Roger Scruton's account of the nature of music and our experience of it foregrounds the imagination. It is a particularly interesting and promising ‘non-realist’ view in the aesthetics of music, in the sense that it does not postulate aesthetic properties of music that we represent in musical experience. In this paper I critically examine both Scruton's view and his main argument for it.

Philosophical development of Leibniz's view that time is merely earlier–later order is necessary because neither Leibniz nor modern followers sufficiently answered the Newtonian charge that order does not give quantity. Logically, order is transitive, quantity, as in distance, is not. Quantity, as well as order, is naturally assumed in Newton's absolute time, so that to declare the mere relative order sufficient is to have to show how quantity can arise for it. The modern theory of the continuum, perfectly applicable to Newton's absolute, does not show this but assumes quantity. The development given here shows how interval, instant and simultaneity can be logically developed from Leibniz's insight.

Because of the communicative function of propositions, Logic is a moral science about what ought to be said. The association with morality derives from the connection between Logic and Truth, and the social value of speaking the truth. Propositions are used rather than mentioned sentences, and so are not the platonically abstract objects they have often been taken to be. Instead they are social objects formed by a community's employment of language. So it is the public use of sentences that settles what they mean, and thereby their logic. The matter has a particular relevance to Graham Priest's non-classical views.

Plato's dialogues show discourse strategies beyond purely intellectual methods of persuasion. The usual assumption is that linguistic understanding depends on a match of inner experiences. This is partly explained by an underlying engagement with the historical Gorgias on discourse and psychology, as well as Parmenides on philosophical logos. In the Gorgias and the Symposium, speakers cannot understand alien experiences by philosophical conversation alone. There is no developed alternative model of understanding in the Platonic dialogues. The difficulties in bringing ‘philistine souls’ into Socratic alignment are the result of possessing an inferior soul, suffering misdirected passions, or missing the philosophy bug.

Few have given an extended treatment of the non-statistical sense of normality: a sense captured in sentences like “dogs have four legs,” or “hammers normally have metal heads,” or “it is normal for badgers to take dust baths.” The most direct extant treatment is Bernhard Nickel's Between Logic and the World, where he claims that the normal or characteristic for a kind is what we can explain by appeal to the right sorts of explanations. Just which explanatory strategies can ground normalities, though, is difficult to determine without inviting circularity into the account. After raising this and other worries for Nickel's account, I develop my own account according to which normal features are those which are explained by the kind of thing involved.

Discussion of the soul in this essay departs from the concept of the soul that for thousands of years has occupied the attention of philosophers and theologians and pervaded religious discourse. The author is concerned with what William James referred to as ‘the popular soul,’ the soul as it is invoked by expressions such as ‘an expansive soul,’ ‘a soulless person,’ ‘soul-mate,’ and ‘that melody touched my soul.’ Skepticism with regard to the existence of this soul is without warrant. How this soul comes into being and develops; what its essential features are; how the world, when the soul is engaged, is transformed; what its relationship is to one's conscience; its importance in a human life; its connections to purity and perfection, to silence; its survival upon death; and the perils posed today to its development and existence are the principal topics considered.

One of the standard examples in contemporary moral psychology originates in the works of social psychologist Jonathan Haidt. He treats people's responses to the story of Julie and Mark, two siblings who decide to have casual, consensual, protected sex, as facts of human morality, providing evidence for his social intuitionist approach to moral judgements. We argue that Haidt's description of the facts of the story and the reactions of the respondents as ‘morally dumbfounded’ presupposes a view about moral reasoning that is more substantial than he acknowledges. Drawing on the philosophical work by Iris Murdoch and Cora Diamond, we explore how different descriptions of human morality, sexuality, and family relations engage us in evaluations about distinctive features of human life and language that go deeper than Haidt envisages. Thus, we show the need to attend to the concepts used to describe the facts of human moral psychology and the pictures of morality these concepts reveal about the researcher's own understanding of moral experience. This points to the particular responsibility any researcher into human moral psychology has for ensuring that the descriptions they offer are attuned to the complexities of the lives of those they form theories about and that these do not appear conceptually confounding.