Reviews
Decomposed: The Political Ecology of Music. By Kyle Devine. Cambridge, MA: MIT Press, 2019. 316 pp. ISBN 978-0-262-53778-0
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- 27 August 2020, pp. 370-372
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Creativity in the Recording Studio: Alternative Takes. By Paul Thompson. New York: Palgrave Macmillan, 2019. 285 pp. ISBN 9783030016494
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- 27 August 2020, pp. 372-373
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Women in the Studio: Creativity, Control, and Gender in Popular Music Sound Production. By Paula Wolfe. Abingdon: Routledge, 2020. 224 pp. ISBN 9781472474872
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- 27 August 2020, pp. 373-375
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Streaming Music: Practices, Media, Cultures. By Sofia Johansson, Ann Werner, Patrik Åker and Gregory Goldenzwaig. New York: Routledge, 2018. 180 pp. ISBN 9781138633131
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- 27 August 2020, pp. 375-378
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It's a London Thing: How Rare Groove, Acid House and Jungle Remapped the City. By Caspar Melville. Manchester: Manchester University Press, 2020. 288 pp. ISBN 978-1-5261-3125-6
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- 27 August 2020, pp. 378-381
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Hollywood Harmony: Musical Wonder and the Sound of Cinema. By Frank Lehman. New York: Oxford University Press, 2018. 292 pp. ISBN 9780190606
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- 27 August 2020, pp. 381-383
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Is it Still Good to Ya? Fifty Years of Rock Criticism 1967–2002. By Robert Christgau. Durham, NC: Duke University Press, 2018. 444 pp. ISBN 978-1-4780-0022-8 - Book Reports: a Music Critic on his First Love, which was Reading. By Robert Christgau. Durham, NC: Duke University Press, 2019. 398 pp. ISBN 978-1-4780-0030-3‡
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- 27 August 2020, pp. 384-389
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Special issue of Popular Music
Prosecuting and policing rap
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- 27 August 2020, pp. 390-391
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Front Cover (OFC, IFC) and matter
PMU volume 39 issue 2 Cover and Front matter
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- 27 August 2020, pp. f1-f6
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Back Cover (IBC, OBC) and matter
PMU volume 39 issue 2 Cover and Back matter
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- 27 August 2020, pp. b1-b4
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