manchester University Press, 2020. 288 pp. ISBN 978-1-5261-3125-6
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- 27 August 2020, pp. 378-381
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The Cambridge Companion to Music in Digital Culture. Edited by Nicholas Cook, Monique M. Ingalls and David Trippett. Cambridge: Cambridge University Press, 2019. 332 pp. ISBN 978-1-316-61407-5
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- 19 March 2021, pp. 714-717
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Hollywood Harmony: Musical Wonder and the Sound of Cinema. By Frank Lehman. New York: Oxford University Press, 2018. 292 pp. ISBN 9780190606
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- 27 August 2020, pp. 381-383
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Digital Sampling: The Design and Use of Music Technologies. By Paul Harkins. New York: Routledge, 2020. 208 pp. ISBN: 9781351209960
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- 19 March 2021, pp. 717-720
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Is it Still Good to Ya? Fifty Years of Rock Criticism 1967–2002. By Robert Christgau. Durham, NC: Duke University Press, 2018. 444 pp. ISBN 978-1-4780-0022-8 - Book Reports: a Music Critic on his First Love, which was Reading. By Robert Christgau. Durham, NC: Duke University Press, 2019. 398 pp. ISBN 978-1-4780-0030-3‡
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- 27 August 2020, pp. 384-389
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Designing the Music Business. Design Culture, Music Video and Virtual Reality. By Guy Morrow. Cham, Switzerland: Springer Nature Switzerland AG, 2020. 210 pp. ISBN 978-3-030-48113-1
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- 19 March 2021, pp. 720-722
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Special issue of Popular Music
Prosecuting and policing rap
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- 27 August 2020, pp. 390-391
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‘Zeiten des Aufbruchs’: Populäre Musik als Medium gesellschaftlichen Wandels. Edited by Dominik Schrage, Holger Schwetter, and Anne-Kathrin Hoklas. Wiesbaden: Springer. 2019. 415 pp. ISBN: 978-3-658-21409-8
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- 19 March 2021, pp. 722-724
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Front Cover (OFC, IFC) and matter
PMU volume 39 issue 2 Cover and Front matter
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- 27 August 2020, pp. f1-f6
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Pop Music and Hip Ennui: A Sonic Fiction of Capitalist Realism. By Macon Holt. London: Bloomsbury Academic, 2019. 208 pp. ISBN 978-1-5013-4666-8
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- 19 March 2021, pp. 724-726
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British Progressive Pop 1970–1980. By Andy Bennett. London: Bloomsbury Academic, 2020. 162 pp. ISBN: 978-1-5013-3663-8
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- 19 March 2021, pp. 726-729
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Back Cover (IBC, OBC) and matter
PMU volume 39 issue 2 Cover and Back matter
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- 27 August 2020, pp. b1-b4
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