Popular Music: Volume 35 -

Popular Music

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Popular Music
ISSN: 0261-1430

EISSN: 1474-0095

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Volume 35 - October 2016

Reviews

Folk City: New York and the American Folk Music Revival. By Stephen Petrus and Ronald D. Cohen . New York: Oxford University Press, 2015. 320 pp. ISBN-13: 978-0190231026

Soundscapes of Wellbeing in Popular Music. Edited by Gavin J. Andrews, Paul Kingsbury and Robin Kearns. Farnham: Ashgate, 2014. 304 pp. ISBN 978-1-4094-4359-9

Traditional Music and Irish Society: Historical Perspectives. By Martin Dowling. Surrey and Burlington, VT: Ashgate, 2014. 350 pp. ISBN 978-1-4094-3510-5

Negotiating Difference in French Louisiana Music. By Sara Le Menestrel . Jackson, MS: University Press of Mississippi, 2015. 383 pp. ISBN 978-1-62846-145-9

Going into the City: Portrait of the Critic as a Young Man. By Robert Christgau. New York: Dey Street/Harper Collins, 2015. 370 pp. ISBN 978-0-0622-3879-5

Gender, Age and Musical Creativity. Edited by Catherine Haworth and Lisa Colton . Farnham: Ashgate, 2015. 223 pp. ISBN 978-1-4724-3085-4

Dance Floor Democracy. By Sherrie Tucker. Durham, NC and London: Duke University Press, 2014. 384 pp. ISBN 978-0-8223-5757-5

Dangerous Rhythm: Why Movie Musicals Matter. By Richard Barrios . New York: Oxford University Press, 2014. 287 pp. ISBN 978-0-19-997384-2

How to Write About Music. Edited by Marc Woodworth and Ally-Jane Grossan. New York: Bloomsbury, 2015. 415 pp. ISBN 978-1-62892-043-7

Pop-Rock Music: Aesthetic Cosmopolitanism in Late Modernity. By Motti Regev. Polity Press, Cambridge and Malden, MA, 2013. 208 pp. ISBN 978-0-7456-6173-5

‘I Hear America Singing’: Folk Music and National Identity. By Rachel Clare Donaldson. Philadelphia, PA: Temple University Press, 2014. 225 pp. ISBN: 978-1-4399-1079-5

Transnational Punk Communities in Poland: From Nihilism to Nothing Outside Punk. By Marta Marciniak . Lanham, MD: Lexington Books, 2015. 217 pp. ISBN 978-1-4985-0157-6

Adapting Idols: Authenticity, Identity and Performance in the Global Television Format. Edited by Koos Zwaan and Joost de Bruin. Farnham: Ashgate, 2012. 237 pp. ISBN 978-1-4094-4169-4

From Soul to Hip Hop. Edited by Tom Perchard . Farnham: Ashgate, 2014. 532 pp. ISBN 978-0-7546-2950-4

The Ringtone Dialectic: Economy and Cultural Form. By Sumanth Gopinath. Cambridge: MIT Press, 2013. 416 pp. ISBN 978-0-262-01915-6

Music in America's Cold War Diplomacy. By Danielle Fosler-Lussier. Oakland, CA: University of California Press, 2015. 352 pp. ISBN: 978-0-520-28413-5

Lady Gaga and Popular Music: Performing Gender, Fashion, and Culture. Edited by Martin Iddon and Melanie L. Marshall , M. New York: Routledge, 2014. 302 pp. ISBN: 978-0-415-82452-1

Networks of Sound, Style and Subversion: The Punk and Post-Punk Worlds of Manchester, London, Liverpool and Sheffield, 1975–80. By Nick Crossley. Manchester: Manchester University Press, 2015. 268 pp. ISBN 978-0-719-08865-0

Sweet Air: Modernism, Regionalism, and American Popular Song. By Edward P. Comentale. Urbana, IL: University of Illinois Press, 2013. 274 pp. ISBN 978-0-252-07892-7

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Volume 35 - October 2016

Reviews