Articles
A working-class hero is something to be: the American Musicians’ Union's attempt to ban the Beatles, 1964
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- 03 February 2010, pp. 1-16
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Civil taxis and wild trucks: the dialectics of social space and subjectivity in Dimanche à Bamako
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- 03 February 2010, pp. 17-39
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Good Samaritans and oblivious cheerleaders: ideologies of Portuguese music journalists towards Portuguese music
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- 03 February 2010, pp. 41-59
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Tear down the walls: Jefferson Airplane, race, and revolutionary rhetoric in 1960s rock
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- 03 February 2010, pp. 61-79
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Land, song, constitution: exploring expressions of ancestral agency, intercultural diplomacy and family legacy in the music of Yothu Yindi with Mandawuy Yunupiŋu1
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- 03 February 2010, pp. 81-102
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A taxonomy of musical gesture in African American gospel music
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- 03 February 2010, pp. 103-129
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The reformer's charter: setting Bloom's Anxiety of Influence in the context of melodic rock
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- 03 February 2010, pp. 131-142
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Middle Eight
The poetry of rock: song lyrics are not poems but the words still matter; another look at Richard Goldstein's collection of rock lyrics
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- 03 February 2010, pp. 143-148
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Conference Reports. International Association for the Study of Popular Music (IASPM), 15th Biennial International Conference, 13–17 July 2009: Popular Music Worlds, Popular Music Histories, Liverpool, UK
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- 03 February 2010, pp. 149-153
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Reviews
The Irishness of Irish Music. By John O'Flynn. Surrey: Ashgate, 2009. 256 pp. ISBN 978-0-7546-5714-9 - The Making of Irish Traditional Music. By Helen O'Shea. Cork: University Press, 2008. 236 pp. ISBN 13: 978-1-85918-436-3 - Tuned Out: Traditional Music and Identity in Northern Ireland. By Fintan Vallely. Cork: University Press, 2008. 216 pp. ISBN-13: 978-1-85918-443-1
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- 03 February 2010, pp. 155-157
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Performing Class in British Popular Music. By Nathan Wiseman-Trowse. Basingstoke: Palgrave MacMillan, 2008. 208 pp. ISBN 978-0230219496
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- 03 February 2010, pp. 158-159
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Brass Diva: The Life and Legends of Ethel Merman. By Caryl Flinn. University of California Press, 2007. 542 pp. ISBN-13: 917-0-520-22942-6
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- 03 February 2010, pp. 160-161
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Music as Social Life: The Politics of Participation. By Thomas Turino. Chicago, USA: The University of Chicago Press, 2008. 258 pp. ISBN-13: 978-0-226-81697-5
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- 03 February 2010, pp. 161-163
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British Film Music and Film Musicals. By K.J. Donnelly. Houndmills & New York, NY: Palgrave Macmillan, 2007. 222 pp. ISBN 978-1-4039-9673-2 (hb)
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- 03 February 2010, pp. 163-165
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The Words and Music of Neil Young. By Ken Bielen. Westport, CT: Praeger, 2008. 177 pp. ISBN: 978-0-275-9902-5 - The Words and Music of Patti Smith. By Joe Tarr. Westport, CT: Praeger, 2008. 149 pp. ISBN: 978-0-275-99411-2
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- 03 February 2010, pp. 165-167
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The Words and Music of Paul Simon. By James Bennighof. Westport, CT: Praeger, 2007. 206 pp. ISBN 978-0-275-99163-0 (cloth)
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- 03 February 2010, pp. 167-169
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Dewey and Elvis: The Life and Times of a Rock'n'Roll Deejay. By Louis Cantor. Urbana and Chicago: University of Illinois Press, 2005. 287 pp. ISBN 0-252-02981-X (hb) - Race, Rock and Elvis. By Michael T. Bertrand. Urbana and Chicago: University of Illinois Press, 2000. 327 pp. ISBN 0-252-02586-5 (cloth) ISBN 0-252-07270-7 (pb)
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- 03 February 2010, pp. 169-173
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The Defence of Tradition in Brazilian Popular Music: Politics, Culture and the Creation of Música Popular Brasileira. By Sean Stroud. London: Ashgate, 2008. 222 pp. ISBN 978-0-7546-6343-0
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- 03 February 2010, pp. 173-176
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Punk Record Labels and the Struggle for Autonomy: The Emergence of DIY. By Alan O'Connor. Plymouth: Lexington, 2008. 145 pp. ISBN 0-7391-2660-1 - Encyclopedia of Punk Music and Culture. By Brian Cogan. Westport, CT and London: Greenwood Press, 2006. 282 pp. ISBN 0-313-33340-8
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- 03 February 2010, pp. 176-178
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Talking and Listening in the Age of Modernity. Essays on the History of Sound. Edited by Joy Damousi and Desley Deacon. Camberra: ANU E Press, 2007. 187 pp. ISBN 9781921313479
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- 03 February 2010, pp. 178-179
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