The Contributors
The contributors
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- 11 November 2008, p. iii
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The Contributors
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- Published online by Cambridge University Press:
- 11 November 2008, p. iii
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The contributors
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- 11 November 2008, pp. iii-iv
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Research Article
Musica mizrakhit: ethnicity and class culture in Israel
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- 11 November 2008, pp. 131-141
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Analysing performance: narrative and ideology in concerts by ¡Karaxú!
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- 11 November 2008, pp. 1-30
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Introduction
Introduction
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- 11 November 2008, pp. 216-219
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Research Article
Dance bands and dance halls in Greenock, 1945–55
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- 11 November 2008, pp. 143-155
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Map of Africa
Map of Africa
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- 11 November 2008, p. 220
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Research Article
‘The hieroglyphics of love’: the torch singers and interpretation
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- 11 November 2008, pp. 31-58
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The early history of West African highlife music
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- 11 November 2008, pp. 221-230
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Hot swing and the dissolute life: youth, style and popular music in Europe 1939–49
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- 11 November 2008, pp. 157-163
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A belated salute to the ‘old way’ of ‘snaking’ the voice on its (ca) 345th birthday
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- 11 November 2008, pp. 59-96
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Middle Eight
Copyright in Europe
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- 11 November 2008, p. 97
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Research Article
Disposable icons: pop music in Australia, 1955–63
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- 11 November 2008, pp. 165-175
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A diachronic study of change in juju music
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- 11 November 2008, pp. 232-242
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Whose music? The songs of Remmy Ongala and Orchestra Super Matimila
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- 11 November 2008, pp. 243-258
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Middle Eight
CD-Video
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- 11 November 2008, pp. 97-98
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Research Article
Have I the right? Legitimacy, authenticity and community in folk's politics
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- 11 November 2008, pp. 177-184
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The when, where, and who of pop lyrics: the listener's prerogative
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- 11 November 2008, pp. 185-193
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‘Horses in the race course’: the domestication of ingoma dancing in South Africa, 1929–39
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- 11 November 2008, pp. 259-273
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